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Yamaha n8Item ID: n88-channel Digital Mixer/FireWire Interface Special Order, But We Can Get It FastBecause of our great relationship with Yamaha, we can get this item as fast as or faster than anyone else. Please note that special orders are non-returnable and non-cancelable - Order online or call your Sweetwater Sales Engineer for information.Note: While most of the items we sell ship for free, this item does not qualify for free shipping due to special circumstances. Get more value at Sweetwater
From Our Research Team:An interface with mixing capabilities!Yamaha's new n8 is a marvel of modern recording technology. Not only is it a full-function mixer, but it's also an integrated interface for Cubase. Onboard there are four pristine Yamaha preamps, 3-band EQ, morph-able compressor, and a FireWire connection to the computer. The audio passes through the n8 - which allows you to manipulate signal as you would on a conventional mixer including setting up monitor mixes for the performers - and then straight into Cubase. The n8 is the future of audio interfaces!Yamaha n8 at a Glance:
Switchable Phantom Power If you're serious about your sound - especially for vocals or acoustic instruments - you'll undoubtedly want to use studio-quality phantom-powered condenser microphones for the extended range and natural reproduction they provide. The n8 and n12 are fully compatible, with switchable built-in phantom power. Direct Connect to a Wide Range of Sources The n-series consoles provide both balanced XLR connectors and balanced TRS phone jacks on all mono input channels for direct connectivity with the widest possible range of input sources. The stereo inputs have both unbalanced RCA pin jack and phone jack pairs. All mono inputs also feature TRS insert jacks that can be used to insert external signal processors into the signal path of the corresponding channel. Hi-Z Input for Direct Guitar or Bass Recording Not all guitar and bass recording situations required amps, microphones, and a soundproof studio. You can conveniently connect an electric guitar or bass directly to the "B" input of channel 4 on the n8 or channel 8 on the n12 and engage the input Hi-Z switch for optimum matching and sound. Effective Musical EQ Like compression, artful EQ can dramatically enhance a mix in many ways. The n-series equalizers have been created through an extensive study of the most musical and desirable consoles used by leading artists and engineers throughout the world. They offer a finely-balanced and dynamic relationship between EQ curve, frequency ranges, and other factors that give you truly musical control. 3-band equalizers with sweepable midrange on each channel deliver totally satisfying, potent EQ control that can take your music to a higher level. High-resolution Rev-X Reverb Yamaha's Rev-X digital reverb algorithm is renowned for its high resolution and extraordinarily natural sound. The n-series consoles offer this leading technology built in. You have a choice of hall, room, and plate reverb simulations with reverb time and level control. This superlative reverb processor can be used for wet monitoring while recording as well as for adding ambience during final mixdown. Dimmer and Mute Switches These handy functions are normally only found on large studio consoles, but you'll be glad Yamaha has included them on the n8 and n12. As you'd expect, the mute switch mutes or un-mutes the console's output, while the dimmer switch reduces the output to a level that is still audible but allows conversation or phone calls. The advantage of the dimmer switch is that you can simply tap it a second time and be precisely back at optimum monitoring level without having to reset faders or level controls. Source Select and Level Control The n8 has source selectors for DAW (the stereo output from the DAW running on your computer), ST (the console's stereo bus), AUX (the console's auxiliary bus), and 2TR (the console's 2-track inputs), while the n12 additionally features a "5.1" source selector for surround monitoring. The console's surround monitoring capabilities are impressive, with bass management, down-mixing, and other features you'd normally only find on high-end professional gear. You can even use the console for top-quality surround playback from pre-recorded sources such as DVDs and computer sources, giving you a chance to hear how top engineers approach surround production on your own monitor speakers. But although they provide professional capabilities, the n-series mixers make general monitoring hassle-free: simply select the signal you want to monitor and spin the big CONTROL ROOM LEVEL knob to set the ideal monitoring level. Solo Level Control Solo switches on every input channel let you monitor a single channel or any group of channels within a mix without having to change settings on any of the other channels. The n-series consoles even provide a pre-fader listen switch for pre-fader solo monitoring, and a solo level control that lets you adjust the solo monitoring level as required. This is another feature usually only found on large, expensive consoles. One Function per Control Another reason the n8 and n12 are eminently predictable and easy to use is that nothing is hidden below the surface. There are no layers, no multi-functions controls ... there isn't even an LCD display. Each and every knob, switch, and fader does exactly what it says it does, and nothing else. Stated another way, that means you always know what you're doing, and there are no surprises to delay your progress. 24-bit, 96-kHz Digital Quality What you won't see but will definitely hear is the superb audio quality delivered by the digital technology inside. 24-bit 96-kHz processing is the de-facto standard for professional audio, and that's what's happening inside the n8 and n12 chassis. The extraordinary Sweet Spot Morphing Compressors, channel equalizers, and Rev-X reverb processor are all made possible by state-of-the-art Yamaha digital technology too. Yamaha n8 Features:
Yamaha n8 - an innovative audio interface!
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Reviewsbased on 1 reviewat first blush... very nice
by John Hopkins from Evans, GA
I haven't had much time to work with the unit, but I can give a set of first impressions. I'm running synths through it, and the board is completely transparent. I haven't put the Cubase integration... read more [+] through its paces, but the software installed fine (under Vista even) and Cubase sees the device. It's really nice having the mixer controls I'm used to and NOT have to have an additional piece of gear for computer audio IO. And built-in compression? SWEET!July 2, 2008 Music Background: Hobbyist So... sound: great! Integration: great! OVerall features: really great! A few minor complaints: the build quality feels a bit cheap in places. The chassis is super solid, the plastic faders are smooth enough, and the connectors are rock solid. However, all the push buttons have an awkward responsiveness. There's an odd resistance to them, as if they are not set in the chassis quite right, and there's no satisfying "click" when pushed in, just a light. Knobs are comfortable but nothing to write home about. I know, I'm complaining about buttons and knobs, but I've used Mackie and Allen&Heath units, and they seem way more robust in this area. Also, this unit is quite long (20+"?). Check the measurements and make sure it can fit on your desk. It feels like there's some wasted space around the top. Minor quibbles aside, Yamaha once again delivers tremendous bang for the buck, and the usual low Sweetwater pricing + GearFest discount made it even bangier. :-) close [-] Also popular
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