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Taylor 517 Grand Pacific Builder's Edition V-Class - Wild Honey Burst

6-string Acoustic Guitar with Torrefied Sitka Spruce Top, Neo-Tropical Mahogany Back and Sides, Mahogany Neck, and Ebony Fingerboard - Wild Honey Burst
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Taylor 517 Grand Pacific Builder's Edition V-Class - Wild Honey Burst
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Taylor's 517 Grand Pacific Builder's Edition

With its unique round-shoulder dreadnought silhouette, revolutionary V-Class Bracing, and dramatically different tonal personality, Taylor's 517 Grand Pacific Builder's Edition blazes new ground for Taylor. Featuring premium all-solid tonewoods — neo-tropical mahogany for the back and sides and a torrefied Sitka spruce top — this alluring acoustic guitar delivers a seductively bold and versatile tonal profile. As your eyes drink in this instrument's understated elegance, your hands savor its flawless playability while your ears revel in its warm, rich, organic tone. The 517 Grand Pacific Builder's Edition is a feast for the senses.

Grand Pacific: innovation and evolution

With the Grand Pacific, Taylor master luthier Andy Powers has fulfilled the potential of V-Class bracing as a robust tone-shaping platform. The Grand Pacific demonstrates proof-of-concept that V-Class architecture is an ideal cornerstone for guitars with a versatile range of musical personalities that will appeal to a broad swath of players cross-genre. Inspired by the diverse acoustic guitar sounds on the records he heard while growing up in Southern California, Andy set out to diversify Taylor’s tonal palette by designing a guitar with a different sound profile.

A bold new round-shoulder guitar from Taylor

Although V-Class bracing gave Andy more ways to control a guitar's tonal character, Andy also knew a new body shape would be required, something with roughly the dimensions of a dreadnought. With V-Class, he could eliminate the undesirable sonic characteristics generally ascribed to dreadnoughts. All this led to the round-shoulder dreadnought design Taylor calls the Grand Pacific. The Grand Pacific’s overall sound is warm and seasoned, producing notes that overlap more to create a smooth, blended sound. Its wider waist delivers more low-frequency power; the problematic low-end woodiness often associated with dreadnoughts being eliminated by the V-Class bracing.

V-Class Bracing: a sonic revelation

Bracing is the internal framework of an acoustic guitar that helps shape its sound. Although X-bracing has been standard in acoustic guitars for over a century, it creates an innate conflict between two key elements of a guitar’s sound: volume and sustain. The guitar's top (its soundboard) contributes to both. The flexibility of the top generates volume (projection), while its stiffness generates sustain. And with X-braced guitar tops, here's where the trade-off comes in: when something is made stiffer, its flexibility is reduced (and vice versa).

V-Class bracing changes all that. With Taylor's V-Class bracing, an acoustic guitar top can be both stiff and flexible — for more volume and sustain. V-Class bracing provides stiffness parallel to the strings for more rigidity and hence sustain. Flexibility on either side generates the air movement necessary for robust projection. It's the best of both worlds. This groundbreaking innovation also improves intonation; not only producing notes that are louder and with longer sustain — but more in tune with each other. Guitarists at Sweetwater are gobsmacked. But don't take our word for it — pick up the superb Taylor 517 Grand Pacific Builder's Edition and experience it for yourself!

Taylor master luthier Andy Powers

Exceptional tonewoods

Mahogany is treasured for its punchy midrange bloom and strongly focused, earthy, and somewhat dry fundamental without a preponderance of ringing overtones. An acoustic guitar with mahogany back and sides easily in a track, which is why engineers and studio guitarists tend to prefer "hogs" for tracking. The 517 Grand Pacific features back and sides of solid, responsibly sourced Neo-Tropical mahogany and a top of torrefied solid Sitka spruce with Taylor's tone-enhancing V-Class bracing, which takes the guitar's native versatility to an entirely new level. The torrefication process thermally cures the wood to deliver a more played-in tone, and together with the V-Class bracing, gives you a highly responsive and expressive instrument with increased dynamic range, robust projection and sustain, and harmonic synergy when chording up the entire fingerboard.

