I use this with three different rigs:
1. a Helix LT (my go-to live rig, probably 85% of the time);
2. a faux-classic pedalboard with mostly analog pedals, built around a Friedman IR-X and a Line 6 HX FX;
3. a Fractal Axe FX II

First, the good:
In many ways, this is exactly what I was looking for. It sort of completes the picture when it comes to modeling. Prior to this, I was alternating between a QSC K10 and a Yamaha powered 12 for stage monitoring; those are both great, transparent-sounding FRFR options, but there's something about having it come out of an amp-shaped cabinet that makes every patch sound that much more realistic. I also love that it's small and light, it looks like a real amp, it has kick-back legs, and the knobs make it easy to adjust my stage EQ for the room.

Now, the bad:
I generally run the volume between 11 o'clock and 1 o'clock, depending on the drummer. This almost always gives me enough volume. But I've learned to turn it off between sets. For some reason, after a couple hours of constant use, it craps out; suddenly every patch is distorted, and the overall volume drops by about 50%. The first few gigs I used it on were short, so this didn't start happening until the third or fourth outing (and, of course, by then the return window had closed). I'm considering selling it and trying the new 2x12" version (on the assumption that it might be louder at a lower volume setting), but I think the power amp in those is identical to this one, so I could be merely switching to a heavier, larger version of the same problem. It's too bad, because when this thing is working correctly, it's marvelous!

I am thrilled with this amp, which is a perfect complement to the Tone Master Pro. My goto model is the Fender Deluxe Reverb Blonde, and it sounds wonderful through the FR-10. I highly recommend this as your output device for any modeler.

I bought this amp for pairing with my Line 6 Helix Stomp, and in that capacity it performs very well. The Stomp sits nicely on top of the FR-10. The FR-10 weighs about 26 pounds, making it about 10 pounds lighter than the Peavey KB-2 keyboard amp that I used previously for this purpose, and 6 pounds lighter than the Fender Mustang III v.2 that I use for blues shows. It is very loud, and very clear--what you put into it is exactly what you get out of it, only louder (though you can use the three-band EQ to shape the signal further if you like). There is an XLR output on the back panel for taking the signal to a PA, so if it's not loud enough by itself, or you want to record, you can plug it into something even louder.

I bought the FR-10 with a Positive Grid CAB for comparison. The CAB was just about as loud; that's as close as I can get, because Fender claims the FR-10 has 1000 watts output while Positive Grid, clearly using a different scale, rates the CAB at 140 watts. Anyway, they both sounded loud to me. But the CAB had a pronounced bass emphasis, and no EQ controls to deal with it in real time, which in my opinion is not tops. On price, the CAB wins big with a price about $ less than the FR-10. But what does that matter if it doesn't give you the actual sound of the gear? The FR-10 is tops in this price range.

I've tried a few FRFR's since diving into the modeling world and have always felt a bit underwhelmed. None of them ever felt like they were pushing air like a true amp. That was until I got this. Fender did an excellent job with these speaker, which truly feels like amp. I run a Boss GX-100 into it and it spits out the sound I get in my headphones and feels like a real amp when playing on stage with a band. The feeling part is super important with these FRFR's, which up until I tried this one, had always felt hollow.

The best part of this speaker/amp is that you can further adjust EQ on the amp itself. This came in handy my first gig with it that was outside with horrible acoustics. I was able to adjust the mids and bass levels to get a better sound without having to adjust the global EQ on my GX-100. Additionally, the high/low cut knob is a very nice addition that allows to fine tune your tone.

One final note, if you haven't taken advantage of the open box deals with Sweetwater, you are missing out on some major savings. I got this as an open box slightly blemished model and it was packed perfectly by Sweetwater and in amazing condition. I have no hesitation ordering open box and saving because I've trusted Sweetwater several times now with open box items and know they simply aren't going to send you junk. Thanks to Chris and everyone who makes the magic work.

As a gigging musician I appreciate how simple, easy to use, reliable, and convenient this FRFR cab is.

Works better than floor wedge monitors, and the onboard EQ is a nice touch. Can't tell you how often my sound changes from room to room and how frustrating it gets when it sounds too woofy or shrill/trebly when I haven't changed anything in my modeler or global settings. This is super easy to fix in seconds, and it doesn't affect the signal sent to FOH.

