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dbx 266XL

Dual Compressor/Gate with Balanced Inputs, LED Metering, and Side Chain Insert

Item ID: 266XL

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  • Retail Price $229.95
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  • Sale Price: $149.97
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Great Compressor at a Great Price!

The dbx 266XL dual compressor gate breaks it down to the essentials. Square lighted switches let you see it in the dark, but that's about it as flashy as it gets. Onboard the 266XL, there's dbx OverEasy compression, and its Auto Dynamic continually adjusts the actual attack and release times to match the program material, so you aren't limited to using Attack and Release controls only in "peak" operation. It does all that and asks little in return — just look at the price! You can't go wrong with the dbx 266XL.

dbx 266XL Dual Compressor/Gate at a Glance:
  • Smooth and musical performance
  • AutoDynamic feature puts great sound within easy reach
  • Can operate in stereo or dual-mono modes

Smooth and musical performance
A problem with many compressors is that they sound anything but musical, with gating that can swallow transients or cut off decay and reverb trails. The dbx 266XL, instead, gives you smooth release characteristics, for a more natural sound. Couple that with its affordable price, and the dbx 226XL is quite a steal for any studio or stage setup.

AutoDynamic feature puts great sound within easy reach
The dbx's AutoDynamic circuitry serves to continuously adjust the actual attack and release times so that they optimally match the program material. It's a goof-proof solutions for great compression — no matter the source.

Can operate in stereo or dual-mono modes
In the dbx 266XL's stereo couple mode, the controls on Channel 1 become Master controls, and Channel 2 follows along precisely, to give you a rock-solid stereo image — even when you're using lots of compression.

dbx 266XL Dual Compressor Gate Features:
  • Full-featured, high-performance dual compressor/gate that uses the dbx AutoDynamic Attack and Release circuitry to deliver true musical compression for a wide range of applications
  • Program-adaptive expander/gates overcome the functional limitations of traditional "utility" gates — all at a price suitable for almost every application
  • Separate precision LED displays for gain reduction, compression threshold, and gate threshold allow quick, accurate setup
    The dbx 266XL dual compressor/gate is a no-fuss, great value!
  • Stereo or dual-mono operation
Specification Detail
Analog Inputs 2 x XLR, 2 x TRS
Analog Outputs 2 x XLR, 2 x TRS
Circuit Solid State
Digital Inputs None
Digital Outputs None
Dimensions 1U Rack Space
Freq. Response 20Hz-20kHz
Kind Compressor/Gate
Linkable Yes
MIDI I/O NA
Notes AutoDynamic Attack
Power Supply Internal
Rack Height 1U
Sidechain Yes
Total Channels 2

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Reviews
based on 7 customer reviews

GREAT PROCESSING

by Joe ''Masterjoe'' Abrego from Montreal, Canada
August 17, 2007
Music Background: Sound Tech, Musician
This is the first compressor i used for a small project I had to do when I was in the Sound tech school and it works great, no complaints, very nice quality and very easy to use and understand.
... read more [+]
GREAT JOB DBX close [-]

Big difference, Small Price

by Sam from Waverly, IA
March 22, 2008
Music Background: Recording Engineer
I engineer DIY gigs that my friends and I set up. I decided to blow a little money on one of these and renting a legit P.A. system for a show I did earlier tonight. Without this box, it seems nearly i... read more [+]mpossible to find the right levels for vocals in a live mix. But WITH it, the vocals leaped out of the speakers with a punchiness that could compete with all the guitars wailing and a really bezerk drummer. Bonus points: one band's vocalist went from a scream to a whimper and back again in the course of a word, but with the magic "auto" button on this device the transition was buttery smooth---you really can just press that switch and leave. My only gripe: no off switch-but I can make due. close [-]

Best in $ range

by Mikey from PA
March 6, 2008
Music Background: Professional Engineer
Better than other comps I've heard in this price range. I like and use the overeasy setting a lot. Nice job DBX.

Great Home Audio Compressor

by Jason from St. Louis
January 19, 2007
Music Background: None
I've been using the 266XL for 7 years now inline with my CD player. After years of disappointment with the sound of CDs and yearning for a full and robust sound I was thrilled to add the 266XL to my ... read more [+]system. This unit does a great job at giving poorly mastered CDs some much needed punch without pumping or seriously degrading high-end detail. Even as a mono-band compressor I don't notice any serious degradation in mid or high range material when the energy in the low end is high.

This rack mountable box was certainly not designed with this kind of application in mind. There is no power button. However that is common for studio equipment which is often rack mounted and plugged into a power strip. The gate function is not needed and there is a very loud pop when the unit is first plugged in or unplugged. I always power up or power down with the amp turned off for this reason.

The user has full flexibility to adjust the compression ratio and attack and decay times. However I have found the built in algorithims do a superb job adjusting the attack and decay times. I normally leave the compression at a 2:1 level. The music is vibrant and robust filling the room with sound but without sounding trashy or smashed as many FM stations do. Bypassing the compressor is as easy as pushing a couple of lit buttons. This is handy for SACDs which often don't need any help and for a few rare CDs whose engineers knew what they were doing. The output level is adjustable and there is an overeasy feature which does make the sound a bit mellow. In my opinion, the overeasy setting attenuated the highs and made the music less bright; so I don't use it.

If you're used only to home audio components you should know the inputs and outputs of the 266XL are balanced XLR connectors. I purchased 4 XLR to RCA cables to plug from the CD player into the compressor and from the compressor to the amp. Other than that it's as easy to install as any other component.

The LED meters make set-up easy and add some pizazz to the aesthetics of my system. My Klipsch KG4s sound better than ever now that I can hear the details often hidden in many CDs. I prefer a well mastered SACD to using the compressor. But since SACD seems to be the one product Sony doesn't want to advertise it doesn't look to promising. (I could go on about the lack of contemporary material available in SACD, or how much of what is available was recorded decades ago and doesn't fully demonsrate SACDs abilities or how a world in love with MP3s doesn't care or know about it's existence but that's another soapbox for another time) close [-]

Wow!

by Phil LaDue from Owego, NY
June 21, 2006
Music Background: Live Sound/ Theatre
This comp really takes it up a notch from the common budget choices. The controls are smooth and the automatic settings make it easy to use for almost anyone.
Read more reviews

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dbx 266XL

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