Chandler Limited TG12413 Zener Limiter

Item ID: ZenerLim
Chandler Limited TG12413 Zener Limiter
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Chandler Limited TG12413 Zener Limiter Reviews

Vintage-style Limiter with 11 Position Attack, 21 Position Release, Side-chain, and Compression Settings

The Chandler Limited EMI TG12413 Zener Limiter is the definitive TG limiter, released in honor of Abbey Road Studios' 75th birthday. The brainchild of Chandler Limited designer Wade Goeke, the Zener Limiter is based on the classic EMI circuits used to record The Beatles and Pink Floyd. This latest EMI limiter carries on the tradition of EMI limiters started in 1956 with the RS114 tube limiter, and continued with 1966's RS168 Zener Limiter (a component of the TG12345 console channel in 1968), and the TG12413 in '74. Start with the essence of the classic RS168, add modern functionality, and you have the Chandler Limited EMI TG12413 Zener Limiter.

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Price:$5,499 and 00 cents
Special Financing - Ends Aug 2, 2026. $153/month with 36 month financing*
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While this isn't an item we normally stock, we can still get it to you as fast as possible due to our great relationship with Chandler Limited. Go ahead and place your order and we'll follow up shortly to let you know when to expect it. Estimated May 2026.

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May 1, 2015

Warm, Up front, and NOT a true clone.

By Dominic D. from NY
Music Background: Engineer, Mastering, Musician

I purchased the Zener in 2014, in the hopes that this compressor would give my small studio a vintage edge and attract more clientele.

So far, so good. Buying an item like this was difficult to do, because: 1. I had to buy it without hearing it first, and 2. It is a true techie brand without the household name status of Neve or API.

That said, here are my impressions:

Build Quality: the actual compressor is seriously over-built. The knobs and buttons feel like they will last a lifetime. The XLR jacks on the back are fussy about what cables you use. Use mogami or a brand that isn't over-sized and has a cutout for the XLR locks on the jack. The meters are now lit via LEDs, so no worries about burning out the lamps. Power supply is also sturdy, but the top and bottom plates are attached in a very DIY way that makes it feel clunky. The unit is very deep, so make sure you own a rack that will fit it.

Use: I've been using this compressor/limiter for a while now, and have learned what it is good for and what it is not so good at. Great on vocals and bass... great on drum overheads. Great on reverb sends. Good on busses, and only OK on full program material. Mastering guys will want to use this sparingly, in concert with other outboard with the needles barely moving, or as mix glue (no actual compression/limiting... using THD mode as treatment.) I've been using it mostly on reverb busses to make my programmed drums sound more alive. and to warm up samples...

Misconceptions: I thought this compressor would be a rock and roll monster. I thought it would be very aggressive and would pump like crazy if needed. That is NOT the case. The Zener is much milder than an 1176 or a 2500 even. It is warmer than both, and pushes tracks forward in a magic way, kind of like an LA2A with a different vibe. The Zener works best to me when used as intended: as a compressor/limiter. When used to actually control levels, it works beautifully. It sounds classy and sometimes squishy. Always warm and even at extreme settings will never sound bad. Another misconception: this is a clone of the Dark Side of the Moon compressor. Or this is the same compressor used to record the Beatles. No, it is not. It is a VASTLY improved version, with many more options. It will go above and beyond, and can give you those vibes if you wish. If you want something more true to the originals, Chandler makes the TG1, which is a bit more aggressive sounding to me.

That said, I'm in love with what the Zener does for my music and my business. So much in fact, that I will be buying a TG-2 preamp and Curve bender when finances permit. Don't be nervous about the price. The Zener is completely worth the investment.

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