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Behringer MULTICOM PRO-XL MDX4600 V2

4-channel Compressor/Limiter/Gate
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Item ID: MDX4600V2
Behringer MULTICOM PRO-XL MDX4600 V2
Price:$189 and 00 cents
$32.00 suggested monthly payments with 6 month financing‡

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Behringer MULTICOM PRO-XL MDX4600 V2
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Price:$189 and 00 cents
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Four Channels of Pro-tested Dynamics

Harnessing the same dynamics control as Behringer's popular 2-channel Composer Pro-XL MDX2600, the 4-channel Multicom Pro-XL MDX4600 V2 is one of the most cost-effective expander/gate/compressor/limiters you're going to find. Its Interactive Knee Adaptation (IKA) circuit keeps compression smooth and transparent, while Interactive Ratio Control (IRC) adds elegant subtlety to gate/expander functions. Stereo linking between channels 1/2 and 3/4 is super useful for bus processing, and the Multicom Pro-XL MDX4600 V2 even gives you switchable dynamic enhancement to add extra life to your content.

Time-tested Compression and Limiting

Generations of music producers and audio engineers have relied on Behringer's Composer compressor/limiter models to reach their ideal sound. In fact, it's one of the industry's secret weapons. This Multicom Pro-XL MDX4600 V2 includes four channels of that very same dynamics processing, complete with the acclaimed Interactive Knee Adaptation (IKA) circuit. This soft-knee processor adjusts the compression ratio on the fly, clamping down entirely only when your signal gets really hot. The result is super clean and super smooth—perfect for ironing out vocals, especially when you combine it with the Multicom Pro-XL MDX4600 V2's switchable low contour filter.

Set-and-forget Expander and Gate

Expanders and gates can be incredibly useful, but they tend to be temperamental. Get your expander/gate dialed in perfectly, and it all goes belly up when the average level changes just a bit. Behringer's Interactive Ratio Control (IRC) lets the Multicom Pro-XL MDX4600 V2 stay one step ahead of your material, adjusting instantly to keep your signal noise free, without cutting off your transients.

Loaded with Useful Extras

There's a lot more to the Multicom Pro-XL MDX4600 V2 than basic dynamics management. For instance, while some compression (especially heavy compression) can leave your material sounding a little flat, the Multicom Pro-XL MDX4600 V2 won't let you down. Its switchable dynamic enhancer adds life and vitality to your material, no matter how hard you lay on the compression.

Need to process stereo material? With its independent stereo links, you can convert the first two and the second two channels into stereo pairs. Top it off with separate 8-segment LED meters, selectable input levels, and high-quality components including servo-balanced I/O, and you can see just how much value the Multicom Pro-XL MDX4600 V2 has to offer.

Behringer Multicom Pro-XL MDX4600 V2 Dynamics Processor Features:

  • Fully loaded 4-channel dynamics processor
  • Each channel features compressor, limiter, expander, and gate functions
  • Switchable IKA (Interactive Knee Adaptation) program-adaptive circuitry combines the advantages of hard-knee and soft-knee compression
  • IRC (Interactive Ratio Control) expander/gate circuitry offers transparent noise suppression that won't kill your transients
  • Switchable dynamic Enhancer keeps audio bright and vibrant, even with heavy compression
  • IGC (Interactive Gain Control) peak limiting circuitry combines clipper and limiter functions for clean and discreet protection against signal peaks
  • Switchable low-contour filter prevents pumping due to heavy bass
  • Stereo couple function selectable for channels 1/2 and 3/4
  • Separate 8-segment LED meters let you keep an eye on input and output levels for monitoring gain reduction
  • Selectable operating level (+4 dBu/-10 dBV)
  • Servo-balanced inputs and outputs include 1/4" TRS and gold-plated XLR connectors
  • High-quality components and exceptionally rugged construction ensure long life

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Tech Specs

  • Type: Compressor, Limiter, Gate
  • Number of Channels: 4
  • Controls: Trigger, Threshold, Ratio, Limiter
  • Threshold: -40 to +20 dB
  • Ratio: 1:1 to 1:8
  • EQ: Low Contour Filter, Enhancer
  • Frequency Response: 10 Hz to 70 kHz (-3 dB)
  • Inputs: 4 x XLR, 4 x 1/4" TRS
  • Outputs: 4 x XLR, 4 x 1/4" TRS
  • Rack Spaces: 1U
  • Power Source: Standard IEC AC cable
  • Height: 1.7"
  • Depth: 19.0"
  • Width: 5.9"
  • Weight: 4 lbs.
  • Manufacturer Part Number: 0817-ABC86-US1

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Reviews

great little compressor!
I have dbx, Drawmer, and FMR RNC/RNLA to use. I was running out of rack space on my desk and had designated my Dramwer dl241 XLR to the drums -I use a Roland TD17K kit with upgraded kits. I decided to start using the Drawmer to crush the drums, at least to the point of screwing up the cymbals where they were pumping, then I would back off the compressor. A/B the signal until I could tell a nice difference in the dynamics. Not that they sound was bad, because the Roland kits are nice. But we are always trying to get the best sound right? Since I was running out of room in the rack, I decided to add the mdx4600 and assign channels 3/4 to the drums and keep 1/2 for possible keys, guitar cabs, whatever. I have the dbx and FMR for vocal compression. I sold the Drawmer for more than what I paid (used) so purchased the mdx4600 and another Behr FX2000 process (#3 now). Very happy with the compressor. Behringre has really stepped it up in the past 10 years. Those crappy live mixers were always sketchy but I have no problem using anything else. I'm considering selling my Black Lion and Golden Age mic pres and buying the ADA 8200 8 channel preamp, after watching a youtube video comparison between the ADA8200 and API pres on a drum kit. Absolutely NO difference in quality. So why am I paying more or mic pres? I also recorded some acoustic guitar into a loop pedal then fed it through the FMR RNP-Black Lion Auteur and Golden Age pre73 mkiii adnd my Tascam DP24. Again- no noticeable difference is signal after numerous A/B comparisons. Look, if you own a commercial studio and need to impress clients, go ahead and spend the bucks for the LA2A's and NEVEs, but for all the rest of us, this level gear more than does the job to capture your music. Spend your money of song promotion and guitar lessons! It's all hype boys!
Music background: Pro level, entertainer, radio royalties, song writer
Pro Quality Results
Was missing this piece to my sound setup. It certainly made a huge difference in the output of my mixes
Great compressor, unbeatable price!
I had a Samson Scom 4 I used before for my vocal mic. But then it broke down on me and I took it to a repair shop near me. They were gonna charge me over $300 dollars to fix. I was about to go thru with the repair but then I saw this unit... on Sweetwater. Decided to buy this one and retire the old Scom 4 for good. Im impressed with the sound and quality of the construction. Definitely a great replacement. The Scom 4 lasted me a good 5yrs. Lets see how this unit does in the long run.
Music background: Keyboard player/ Hobbyist
only good for drums
its sound reminds me of early 2000's daytime satellite tv compression; like really fatiguing. however it works as a surprisingly transparent drum gate and limiter, just dont try to be heavy handed