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Live Sound > Live Sound Mixers > Analog Mixers > Allen & Heath MixWizard3 16:2

Allen & Heath MixWizard3 16:2

16-channel Stereo Mixer with Dual Mixing Mode

Item ID: MixWizard316

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So You Wanted To Meet The Wizard ...

Allen & Heath presents the third generation of MixWizard, the MixWizard3 16:2 with even better sound quality, new preamp design, tailored EQ frequencies, an extra mono output on fader which can switched to provide a sub-bass mix from channel aux 6, and several routing changes to make the engineer's life easier. Put together with new styling, extra lamp socket, new Sys-Link options and backup power supply and it's easy to see that Allen & Heath just made the MixWizard3 16:2 even better.


Allen & Heath MixWizard3 16:2 at a Glance:
  • Mono Inputs: 8 or 16 mic / line channels.
  • Main output controlled by 100mm faders with 12 segment 3 color metering with insert.
  • Mono fader feeds mono XLR output.
  • 6 Auxiliary Sends.
  • 4 Band EQ plus HPF.
  • 2 Stereo Returns.
  • On-board Digital FX.
  • Engineer's Toolbox.

Mono Inputs
8 or 16 mic / line channels with 4 band EQ, HPF, individual phantom power, 6 auxes, mute switch, signal and peak indicator leds and 100mm smooth action fader. A configurable direct out and insert using all-metal TRS jacks are provided.

Stereo Mix with AB out
Main output controlled by 100mm faders with 12 segment 3 color metering with insert. A-B output for additional L&R stereo output selectable pre or post L&R faders. Unique underpanel mode switch to configure A-B as a local monitor output for additional stereo monitoring.

Dedicated Mono Output
Mono fader feeds mono XLR output. Source select L+R sum or aux 6 mix for creating separate mono/C or aux fed sub mix.

6 Auxiliary Sends
6 auxiliaries: 1-2 prefade (option: link to follow pre/post switch), 3-4 switchable pre/post fade (option: permanently prefade) and 5- and 6 post fade (option to follow pre/post switch). Internal option to configure stereo channel L signal to odd auxes and R signal to even auxes. Aux masters are rotary controls with TRS outputs. The aux busses can be monitored in mono or related stereo pairs.

4 Band EQ plus HPF
Mono channels have separate controls for sweep and cut/boost on mid bands. HPF @ 100Hz is switchable.

2 Stereo Returns
(TRS) line inputs, routed via level controls to L&R mix. ST1 can feed aux 1-4. Note: the internal FX returns to ST1. The ST1 input allows external FX to be mixed in.

On-board Digital FX
32 FX programs with external midi editing / control. Can be configured in single mode (16 programs fed from aux 5) or Dual mode (8 programs fed from aux 5 plus another 8 programs fed from aux 6). FX are returned via ST1 to the mix, aux 1-4. The effects can be muted using a footswitch. WZ FX editor software is available from the website.

The MixWizard WZ316:2 features a built-in stereo digital effects processor. This can be configured to work as a single effects engine fed from AUX5, or in dual mode as two effects engines independently fed from AUX5 and AUX6. The processed signal is routed back to the mix through the ST1 (ST5) stereo return channel. In dual mode the two stereo effects mix together into the return channel.

  • Stage
  • Room
  • Hall
  • Plate
  • Chamber
  • Cathedral
  • Arena
  • Gated Reverb
  • Karaoke
  • Ping Pong
  • Chorus
  • Slap + Rev
  • Dly + Rev
  • Echo + Rev
  • Chorus + Rev
  • Phaser + Rev

Engineer's Toolbox
Headphone output and local monitor possible, with separate level controls. Red led indicator when PFL on input channels is selected. PFL signal overrides the selected monitor source and L&R metering. A-B output can be configured as local stereo monitor

Allen & Heath MixWizard3 16:2 Features:
  • Performance improvements with new mic preamp design and more responsive EQ.
  • Extended PA possibilities with control of aux fed subs on new mono output fader.
  • Channel phantom power switches and signal indicators added.
  • User friendly options on aux sends and direct outputs.
  • XLR lamp socket. New Syslink options.
  • Slimmer build.
  • Pluggable jumper links.
  • Easy service construction.
  • New meter moulding design.
  • Extra feet on connector pod.
  • Universal rack or desk mount.
  • Dual stereo channel routing modes.
  • New side trims for style and portability.
  • Separate internal power supply module.
  • Dual redundant power supply connector added.
  • Balanced channel XLR normals through TRS for mic or line level XLR.
  • Pre-EQ aux option added for pre-insert, post-mute.
  • New surface mount technology.
Specification Detail
Dimensions MX400TRS
Direct Outs 16
Weight 22lb

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Reviews
based on 8 customer reviews