Taylor 517 Grand Pacific Builder's Edition Acoustic Guitar Features:

  • Neo-Tropical mahogany body with Silent Satin finish
  • Torrefied Sitka spruce top with V-Class Bracing
  • Compound Carve tropical mahogany neck with satin finish
  • 15"-radius West African ebony fingerboard with 20 frets, Grained Ivoroid Arrowhead inlays, and wood binding
  • 25.5" scale length
  • Wood binding; black sapele/maple single-ring rosette
  • West African ebony bridge, pins; Micarta saddle
  • 1.75" black graphite nut
  • Taylor Nickel tuners
  • Dual-action truss rod, headstock access

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Tech Specs

  • String Type: Steel
  • Number of Strings: 6
  • Left-/Right-handed: Right-handed
  • Body Shape: Round Shoulder Dreadnought
  • Back & Sides Wood: Tropical Mahogany
  • Top Wood: Torrified Sitka Spruce
  • Finish: Satin
  • Color: Wild Honey Burst
  • Body Bracing: V-Class Mahogany
  • Binding: Sapele
  • Neck Wood: Tropical Mahogany
  • Neck Shape: Compound Carve
  • Radius: 15"
  • Fingerboard Material: West African Ebony
  • Fingerboard Inlay: Grained Ivoroid Arrowheads
  • Number of Frets: 20
  • Scale Length: 25.5"
  • Nut Width: 1.75"
  • Nut/Saddle Material: Black Graphite/Micarta
  • Bridge Material: West African Ebony
  • Tuning Machines: Taylor Nickel
  • Strings: D'Addario XS Phosphor Bronze, .013-.056
  • Case Included: Hardshell Case
  • Manufacturer Part Number: A50203400000575S213

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Customer Reviews

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Rated 5/5

An absolute work of art!!

Been playing guitar for over 20 years and after playing a friends Taylor 814 decided to get this one. This an absolute piece of art. It looks great, plays wonderfully, and I will keep this guitar close by for a lifetime. As always, Sweetwater's customer service is simply the best. Shoutout to Cam Allen for offering some of the best customer service I've ever had.
Rated 5/5

Taylor 517 Builder's Edition

This is the guitar that I have always wished that Taylor would build. It's amazing! I love that it is a pure acoustic, with no electronics and no cutaway. The custom contour neck is a joy to play, and the slightly thicker than normal profile allows me to play longer without hand fatigue. The woods are beautiful. The torrefied sitka spruce top top has a lot of silking throughout, and very close grain in the center with wider grain at the edges. Perfect for an acoustic diaphragm. I chose the mahogany version of the Grand Pacific because I already own two rosewood dreadnoughts - a 16 yr. old Martin D-28 custom, and a 14 yr. old Gibson Advanced Jumbo. After a week, I have to say that this Taylor is as good of a guitar as either the Martin or the Gibson.

Now with regard to the sound, this is the first Taylor with the v-class bracing that I have played. I read that Andy Powers created the v-class bracing with the Grand Pacific design in mind, and it sounds to me like a perfect match. The tone is unlike any other Taylor I have ever played. I also own a 1991 Taylor 6-string jumbo which sounds incredible, but I like this Grand Pacific better. The Tone is thicker and meatier and meaner, while the trebles are round and prominent, while maintaining a sweet and clear sound. I am amazed at the evenness of volume between fretted and open strings, and the guitar truly does play in tune not matter where on the fingerboard. Finger picking and flat picking elicit equally beautiful tones, and it does sweet and quiet as well as loud and boisterous.

You might wonder if this Taylor sounds like a Martin or a Gibson, and my answer is yes. To me I can also hear Collings, Huss & Dalton and Gallagher. But this guitar also sounds uniquely Taylor. It growls and barks more than other Taylors in my experience, but I have to say "i like it!". It doesn't mimic any one particular brand, but I hear the best of those other brands and something extra in this Grand Pacific. I would think you could play almost any style of guitar on this chameleon. I am extremely satisfied with this addition to the stable!
Music background: Avid amateur
Rated 4.5/5

Taylor Grand Pacific---nice sound but satin finish?

I was able to play the Rosewood one last night at a Taylor 'Roadshow'; it has a nice sound all the way around---Taylor has captured the tone of a Gibson J45, albeit with a bit more subdued tone. The Mahogany Pacific was brighter, so you should check out that one to before making a decision.
The thing I can't understand is: why are they putting a satin finish on this for such an expensive model? The answer has got to be, after all the marketing explanations by Taylor---the cost in doing that gloss finish. I think they would sell more of these models if the finish was the ultra-thin gloss coating that they've been doing for years...and I guarantee you that it will eventually be offered. That's the only reason I didn't not give it a full top rating.

Compare it to a Gibson J45 and your ears will tell you what to do...it's a bold step forward by Taylor and the consumer will like what they hear.
Music background: professional musician

As one of the nation's top Taylor Guitars dealers, Sweetwater receives regular on-site training from Bob, Andy, and the rest of the Taylor crew. We're also, many of us, Taylor players ourselves, and we're happy to steer you in the right direction once you're ready to make the leap. New to Taylor? Our Find Your Fit guide simplifies Taylor body shapes, woods, and series. Longtime player? Our Taylor Custom Shop, annual limited editions, and in-house mods offer a level of exclusivity you won't find in stores. Whatever your pleasure, Sweetwater's climate-controlled warehouse and 55-point Inspection ensure your Taylor guitar arrives ready to play just as the manufacturer intended.

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