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Purchase an Octa-Capture USB from Sweetwater between March 1, 2012 and June 30, 2011 and download SONAR X1 Studio for Free - a $199.00 value! Get details on Roland's current promotions webpage.

Roland Octa-Capture

Item ID: OctaCapture

USB 2.0 Recording Interface with 8 Mic Preamps and DSP for Cue Mixing

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  • Retail Price$819.00
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  • Sale Price:$699.00PLUS Get SONAR X1 Studio - Free!
    Retail Value $199.00
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From Our Research Team:

Get Flexible On-the-go Recording from This USB Interface!

The OCTA-CAPTURE by Roland packs eight impressively pristine VS PREAMPs and exceptional 24-bit/192kHz AD/DA conversion into a single affordable USB 2.0 interface. If you demand high channel count and superb audio quality from a multichannel interface built with on-the-go convenience in mind, then the OCTA-CAPTURE is the perfect companion to your laptop Mac or PC. It has 40-bit DSP-driven cue mixing onboard that lets you set up four independent stereo mixes quickly and easily. An Auto Input Level Adjustment also lets you instantly set the ideal input level of each of the OCTA-CAPTURE's analog inputs with just the push of a button. And thanks to Roland's extreme low-latency driver, you can use the OCTA-CAPTURE efficiently with almost any Mac of PC DAW.

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Roland OCTA-CAPTURE USB Interface Features at a Glance:
  • 8 x premium VS PREAMP mic preamps (XLR combo)
  • AUTO-SENS function intelligently sets optimal input levels for all preamps
  • Extremely stable low-latency VS STREAMING driver
  • 4 x independent software-controlled Direct Mixers for creating custom monitor mixes
  • Internal 40-bit DSP processing for cue mixing
  • Supports most major DAW platforms on Mac or PC, including OSX 10.6 and Windows 7, through ASIO 2.0/WDM (Windows) and Core Audio (Mac) drivers
  • Includes Cakewalk Production Plus Pack and custom rack ears
  • Dimensions: 11-3/16" x 6-1/4" x 2"
  • Weight: 2.9 lbs.

For professional-quality multitrack recording you can take anywhere, pick up an affordable Roland OCTA-CAPTURE USB interface!

Octa-Capture Image Gallery

Specification Detail
Computer Connection Type USB
Form Factor Desktop
Simultaneous I/O 12 x 10
A/D Resolution 24-bit/192kHz
Built In DSP/FX Yes
Number of Audio Inputs 8
Audio Inputs Types 2 x Combo (Mic/Hi-Z), 6 x Combo (Mic/Line)
Number of Audio Outputs 9
Audio Output Types 2 x TRS (Main), 6 x TRS, 1 x TRS (Headphone)
Number of Digital Inputs 2
Digital Input Types 1 x S/PDIF (Coax)
Number of Digital Outputs 2
Digital Output Types 1 x S/PDIF (Coax)
Number of Preamps 8
Phantom Power Yes
MIDI I/O In, Out
Bus Powered No
Depth 6.25"
Width 11.19"
Height 2"
Weight 2.94 lbs.
Manufacturer Part Number UA-1010

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Reviews

based on 12 reviews

Roland Octa-Capture Audio Interface

by from Granite Falls, NC
December 5, 2011
Music Background: Audio & Music Production Engineer
Fantastic device! Unit is extremely well designed & built. Very simple to operate as well. The only issue I had was that the device would not communicate reliably when connected to a USB 3.0 port..... read more [+].even though USB 3.0 ports are supposed to be backwards compatible with USB 2.0 devices. I found that my recording & editing applications would hang severely, causing a manual reboot of my workstation every time. I then connected the Octa-Capture to a USB 2.0 port on my workstation & the issue was resolved. The device works perfectly every time now. If you need up to 8 XLR or 1/4" inputs, I highly recommend Roland's Octa-Capture audio interface. close [-]

Roland's struck gold with this one.

by Justin Carpenter from Lakeland, Florida
August 9, 2011
Music Background: Audio engineer, virtual instrument designer, hobbyist musican.
So there I was, looking to expand my VS-700 rig. I didn't want another VS-700R, necessarily -- it was overkill, and I didn't really want to spend another two grand if I didn't have to. One Fantom was ... read more [+]plenty for my needs.) I wanted the VS series' legendary clean preamps, though, and I wanted six to eight more of them. I also really wanted to stick to products that supported Roland's V-LINK system, so I could use both at once in Sonar.

I didn't expect to be quite as impressed as I have been. This may well be Roland's more versatile and useful product in years -- and I'm a significant Roland fan to begin with.

