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Klark Teknik 2A-KT Optical Tube Leveling Amplifier

Tube Optical Leveling Amplifier with Discrete Signal Path, 10Hz-20kHz Frequency Response, Midas Transformers, Pre-emphasis Trim, and Vintage-style VU Metering
$379.00

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Klark Teknik 2A-KT Optical Tube Leveling Amplifier
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Classic Optical Compression for a Song

Inspired by the mother of all optical compressors, Klark Teknik set the bar high for its 2A-KT Leveling Amplifier. With its warm, musical sound and flexible, highly effective dynamics control, the 2A-KT is eminently useful in live settings and in all stages of the recording process, from tracking to mixing to mastering. The beating heart of the 2A-KT is a vintage-style no-lag optical attenuator based on the same electroluminescent technology employed in its 1960s predecessor. The 2A-KT is built using high-quality discrete components — all of which meet or exceed the specifications of the legendary compressor it is based on. Its characteristic warmth comes courtesy of hand-selected premium 12AX7, 12BH7, and EL84 tubes in a circuit that delivers ultra-low-noise output with tight bass, liquid midrange, and delicate, airy treble.

Impressive capabilities

The 2A-KT boasts a truly impressive frequency response of 10Hz to 20kHz (±1dB), and it boasts capabilities you won't find in most vintage-style tube leveling amplifiers, such as gain limiting from 0dB to 30dB with an ultra-fast 10ms attack time, release times that range from 50ms to five seconds, and much more. The 2A-KT's Limit/Compress switch lets you select between the internally fixed compression ratio of Compress mode and the near-infinite ratio of Limit mode. The adjustable Stereo Link TRS connector lets you gang a pair of 2A-KTs to blend their sidechain signals with shared threshold response.

The 2A-KT control set

Simplicity incarnate, the 2A-KT control set includes a Pre-emphasis trim that adjusts the sidechain that the compressor responds to without affecting the main audio signal. When cranked fully clockwise, the sidechain responds to the full frequency bandwidth of the incoming audio. As you turn the trimpot counterclockwise, the compressor responds less to the signal's high-frequency transients. The Peak Reduction knob controls the threshold of the compressor/limiter, with a maximum 40dB of gain reduction on tap. The Output Gain knob provides any makeup gain required for optimal output level.

Metering and I/O

Back in the 1960s and '70s, old-school VU meters ruled the roost, so Klark Teknik pays homage to the original with a classic d'Arsonval movement VU meter that averages short-duration signal peaks and troughs, providing a realistic visual indicator of perceived loudness. The Meter selection knob lets you display either gain reduction or output level. The 2A-KT features XLR and 1/4-inch TRS balanced line-level inputs and outputs with custom-designed Midas transformers. Unbalanced connections are obtained by inserting 1/4" TS cables.

A new chapter in dynamics processing

While the book on compression/limiting may have been written in the 1960s, Klark Teknik adds a new chapter with their 2A-KT. No slavish clone of the original, it brings new state-of-the-art capabilities to the party — and does so at a budget-friendly price that makes vintage-style tube optical compression available to a wider audience. It's fabulous on vocals, guitars, pianos, bass, drums — you name it. Today's digital recordings can sound cold, clinical, or harsh if proper attention is not paid to every component in the signal path — which makes the warm, smooth sound of tube optical compression a necessity. That's why Sweetwater recommends that no serious studio be without at least one high-quality tube compressor. And given the 2A-KT's outstanding performance and value, you can put a pair of them in your rack, opening up even more possibilities.