Worth every penny

by Rod from Fort Worth, TX
September 28, 2009
Music Background: Musician, Live Sound Engineer
I've been using a non-VLZ Mackie SR24-4 religiously for my gigs ever since the board came out about 14 yrs ago. I bought the A&H MixWizard3 16:2 board brand new late last year because I wanted a vers... read more [+]atile small format mixer with built-in effects. The MW3 has been sitting in my shop until yesterday when I finally got to open and use it for a church festival. I hooked it up to my Yorkville PA, punched the line in buttons, turned on the MP3 player for sound check, and I quickly noticed a different sound coming from my PA that I hadn't heard. Deeper and tighter low end, clearer and brighter (but not shrilling) top end, and it just sounded better than I've heard in the past. I also noticed that a Shure SM-58 sounded so much better on the MW3 vs. the Mackie. I quickly and easily navigated through the onboard FX and found that the concert hall patch worked well for the festival. This board is worth every penny because it has the features you want, it sounds awesome, you don't need to open the user manual, and especially because it can survive being in direct Texas sunlight for 8 hours on a 93 degree day in September. Get one now and prepare to be amazed. close [-]

Even more reasons to buy this mixer...

by Matt Hankins from Harrisburg, PA
June 22, 2009
Music Background: musician, former live sound engineer, sometimes recording engineer
There are a lot of compelling reasons to buy the Allen & Heath MixWizard 16:2 (or 14 or 12 versions)--lots of very high quality inputs with beautiful e.q., more aux sends than most compact mixers, the... read more [+] fact that this consol will fit snuggly into a pop-up rack, the pro orientation of the layout and operation, and the amazing price-point--these are all great reasons to buy an Allen & Heath mixer, and this would be enough---But one more thing pretty much EVERYONE overlooks with the Allen & Heath mixers is the simple fact that they are boards you can use for life--what I mean is, the Allen & Heath mixers use individual circuit boards for each channel. If a channel fails, you can actually get these things fixed. Pretty much all the other boards at this price point have one giant circuit board that flexes and bends over time and the solder joints will fail. No one wants to fix those other boards for you. If they will work on a Mackie or Yamaha or so on, it will cost a lot of $$$ ---close to the same price as buying a whole new board. Not so with the Allen & Heath. The circuit board arrangement is more rigid to begin with and in the event that anything does ever fail, you can get them fixed, no problem. So one more substantial reason to buy the Allen & Heath. Great board exceeding the usefulness of many larger and more expensive options. close [-]

The silver bullet mixer for small format!

by Pete from California
February 22, 2009
Music Background: Pro Musician
Man...Finally! I have gone through a lot of mixers these last couple years trying to find a mixer that had "that live sound sound". I have gone through Midas Venice (bland, opaque, in your face), Onyx... read more [+] (grainy, onfucused, vintage?), VLZ (flat. not bad), Yamaha( shrill), and now A&H. A&H is by far the best mixer for live sound, although the Onyx is also a pretty nice board (Loved the firewire card). Actually, the Onyx had been my favorite mixer until I bought this board. My beef with the Onyx is the EQ and the unfocused, grainy, highs, or lack of ( Before the A&H, as most, confused this with warmth) . The Onyx EQ was more like an effect than an actual tool. The EQ is where the A&H really shines. It actually boost and cuts frequencies without adding or subtracting color. Since the highs are so smooth and focused with the A&H, I really find no need to really boost the top. Where I find myself boosting quiet a bit is in the lows. WOW! It was so pleasant to hear how tight and punchy the bass notes got when I boosted. I was not that impressed at first listen with the pre's. I guess I had been expecting some kind of colored sound, but after fiddling with the gain and levels, I was somewhat impressed with the even harmonics. Where I found more respect for the pre's was when I added verb/effects. This discovery helped me understand why the pre's were designed to sound the way they do (Tighter lows, low-mids, focused top). Everthing sat better in the mix. No source lost from low-end muck. The verb just shined and not overstated. I even found myself using more since it sounded so clean. Save yourself time and hassle if your in the small format market. There is nothing better in this price range the the MixWiz3. close [-]

Incredible

by Caleb from La Habra, CA USA
August 1, 2008
Music Background: avid drummer, bassist and guitarist, Live Sound engineer, Recording Engineer, Student
I'm a 16 year old guy that has used a few different Allen & Heath Consoles and I recently installed a new sound system for my church. We purchased the MixWizard3 and after using this a number of times... read more [+], I can say that this is one amazing board. The EQ is amazing. It provides amazing clarity and much detail to the Low Ends. I took a Taylor 510 and put it through an L.R. Baggs Para DI and went directly into the board and the sound quality was surpurb. At least once or twice a week I send my Martin 000C-16RGTE directly through the board and the results are amazing. The clarity in the high's, the attention to the mid's and the detail in the lows makes one amazing buy. I was pleasently surprised. close [-]

I met the Wizard:

by Johnny Mercer from West Monroe, Louisiana
July 8, 2008
Music Background: Lead guitar, sing and sound engineering for bands
I have had the MixWizard for almost a year now and have had nothing but compliments on the sound of our band. Sounds professional with crisp highs and tight lows. I strongly recommend it to any band w... read more [+]anting to improve their sound. For the price, there's nothing better that I've found. close [-]
Read more reviews

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Allen & Heath MixWizard3 16:2

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