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Daking Mic Pre II 2-channel Microphone Preamp

2-channel Class A Microphone Preamp with Variable Input Gain, Variable Highpass Filter, Pad, and Phantom Power
$1,599.00

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Daking Mic Pre II 2-channel Microphone Preamp
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Boutique Quality in a Value-packed 2-channel Pre

The Daking Mic Pre II 2-channel microphone preamp lets you add boutique quality and great sound to your recording setup at a very impressive price. The Class A Mic Pre II features the same discrete transistor circuitry featured in Daking's Mic Pre IV, adding a variable highpass filter for fantastic tonal options. You get per-channel polarity reverse, 20dB pads, phantom power, and selectable 1/4" line/hi-Z input on the front panel. Two aluminum knobs give you control over the variable highpass filter and gain. With its rugged 1RU stainless steel chassis and high-quality parts, the Mic Pre II is built to perform for the long haul.

Simple layout, complete control

Per-channel, the Mic Pre II is fitted with two large knurled aluminum knobs control the variable highpass filter (10-200Hz) and continuously variable input gain, which is complemented by a full-width, twenty-segment bi-color LED meter. The rear of the unit offers a Jensen transformer-isolated mic input and fully-balanced XLR output, plus a 1/4-inch line output. A fourth connector introduces DC power from the external power supply to the unit.

The Daking story

Having broken into the music industry as the drummer for '60s psychedelic band the Blues Magoos, Geoff Daking went on to truly make his mark designing and building boutique-quality studio gear. His company's latest offerings not only look classic, sound great, and perform solidly — you'll be knocked out by their decidedly non-boutique prices. Daking puts a premium on putting quality components at the heart of his gear, from circuits to transformers to amplifiers, while implementing modern techniques to ensure reliable, consistent performance.

Daking Mic Pre II 2-channel Class A Microphone Preamp Features:

  • Transformer balanced input, electronically balanced output
  • All discrete transistor Class A circuitry
  • Continuously variable gain controls
  • Continuously variable highpass filter controls, 10-200Hz @12dB/octave
  • Front panel instrument inputs
  • 20-segment VU meters
  • Switchable +48V phantom power
  • 20dB pads
  • All relay switching with gold bifurcated contacts
  • Stainless steel construction for noise immunity
  • Aluminum knobs
  • Power supply included

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Tech Specs

  • Preamp Type: Class A Solid State
  • Number of Channels: 2
  • Phantom Power: Yes
  • Pads: -20dB
  • Polarity Switch: Yes
  • EQ: Variable High Pass Filter
  • Analog Inputs: 2 x XLR, 1 x 1/4" (Hi-Z)
  • Analog Outputs: 2 x XLR, 2 x 1/4"
  • Rack Spaces: 1U
  • Power Source: External 6-pin Din power supply (included)
  • Height: 1.75"
  • Depth: 12.25"
  • Width: 19"
  • Weight: 5.75 lbs.
  • Manufacturer Part Number: MIC-PRE-2

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Customer Reviews

Write your review
Rated 5/5

AWESOMENESS

I am using two of these units, one for kick and snare and the other one for overheads here in my home studio. This is serious stuff!! Clean crisp signal and transparent sound, not just on drums but in bass and guitars as well. This is the best purchase I've made in years.
Music background: Professional musician/producer
Rated 5/5

Great, articulate sounding preamps!

These preamps present a wonderful balance between "warmth" (harmonic distortion) and "punch" (preserving and enhancing transients) and "accuracy" (not muddying up the sound or adding noise). They are incredibly musical and make just about any source sound better than the pres in my interface (which we're not bad to begin with). The HPF is incredibly useful and also very forgiving. If you are thinking about these but not sure if they stand up to bigger brands that cost more, do yourself a solid favor and just get it. You won't regret it!
Rated 5/5

Great Pres

I love the Trident A Range, and this does an amazing job at giving you that sound. By far the best bang for your buck, and these can be used on anything.
Music background: Engineer
Rated 5/5

Buy this!

I received my Daking Mic Pre II recently and have been using it on a variety of instruments and it responded well to all of them, clear and present. Of special note, it was fabulous with an AEA R84 on both drums and upright bass. I'm looking forward to trying it on vocals next.
Rated 5/5

Solid Pro Sound

The Mic Pre II is a great addition to my studio. There is really nothing it doesn't do well with a clear, big sound. The first thing I tried it on was acoustic guitar (A Neuman KM 184 and a Stam SA-87) and I'm never going back to other pres. It was instantly a defined, yet 'rock' sound and I could dial in those crystal highs with the HPF knobs.

Next I tried drum overheads with two ribbons. Here is where I ran into trouble. The gain knobs on this pre don't really grab ribbons until they're turned up to 8 or 9. I thought this was a little weird so I contacted Daking and when I say Daking, I mean Geoff Daking. How great is that? You contact a gear company and get the guy who invented your pre! He had me run some tests and proved that even though you have to crank the pre to grab my ribbons, the self-noise is extremely low. I compared the sound to the ribbons through Cloudlifters and the Mic Pre II sound was much better.

Finally, I recorded vocals with the worst mic I own, a Rode NT 1-A (Sweetwater, don't let me near a review of this mic). Well...it sounded pretty darn good. The Daking somehow smoothed the horrible sibilance and left the big bottom. I would actually consider using this mic with this pre.

It's true, the case is not made of x-ray vision proof lead (thin steel) and it runs warm and it's always on but none of these things matter much to me. Great piece of gear, usual great advice and service from Sweetwater.
Music background: musician, audio engineer
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