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Choosing Your Marshall

  • Jeff Beck at Sweetwater "It's the big daddy, and it has that growl that no other amp has."
  • Angus Young at Sweetwater "I've experimented with different makes of amp but came to the conclusion that the Marshall 100-watt stack was the best rock amp."
  • Dave Navvaro at Sweetwater "My Marshall has enabled me to do away with half of what I used to use on the floor. You'll find that your old distortion and boost pedals will make great gifts."
  • Ray Toro at Sweetwater "The Vintage Modern is raw, classic tone. Pure and simple."
  • Slash at Sweetwater "I've said it before, and I'll say it again: I won't even consider trying anything else."
  • Zakk Wylde at Sweetwater "I've been using a JCM800 Marshall since I started with Ozzy back in '88. I've tried other amps, but I've always ended up back with my Marshalls."
  • Billy Gibbons at Sweetwater "The fine Marshall line remains heavy as lead ... solid as steel. The best."
  • John 5 at Sweetwater "I want to use the best amps in the world. That's why I'll be Marshall forever!"
  • Marion Raven at Sweetwater "I love the Marshall amps because they go down in history with rock and roll. They also sound amazing with my Gibson SG and fit perfect for my songs. And without Marshall written on your amp, it just does not look right onstage."
  • Gary Moore at Sweetwater "Nothing else is like a Marshall. You don't just hear the sound, you feel it!"
  • Dave Murray at Sweetwater "My Marshalls are the secret weapon, and there's no secret about it — historically, they've proven it! The amount of years Jim's been putting those babies together is wonderful."
  • Mike Mushok at Sweetwater "The AVT20 is a great tool for me — it's a really good-sounding practice amp that I use to work on new ideas or warm up before a show. I play Marshall live, and it gives me a great representation of my live sound in a small, sturdy package."
  • Yngwie Malmsteen at Sweetwater "I plugged into a Marshall 25 years ago, and from my first crunchy riffs to my latest screaming leads, my Marshalls were always right behind me — lots of them! There will always be imitations, but in the end there can only be one, the only one, Marshall!"
  • Paul Gilbert at Sweetwater "The JMD has enormous tone variety, from fire-breathing distortion to operating-table clean, plus a big, beefy all-tube power amp. It has served me well onstage and in the studio."
  • Jimi Hendrix at Sweetwater "I really like my old Marshall tube amps. there's nothing that can beat them, nothing in the world..."