Klark Teknik 2A-KT Tube Optical Compressor Features:

  • Classic tube compressor/leveling amplifier
  • Completely discrete signal path
  • Premium selection of 12AX7, 12BH7, and EL84 tubes
  • Lag-free optical attenuator based on vintage electroluminescent technology
  • Custom-built Midas input and output transformers
  • Frequency response: 10Hz–20kHz, ±1dB
  • Gain limiting: 0dB–30dB
  • Ultra-fast attack time: 10ms
  • Release time: 50ms to 5 seconds
  • Adjustable stereo-link connection
  • Variable Pre-emphasis for digital audio recording and broadcasting transmission
  • Vintage-style meter displays gain reduction and output
  • Transformer-balanced inputs and outputs on Neutrik XLR connectors
  • Rugged 2U rackmount chassis for durability in portable applications
  • Autoranging universal switch-mode power supply
  • Designed and engineered in the UK

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Tech Specs

  • Type: Tube/Optical
  • Number of Channels: 1
  • Controls: Limit/Compress, Output Gain, Peak Reduction, Gain Reduction
  • Frequency Response: 10Hz-20kHz
  • Inputs: 1 x XLR, 1 x 1/4"
  • Outputs: 1 x XLR, 1 x 1/4"
  • Other I/O: 1 x 1/4" (stereo linking)
  • Tubes: 2 x 12AX7, 1 x 12BH7, 1 x EL84
  • Rack Spaces: 2U
  • Power Source: Standard IEC AC connector
  • Height: 3.5"
  • Depth: 6.2"
  • Width: 19"
  • Weight: 6.4 lbs.
  • Manufacturer Part Number: 000-E8A02-00010

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Customer Reviews

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Rated 5/5

It sounds really cool but not for me

So wow this thing really adds a lot of tube warmth to the signal going through it. This effect and the compression it provides is probably desirable 95% of the time for most things. I bought a WA8000 mic (c800 copy) recently and this mic does a very specific thing which unfortunately doesn't vibe with this particular compressor. The mic has a beautiful top end presence at around 10-12k which is really the main reason to use that mic and unfortunately this particular compressor with all its tube warmth and saturation gets rid of that. It's really doing what it's supposed to do and it's not even just compressing the signal in a traditional compressor sense, it's even leveling out the overall tone in a way. It would be a very great effect for most things and would really help bring most mics to life I bet. Unfortunately it's just not for a WA8000 in my opinion, most people using this mic are trying to achieve a very specific thing like a more modern sound and this compressor just makes the mic sound like any other condenser almost. I would love to leave it in my rack and try it out on other stuff but I already got a bunch of stuff I don't use anymore so I'll probably send it back. Thanks though sweetwater
Rated 4.5/5

Just yes...

The reviews aren't joking, this simple and cheaper version of the LA-2A style tube compressor does exactly what it's supposed to do. It gently compresses and adds tube warmth to your chain. I am already using it as the final piece of my vocal chain with excellent, borderline professional, results. If you like having physical knobs, and out of the box changes to your analog audio before digital conversion... snag one of these, it is a great piece of gear given the price. I can't 5 star the unit, just because of what is build wise... but a 4.5 is quite an achievement in my opinion. Pure analog tube compression beauty in a cheap metal box.
Music background: Church Music Director & Worship Leader | Recording Artist & Producer
Rated 4.5/5

Beats My Plugins hands down

Now let me say... I only used the included plugins on Cubase for my mastering and no matter what I did it always seemed to sound thin and platey. I bought 2 of these along with 2 kt-eq. I use all 4 in my master mix down. I just like the fact I can hear results by turning knobs. I can’t compare to a real la-2a but I can say it’s helping me get a result I never achieved before. And they are super quiet too. And they look fantastic in my rack.
Rated 5/5

Poor Man’s CL1B

Love this unit l upgraded it with the Black Lion Audio T4BLA Opto Element. Sounds amazingly smooth and solid. Way better warmth and body to vocals now.. everything sounds more even and EQs better in too. If you get the Opto upgrade, you'll have to crank the Peak Reduction literally all the way. But it's worth it 100%
Rated 5/5

Klark Tecnic leveler

For the price you cannot beat this comp. Works as advertised.
Music background: former professional musician
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