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Walrus Audio Mako Series D1 High-Fidelity Delay Pedal - Version 2

Digital Delay Guitar Effect Pedal with 5 Programs, 9 Presets (128 via MIDI), Tap Tempo, Adjustable Attack, 3 Tempo Subdivisions, 3 Tweak Modes, 2 Tempo Modes, and 3 Bypass Modes
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Walrus Audio Mako Series D1 High-Fidelity Delay Pedal - Version 2
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Infinitely Tweakable Delay

The D1 V2 digital delay pedal is the second iteration of Walrus Audio’s first entry into their Mako series, and it’s as infinitely tweakable as a digital delay pedal can get! This multifunction stompbox delivers five studio-grade programs — all tuned for the ultimate in high fidelity. It doesn’t matter what flavor of delay you’re reaching for — crystal-clear digital, swirling modulation-drenched, warm vintage-inflected tape delay — they’re all in there. The D1 V2 supplies complete control over your effect. With it, you can dial in your attack, craft otherworldly ambient soundscapes, explore various time subdivisions, and that’s just for starters! The D1 V2 boasts nine onboard presets, with a total of 128 available via MIDI, in addition to the V2’s new USB compatibility for updates. Tap tempo and dual tempo modes make keeping in sync a breeze, while multiple bypass modes enable you to specify how your repeats fade. You also get a momentary function that enables ear-grabbing ramp-up effects. Other new features included with the V2 are 2 types of stereo widening (hass and panning), retooled reverse mode for strong effects, revoicing of the vintage program to emulate a tape delay, and the replacement of the previous bit crusher effect on the digital program with a versatile overdrive feature. If you’re a delay connoisseur, the Walrus Audio D1 V2 is sure to please.

Five programs unlock an entire universe of delay effects

The D1 V2 includes five programs: Digital, Modulation, Vintage, Dual, and Reverse — an entire universe of delay effects at your disposal. A 3-way Tweak toggle unlocks an exciting array of textures. Mod injects your trails with tasteful modulation. Tone brightens or darkens your effect. And Age soaks your repeats in vintage-style grit. Create all sorts of interesting rhythmic repeats with the subdivision switch, including quarter, eighth, and dotted eighth notes. At Sweetwater, we really dig the D1 V2’s Attack control, which determines how hard or soft the attack of your echoes are. You also get Time, Repeats, and Mix controls that determine your delay time, delay feedback, and wet/dry mix, respectively.

128 MIDI-switchable presets provide gig-worthy operation

The Walrus Audio D1 V2 includes nine onboard preset slots. What’s more, up to 128 presets are accessible via MIDI, making this digital delay stompbox a great choice for complex, pro-level live rigs. The onboard presets are readily accessible with the bank switch, and you can cycle between them by pressing Bypass and Tap simultaneously. The pedal’s Tap LED gives you at-a-glance confirmation of which preset you’ve selected — it changes from red to green to blue. And any adjustments you make will change the LED to purple to show that you’ve edited the preset. This extensive preset management makes the D1 V2 a truly gig-worthy effects pedal.

Multiple bypass and tempo modes ensure maximum flexibility

Three different bypass modes give you complete control over how your repeats fade. True-bypass switching safeguards your tone from coloration when the pedal isn’t being used. DSP+True Bypass preserves your trails when the effect is disengaged. You also get a DSP Bypass setting. Selectable global and preset tempo modes ensure that your repeats always land on the right beat. Global mode keeps the tempo the same when you change presets. Preset tempo retains the delay time that was stored when the preset was created. And the D1 V2 includes a Tap footswitch that makes keeping in sync as easy as tapping your foot.

Walrus Audio D1 V2 Delay Pedal Features:

  • Infinitely tweakable digital delay guitar effect pedal
  • 5 high-fidelity studio-grade programs: Digital, Modulation, Vintage, Dual, and Reverse
  • 3-way Tweak toggle unlocks an exciting array of textures: Mod, Tone, and Age
  • Subdivision switch includes quarter, eighth, and dotted eighth notes
  • Attack control determines how hard or soft the attack of your echoes are
  • Time, Repeats, and Mix controls regulate your delay time, delay feedback, and wet/dry mix
  • 9 onboard presets are readily accessible with the bank switch and footswitches
  • Up to 128 presets are accessible via MIDI for complex, pro-level live rigs
  • 3 different bypass modes enable you to specify how your repeats fade
  • Global and preset tempo modes ensure that your repeats always land on the right beat
  • Tap footswitch makes keeping in sync as easy as tapping your foot
  • Momentary function enables ear-grabbing ramp-up effects
  • USB functionality for firmware updates

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Tech Specs

  • Pedal Type: Delay
  • Analog/Digital: Digital
  • Presets: 9 x User (128 via MIDI)
  • Effects: Digital, Modulation, Vintage, Dual, Reverse
  • Max Delay Time: 2000ms
  • Tap Tempo: Yes
  • Inputs: 2 x 1/4" (mono/stereo)
  • Outputs: 2 x 1/4" (mono/stereo)
  • MIDI I/O: In/Thru
  • USB: 1 x Type Micro-B
  • True Bypass: Yes
  • Bypass Switching: DSP+True, DSP
  • Power Source: 9V DC power supply (sold separately)
  • Power Usage: 300mA
  • Height: 2.52"
  • Width: 2.64"
  • Depth: 4.9"
  • Manufacturer Part Number: 900-1051V2

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Customer Reviews

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Rated 4.5/5

The last delay pedal you'll ever need

The D1 V2 is utterly fantastic and is everything you could want in a delay pedal. The only minor complaint I have is that I can't get it to do a crystal clear perfect repeat on digital mode which still has a hint of decay instead of volume drop as it fades away. It may be something I'm doing wrong though. Other than this mild complaint the pedal does every delay just right on each of the modes. With all of the parameters that you can tweak there are endless options to play with. This is really the last delay you will need
Rated 3/5

Compact and versatile

Love how compact this pedal is with all the bells and whistles- only problem is that there's a slight *ahem* delay when it fires. It's like the gap of time if your hardware buffer on your DAW is set too high. Locking in an Edge-type syncopation is a little flammy. You can tap in rock solid but the tails aren't going to sound tight because of this. I tested against a couple other delays just to make sure I wasn't going crazy.
Music background: Professional touring, recording
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