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Victory Amplification The Sheriff 25 25-watt Amplifier Head

Item ID: Sheriff25H
Victory Amplification The Sheriff 25 25-watt Amplifier Head
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Victory Amplification The Sheriff 25 25-watt Amplifier Head Reviews

25W, 2-channel Tube Guitar Amp Head with FX Loop, 3-band EQ, Presence, and Bass Focus

Victory Amplification’s The Sheriff 25 head delivers the same searing British-style tone as its renowned Sheriff predecessors in a lunchbox-sized package! This amp boasts 25 watts of all-tube tone, with a dual-channel design and sweeping sonic versatility. First up is the Vintage channel, which, as you might expect, provides vintage-style British grit and chime, packed with plenty of gain on tap. However, suppose the Vintage channel isn’t aggressive enough for you. In that case, the secondary Hot Rod channel supercharges The Sheriff 25 into a scorching '80s-inspired high-gain machine perfect for screaming lead tones. Finish it off with an exceptionally flexible EQ section, bypassable series effects loop, and dual-master volume design, and it all adds up to a mean little monster of an amp that’s equally comfortable on stage or in the bedroom studio.

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Price:$1,399 and 00 cents
Special Financing - Ends Aug 2, 2026. $39/month with 36 month financing*
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September 24, 2024

Must have alongside your Marshall Plexi!

By Idris T. from PLANO, TX
Music Background: Enthusiast

The Victory Sheriff 25 isn't just an amp; it's a time machine for classic British rock tones. From the chiming cleans of the '60s to the searing leads of the '80s, this 25-watt powerhouse delivers it all with authority and authenticity. The Vintage channel evokes the spirit of Hendrix and Page, while the Hot Rod channel unleashes a firestorm of high-gain fury.

This amp isn't just about power; it's about finesse. Its simplified design and clean effects loop make it a joy to use, while its two channels offer a universe of sonic possibilities. Whether you're chasing the bluesy warmth of a cranked Plexi or the molten roar of a modded Marshall, the Sheriff 25 delivers the goods. It's a testament to Victory's commitment to crafting amps that sound as good as they look, and it's sure to inspire countless hours of joyful playing. It is British handcrafted after all. This versatile machine can play cover the entire spectrum. Just make sure you have some killer humbuckers!

Thank you so much Rob Barraza for hooking me up. Rob is incredibly knowledgeable and when you talk to him you feel like you've known him for years. He will go above and beyond for you just like he has for me! Thanks Rob!

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March 25, 2024

Impressive!

By Thomas J.

I have been playing this amp regularly for the past two weeks or so and have come away thoroughly impressed. I find it to be superior in capturing the essence of a certain British amp line along with great versatility. The Vintage channel goes from nice cleans to a very neat pushed sound great for vintage rock or blues. The Hot Rod channel has gain similar to a seventies master volume Marshall at about nine o'clock and morphs into more of an 80's modified tone. The bass focus switch on the back is very useful for tightening up heavier gain settings. The presence shift switch gives two modes of presence sweep. I tried a Spaceman Mercury IV, a Greer Moonshot (treble/mid booster) and a Origin Effects DCX Boost in front of the amp. All worked very well. I used a Universal Audio Golden Reverberator along with an Analogman ARDX20 in the effects loop. Both worked superbly (i like a little "air" in my sound). Other positives I noted were: I was able to achieve excellent tone at bedroom volumes if desired, works well with humbucker or single coil pickups, and comes with a nice gig bag. I currently own four high-end all tube "lunchbox" amps. This is my favorite.

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April 9, 2023

Victory Sheriff 25 amp head

By Sweetwater Customer

Pros: Lightweight, compact, great sounding, and loud enough for most of my gigs. I especially like the way you can configure the two master volumes to work together on either the vintage or modern channels. On the vintage channel I set the gain way up and then set master volume 1 to be loud enough so that I get good distortion when my guitar volume is turned up to 10. Then I set the master volume 2 much louder than master volume 1. When I want a clean sound I back off the volume on my guitar and switch to master volume 2. When I want a distorted sound I turn my guitar volume up to 10 and switch to master volume 1. Works great.

Cons: It would be nice if there were a 4 ohm tap.

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