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Used Darkglass Electronics Microtubes X7 Bass Distortion Pedal
Excellent Condition
267
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$319.99
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Pickup Optional
in Los Angeles, CA
7 Day Return Policy
Item Description
Listed 7 months ago
PRE-ORDER: LEAD TIME 1 WEEK
The Microtubes X series brings the studio method producers have been using the years to cover the whole bass distortion spectrum: from articulate high gain to punchy mild overdrive, raw and gnarly fuzz and everything in between. You now have absolute control in constructing your vision of what the perfect bass distortion texture, definition, and size should have.
HIGH PASS FREQUENCY
Controls the cutoff frequency to be distorted, ranging from 100Hz (for thicker, fuzzier saturation) or 1kHz for ultra-sharp definition.
HIGH DRIVE
Sets the amount of distortion for the high pass side.
HIGH LEVEL
Sets the output volume of the distorted high-pass signal.
LOW PASS FREQUENCY
Controls the cutoff frequency to be mixed back to the high-pass side. Ranging from 50Hz (for only sub-bass) and 500Hz to preserve some clean mids.
LOW COMP
Sets the amount of compression for the low-pass signal.
LOW LEVEL
Sets the output volume of the low-pass signal.
MASTER
Sets the overall volume of the unit.
LOW SHELF
+-12dB @ 80 Hz
500 HZ
+-12dB
1 KHZ
+-12dB
HIGH SHELF
+-12dB @ 5 kHz
PARALLEL OUTPUT
A passthrough for your input signal, useful for parallel processing.
DIRECT OUTPUT
A balanced version of the ¼” output, useful for running into PA’s or studio mixing consoles.
The Microtubes X series brings the studio method producers have been using the years to cover the whole bass distortion spectrum: from articulate high gain to punchy mild overdrive, raw and gnarly fuzz and everything in between. You now have absolute control in constructing your vision of what the perfect bass distortion texture, definition, and size should have.
HIGH PASS FREQUENCY
Controls the cutoff frequency to be distorted, ranging from 100Hz (for thicker, fuzzier saturation) or 1kHz for ultra-sharp definition.
HIGH DRIVE
Sets the amount of distortion for the high pass side.
HIGH LEVEL
Sets the output volume of the distorted high-pass signal.
LOW PASS FREQUENCY
Controls the cutoff frequency to be mixed back to the high-pass side. Ranging from 50Hz (for only sub-bass) and 500Hz to preserve some clean mids.
LOW COMP
Sets the amount of compression for the low-pass signal.
LOW LEVEL
Sets the output volume of the low-pass signal.
MASTER
Sets the overall volume of the unit.
LOW SHELF
+-12dB @ 80 Hz
500 HZ
+-12dB
1 KHZ
+-12dB
HIGH SHELF
+-12dB @ 5 kHz
PARALLEL OUTPUT
A passthrough for your input signal, useful for parallel processing.
DIRECT OUTPUT
A balanced version of the ¼” output, useful for running into PA’s or studio mixing consoles.