The preamps are excellent, the drivers low-latency, tight and stable. Upgrading the firmware the first time, with the 1.x and 2.x driver differences, is a bit of an adventure -- one must install the 1.x driver to connect to the device, update the firmware, then uninstall the 1.x driver, reboot, then install the 2.x driver. Still, this is a one-time hassle, and once it's complete, subsequent firmware updates require no such dancing about.

The preamps are indeed VS preamps, clean, quiet and efficient. The first two support Hi-Z instrument direct input, while all eight channels offer individual low-cut filtering, phase inversion, phantom power, and their own compressor/limiter. The Octa-Capture supports four discrete mixes (Mix A-D), too -- and these can be running simultaneously, routed to different pairs of outputs. The obvious application for this wiould be in recording, sending different performers mixes that boosted their contributions over others', but I also see a huge advantage here in using an Octa-Capture in live sound for a school, small theatre or church environment, being able to vary the mix to different banks of monitors in a house PA system, to better take advantage of the room's resonant qualities.

The Auto-Sens system is nothing short of a "killer feature" -- it'll save an experienced engineer a little time by auto-setting volume levels for each channel based on the signal levels from a bit of instrument play, but in the case of an inexperienced engineer, it may well be the difference between a good capture and a damaged one. Just press and hold the button, play some music, and let the box figure out how to balance the signal levels.

I haven't worked much with the onboard reverb, but I do seem to recall it's limited to Mixer A only, and presumably there to give the vocal channel a bit of reverb if desired.

Finally, since the Octa-Capture supports V-LINK, two of them can be ganged together for simultaneous use. This offers a really excellent option for expansion, and with two of these plus a laptop for easier management, a fairly robust mobile sound desk with robust recording functionality that fits into a backpack. There are certainly options at its price point that offer more inputs, but seeing this many quality preamps in a device at this price point is unusual, and frankly, kind of delightful.

I'm kind of amazed, really. At its price, it's a natural choice to pair with a VS-700 or just to run by itself as a project studio IO solution, but its applications in live sound as a control center for a small performance hall should not be overlooked either. This isn't just an IO box -- it's a highly portable, highly versatile virtual soundboard for live sound work, that can also produce amazing captures. One of these, plus a basic laptop with the Octa-Capture's software for easier access to all the settings, would be a very cost-effective solution for mobile sound desk work. The ability to run concurrent mixes to different banks of speakers, and to automatically set levels, make it a "magic bullet" when dealing with most live sound concerns.

Focusrite and M-Audio both have offerings with eight preamps in the same price range that are worth exploring too. In my own case, need to stay within the V-LINK family made the Octa-Capture a foregone conclusion, but the Auto-Sens feature in particular makes it a formidable contender even to those without such a requirement. Furthermore, folks who are considering a second VS-700R, but don't quite need the massive iron and second Fantom it provides, would be well-served to take a look at the Octa-Capture as a very cost-effective alternative for V-Studio expansion. close [-]

Great one rack space mixer with benefits.

by J Carlson from Sarasota, Fl.
July 12, 2011
Music Background: Pro Musician
I am using this as a sub-mixer in my live rig. Very clean with no apparent coloration to my sounds. Relatively intuitive interface with the right features for my gear (Pod X3 Live, Kork M50, TC Helico... read more [+]n VoiceTouch Live.) close [-]

Very Good Interface

by Geralyn Swindle from Winghaven, MO
July 11, 2011
Music Background: Musician/Composer/Assistant
Just want to say
I was blown away
By the clearness of the sound
When using Garage band just sitting around

Our set up is in our hearth room
AKG's are on the... read more [+] boom
Our kids walk by as we record
Without picking up the sound off the floor

The refrigerator is humming
The freezer is doing its song
And the Octa-Capture is ignoring
As we record along

The recordings sound amazing
And we're in this open room
I would recommend this portable interface
For it delivers a mighty fine tune... close [-]

Excellent piece of kit

by brendan stallard from Atlanta, GA, USA
June 6, 2011
Music Background: Band member, vocalist, recording studio mutt, reader, muso.
My needs for Audio are really pretty simple. I read audiobooks and now and again when the mood takes me, I dig out the guitar and piano and sing a bit.

When I do, I record it to a DAW, ... read more [+]either Reaper or Sonar producer. Currently, I'm liking Reaper a whole lot:)

I've had a ton of equipment and software that worked and half worked with varying degrees of complexity down the years.

This works brilliantly and does exactly what it says on the tin. I know I'm over engineered for my requirements, but who cares? I switch it on and it works.

I'm a very happy bunny.

As far as Sweetwater is concerned, I _know_ they stand behind what they sell. I know the value of that. Sweetwater are a first class outfit.


brendan (atlanta) close [-]
Read more reviews

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See Also: USB Interfaces , Roland , Roland USB Audio Interfaces

Roland Octa-Capture

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