The one and only. This is, obviously, a great kick drum mic. But it also works surprisingly well on a number of sources. I've used it on harmonica, male vocals, cello, bass and guitar amps and various percussion instruments. I clearing out my mic locker and they all have to go. The D112 can handle more than 160 dB SPL without distortion. Its large diaphragm has a very low resonance frequency that delivers a solid and powerful response below 100 Hz. Its authoritative low end is complemented by a narrow-band presence boost at 4 kHz that punches through even dense mixes and loud stage volumes with forceful impact. One of the many reasons artists and sound engineers love the D112 is that it requires no additional EQ to sound just right as soon as you bring up the fader. Further refining its performance, the D112 features an integrated hum-compensation coil that keeps noise to an absolute minimum.