Super lightweight. Modeler and FRFR cab imo beat the old days of lugging around a heavy tube amp and pedalboard.

I don't think there is a better FRFR cab under $. And I would put this above some other FRFR cabs between the $ range.

If you're a gigging musician and you're curious about this… Just get it or thank me later. Or the FR-12. But the size and weight of the FR-10 are great.

As a long time tube snob, I was prepared to be disappointed. I was not. I have a weekly bar gig and this is a great solution.
Before the gig, I set it up side by side with my trusty Mesa Boogie amp and pedalboard and was able to dial in the same tone using a PodGo with its onboard pedal models. This FR-10 is 10+ lbs lighter in weight and plenty loud enough to compete with the overly loud drummer I have to contend with. The amp and modeler together cost many hundreds of dollars less than a decent tube amp and loaded pedalboard. Lightweight easy load-in and using preset effects vs pedalboard dance make this combination a winner for bar gigs, wedding bands, parties, and other basic gigs. I heard about some of the early ones having a problem with hiss - no hiss with this one. Haven't tried recording with it, so not sure about that. My Sweetwater rep, Matt, convinced me to try it and offered to make it right if it didn't work out. He has always steered me right and this was no exception.

Had such high hopes, so excited to receive and try out, looking forward to 1000 watts of clean unaltered Fender goodness. But wow, in a quiet rehearsal room the first thing you notice after turning it on and setting all knobs at high noon is the BUZZZZZZ coming out of this amp. With guitar cable plugged in, or not plugged in and just sitting on, I was floored at what Fender apparently considers acceptable hummmm level. It would not work at all for clean ambient recording. Boxed it back up and returned it, my old 1980's Fender M80 has less buzz even when cranked. Hopefully a Version II (if/when) will address noise issues. Until then staying with Roland SS amps for big clean.

pairs fantastic with my helix floor

I have recently started using the TONEX and Amplitube 5 systems. The tone models for these two tools are amazing through my Spark Am and pretty good through my monitor speakers, they didn't sound amp like when running through my Alto TX108 PA speaker. I read the reviews for the Fender FR10 and they were consistently high. Once I finally pulled the trigger, I had the FR 10 in my hands within 4 days! I have to say that this is really the best solution I could hope for. With the TONEX software and my interface, or with the TONEX pedal, this sounds like I'm listening to an actual Fender 65 Reverb!!! But the great part is, I can get the edge of breakup tone without damaging my hearing! I can also switch my tone model to a Vox amp or a Mesa Boogie amp and that sounds amazing as well! All I want to do is play!

In my pursuit of good tones, I've tried the following: Vox Mini-Superbeetle, Spark Amp, Hughes and Kettner Spirit of Vintage, Orange terror stamp, Catalyst amp. Monoprice 5 watt (great amp!). Vox AC10C (still keeping that one too). While they all have their merits, I always felt like I was spending too much time tweaking my tone. With the TONEX and the FR10, I am in tonal heaven. It is easy to dial in a sound I love for many different music types, so I spend much more time playing. It's the best! The FR10 also really improves the Amplitube tones. I have some Neural DSP plugins and I'm confident that I will have fun diving back into those as well. This really is the perfect solution for amp modeling tools. And it LOOKS great too! You won't be disappointed.

Best regards,

Neil

I bought this to use with multiple instruments but primarily for guitar. I use it with a Friedman IR-D based pedalboard. Our area was recently by 5 Tornadoes and our internet is spotty which is my only source of music to jam to at this point. At 1 point my phone was the only way I could access spotify so if I wanted to play it would be through my phones speaker only. With the IR-D through the FR10 I was able to get enough of the sound and feel I needed to enjoy playing at a volume low enough to jam with music coming from my phone only. I haven't played at gig volumes yet but at anything from super quiet to shake the livingroom walls volume the FRFR delivers and yes it sounds great doing it.
PLUS I can plug in a bass or acoustic preamp and they sound great too.
1 amp and 3 pedals and I can cover alot of ground.

The Fender Tonemaster FRFRs produce the most convincing 'amp-in-the-room' sound/feel from my Helix of any others I've used. And it's not even close! - Highly recommend!!!

An FRFR disguised as an amp. With the ability to easily adjust volume and eq to match the stage without messing with the front of house signal. Tilt back legs to aim up at you without a need for an amp stand. Ship your signal to front of house right from the amp.

