Whirlwind SPLIT 6 Line Level Parallel Splitter
Whirlwind SPLIT 6 Line Level Parallel Splitter Reviews
The Whirlwind SPLIT 6 is a super-convenient live sound tool that lets you split an XLR line-level signal. It features a single XLR female input and six XLR male outputs. Because it's entirely passive, the SPLIT 6 is almost completely transparent. When used with a hot line-level signal, the SPLIT 6 will divide the signal into six separate outputs, with virtually no noticeable loss of signal strength.
Whirlwind Split 6
Just what I needed. This device allowed me to give a mix to every IEM system in our band from the limited little mixer we use for rehearsals.
Whirlwind split 6
I bought the split 6 to split signal from the mixer to the powered floor monitors. Works excellent getting the same signal to all your monitors. Before we had to turn up #2 and #3 monitor volume almost to max to match #1 floor monitor. Not any more. All of the monitors are now set exactly the same and sound great. Awesome product.
Split 6
Worked like a charm.
Worked with my soundboards output
Worked as advertised. XLR from my soundboard to the SPLIT 6. Was then able to connect four amplifiers. Got rid of the "Y" splitters I was using for a cleaner and less confusing setup.
FANTASTIC
It works perfectly. What more can I ask?
SPLIT 6 REVIEW
I plugged it into my work station and fed it into my JBLs with inputs open for additional sound reinforcement.It was easy and no problem to work with.Now I can have my sound system and no hassles from the additional sound people.
Great for "splitting" my vocals
This is my second SPLIT 6. I use this box for sending my vocals to the mixer and a vocal processor. No noise, very compact and rugged.
Works just fine!
Asked the guys at SW what I needed to solve my audio my situation and they suggested this. Works like a dream. Thanks guys.
Great Product
The Whirlwind Split 6 line splitter works great in the set up at my church. It allows the sound board driect out feed to be used in multiple applications...would definitely recommend this product!
great little tool!
I needed a way to surround a car dealership with sound for a car show. This device lets me tale the signal and split it 6 ways through 3 ME60's. Then run lines out to power amps and then speakers. It allows me to run 6 separate PAs, one for each zone and completely surround the building (about the size of a football field). Perfect solution for my problem!
An excellent addition to my live sound
Recently add a couple additional powered speakers to my live sound setup and was looking for a way to add them to the chain. My Sweetwater rep. suggested the Whirlwind SPLIT 6 over Y adapters. He said they would provide a better option that cables. He was right and they work great. With 6 outputs, I have plenty of room to grow and you can't even tell they are in the signal chain. If you need to add additional outputs to your main mix, these will get the job done.
Whirlwind Split6
Since my mixer has limited aux sends, this box works great for sending multiple monitor mixes, very compact.
Does what it promises
This is a great splitter, passive so it needs no power. You sacrifice some line loss but I have plenty of gain so no problem there. I use this on every gig to feed active monitors. It works great!
Split 6---Does what it's supposed to do.
I bought the Split 6 to use with two AER Compact 60 acoustic amplifiers for my voice microphone when the venue calls for a small personal "PA". Before I bought this I could stereo out from my pedals for my guitar, but was left with only a mono to one amp or the other for my voice mic. This allows me to join my voice in stereo with my guitar, and without the use of a mixer.---I have been wanting something like this for some time now to use with two acoustic amps, and now this is it.---Simple and clean.
It is what you think it is
Nothing fancy, but does the job well -- very handy to have around.
Split 6- Have it in your gearbox.
I do a lot of large / gym sound applications. The Split 6 has given me a powerful, quick tool when needing to incorporate front-of-stage (fill) systems or delays. The line coming off of the snake are kept XLR and are clean signals.
Works great as a quick and efficient distro when supplying mic level audio to media agents.
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