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Audio-Technica PRO 37 Small-diaphragm Condenser Microphone Reviews

Small-Diaphragm Cardioid Condenser Mic with Wide Dynamic Range and High SPL Capacity

Audio-Technica's Pro 37 is a small-diaphragm cardioid condenser microphone that excels in a variety of studio and live situations. Its wide frequency response and high SPL capacity make it ideal for miking guitars or overhead drums as well as vocal performances.

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Highest Rated Reviews

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Pro 37 Microphones

By Sweetwater Customer on September 29, 2020

The Pro37 microphone is a great piece of equipment for one or more singers in a chorus. They have worked flawlessly for our praise team for years, and we just recently purchased 3 more.

Excellent Microphones

By Sweetwater Customer from FL on September 3, 2020

Our church purchased our first set of these microphones for our praise team singers about 5 years ago. The mics are fabulous for groups of 1 to 3 singers
They pick up the vocals well and produce high quality sound. We liked them so much, we recently purchased two more to help us with social distancing. You can't go wrong with these microphones for group singers.

Wonderful on Hats and Ride

By Cass Christiansen from Salt Lake City, UT on December 7, 2012 Music Background: Home Recording Enthusiast

Got a pair of these to add to my drum mic set, and all i can say is that this little guy is just incredible. Really love the sound i get out of my Hi-hats and my ride cymbal. I have also used this on acoustic guitar and got a very great sound. Would highly recommend a pair of these in every studio.

Long love affair

By David Jenson from Strong, Maine on July 13, 2012 Music Background: Home recording enthusiast

I bought one of these in 1992 and use it for acoustic guitar. I thought they must be long out of production, but was surprised to see them here for $130 and still going strong. 'Great mic. I love the thing! It takes a licking and keeps on kicking.

excellent piccolo snare mic

By Mike from Indiana on January 1, 2007 Music Background: digital recording since win 95 was out

excellent for snare, as well as high hats too.I have also used it with remo roto toms, which are difficult to mic, and was very pleased with the result, incredible sound, note, so hot sometimes, I use a band pass software to edit out other stuff(or gate it)

A Great Value

By Dale Argot from Staunton, Va on February 15, 2013 Music Background: Worship Pastor, Musician, Singer

This mic was a great addition to our mic closet at church. I originally purchased these to mic our choir. They worked great - much better than the vocal dynamic mics I had before. I've also used it to mic a flute This past week I used it as a lecturn mic for a special service and was blown away, especially by the gain before feedback. I'd love to try a pair the next time we use an acoustic piano in the room. It is a great building block as we continue to upgrade our system.

A "Swiss Army" microphone

By Joe S. Cline from Charlotte, NC USA on November 25, 2009 Music Background: Musician (Bluegrass, old-time, contradances), live sound engineer

I've used this mic for guitars (great), fiddle (also great) and vocals (very, very good). Two of them, in an X-Y configuration, are my absolute favorite "single-mic" setup -- beats the h*** out of large-cap condensers for this rather specialized use.

Love these on acoustic guitar

By Kip from New City, NY on October 2, 2008 Music Background: Songwriter / Engineer

These are my favorite in a stereo pair on acoustic guitar. One at the 12th fret, the other over the shoulder pointing at the bridge parallel with the body. Also great in a stereo pair for micing the soundboard of an upright piano, also when micing above, pointing into open top. I get a nice clear warm tone with these mics. For the price, these things are a steal. I must add though, that I do not like them on acoustic guitar using only one mic. For mono micing, I much prefer an LDC like the AT4033.

Great SDC

By Bryce from AZ on June 19, 2020 Music Background: Amateur

I've had this mic for over two years now and have used it on acoustic guitars, cabinets, vocals, and even more. I think this mic is great at capturing a clear sound. It is crisp in all ways.

For vocals and some other things, this mic isn't my first choice. It is heavy in the high miss and doesn't give a sound for vocals that meshes in a mix. It is bright and cold in that regard. For acoustic guitar though, this thing is stellar. It captures the resonance of my Seagull perfectly.

All in all, a great mic depending on what you are wanting from it. It is clear and accurate, which is not always what you want.

Great condenser mic

By Gary Henley from San Antonio, TX on March 14, 2014 Music Background: Audio Production

Superb pickup of acoustic guitar. Also used with the Pro-37 I got in my audio kit for audio production classes as a pair configured in Glynn Johns method of picking up drums and cymbals. Still experimenting with it for other recording venues. Nice and compact.

Perfect for recording live drum overheads

By S Waugh from Houston, TX on August 30, 2013 Music Background: Sound guy and amp builder

I was looking for a pair of SD condensers, inexpensive enough to be part of live recording rig, and still good enough to get outstanding individual tracks to mix for a live CD. With a bit of attention to placement, these Pro 37s really delivered. A lot of bang for the buck!

Great sound and convertible

By John A Henkel from Orlando, FL, USA on December 21, 2012 Music Background: Engineer, FOH, and Musician

I really like these for the high end reproduction, like overheads and those nice acoustic guitar overtones. I was in a jam and needed an Omni so I used electricians tape to cover the ports...pretty decent omni!

Pro 37 - bluegrass bass

By Shannon Fout from Stone Lake, WI on July 1, 2005

I've used these on stand-up basses playing bluegrass with great results. Just pop it in a stand and aim at the f-hole. Has good reach.

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