Well done Fender! Thoughtful and beautifully executed. My modeler setup is complete. And no one knows it's not an amp!

I like everything about this amp. Sounds great, quiet, easy to use, looks good too.

In my opinion, this is the key piece needed for today's fantastic modeling technology. It is priced right, simple, beautiful, well-built, and sounds great. If you've been convinced that you need a "real amp" to be happy, give this a try.

Love this little map so much, keeps up in my band and I use it in tandem with my Quad Cortex. Sounds so good with both guitar and bass. a definite recommend.

I own a Line 6 Powercab 112 and a Headrush 12" FRFR and was never quite pleased with how they reproduced the sound of my Helix. The Powercab always sounded thin and fizzy and the Headrush always sounded like the mids were scooped even with the switch set to flat. The Tone Master delivers on all fronts. It just plain sounds fantastic. It really has that "amp in the room" feeling. I waffled on buying the 10" vs the 12" and I am glad I went with the 10". Played a gig last week and it performed fantastic in a venue that seats about 200. Plenty of volume with room to get even louder and super light. Fender really knocked it out of the park with this bad boy!

The irony of ditching my tube amp for a modeler to lighten the load, but then going back to an "amp" does not escape me...but there's something about the feel of having amplification behind you that I missed going fully direct to FOH. The Fender FR-10 is really great. My presets (built using a PA speaker) sound true to form, and the onboard EQ is super helpful. I do not hear any of the dreaded "hiss" that people seem to complain about.

The cabinet is stupid light...and stupid loud. I did not need to push it past 2-3 when using it live as a personal guitar monitor of sorts. The kick back legs are perfect for angling the speaker up to your ears.

I can't compare it to other FRFR solutions, but if you are in the market for an FRFR solution, and are looking for something that looks and feels like an amp, then this thing should be on your short list.

The "hiss" issue is not an issue in my opinion. The thing sounds great. Great low end. Feels like an amp. Paired with the TMP this thing slaps

Awsome haircut too! A+++ Job Mike
Fiji here we come!

Produces the most authentic Fender tones when paired with the Tonemaster Pro.

I've had mine going on 2 weeks now and couldn't be happier. I'm running a Tone Master Pro through mine and how this speaker reproduces the character of those iconic Fender amps is simply amazing. I ran my Strymon Iridium through it and that sounded great, as well. I'm an old tube amp guy blown away with where we're at with this technology. I've seen comments on YouTube, etc. referencing a hiss and I have no idea what they're talking about. Mine sounds amazing!

I play my guitars through a Line 6 Pod Go. Usually I go directly into the board and have the sound guy put my guitar through the monitors. The tone sounds great. After a while I began experiencing the rest of the band turning up their volume as the night went on making it difficult for me to hear my guitar. I purchased the FR10 to allow me the opportunity to increase my guitar volume when necessary. It works great. I have never had to turn the volume beyond 50%. I have used my Tone Master Twin as well as floor monitors and the FR10 Sounds better than anything I have played through.

I'm using this with my hx stomp and it works perfect for having a consistent sound between home and a front of house situation.

I recently picked this up because I bought a Quad Cortex and realized using my Peavey 6505+ 112 would limit the tonal qualities of the modeler, so I began the research of what best to use to amplify my QC. Fortunately, this thing was released right before I made my purchase and I couldn't be more pleased. I was researching the 4 cable method for the QC and with the Fender FR10 you don't even have to do that, you can just plug it straight from guitar to QC to FR10. It sounds great and I am very pleased. I can't speak on its reliability or anything yet, because I haven't even had it for a week, but I am in love so far.
I'm pretty stoked for future purposes as well, because now any modeler I want to try or own I can just plug it into the FR10 and don't have to worry about power amps or anything.

This has only been released for about 11 days at the time of review, so I can't speak on longevity or reliability yet. I have currently used this for a bit over a week upon delivery, at home, and 2 band practices. I am a helix user, and have been greatly enjoying this FRFR powered cabinet. It ticks all the boxes for me, very portable, lightweight, powered, loud enough for practice/gigs, sounds neutral as it should, and able to lightly tailor EQ to suit room/volume, without altering my helix presets, or what FOH gets. I will likely purchase a second one within a couple months.