Allen & Heath Xone:92

4-channel DJ mixer with 2 mic inputs, 4-band EQ, MIDI control, 2 VCF's and 1 LFO.
Allen & Heath Xone:92 image 1
Allen & Heath Xone:92 image 1
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Allen & Heath Xone:92
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When DJs Speak, Allen & Heath Listens!

The XONE:92 represents the culmination of everything Allen & Heath learned from the DJ market. The XONE:92 is the result of something Allen & Heath has done since Day One - listening to DJ's.

The Allen & heath XONE:92 is a versatile mixer that promises to fulfill every wish list, with features to suit all styles from breakbeat to techno, trance to house.

Massive Input Flexibility
The XONE:92 has 6 dual stereo channels, two offering mic inputs, adding up to a massive 10 stereo and 2 microphone inputs. XONE:92's full range of connectors means that you can connect up to 4 turntables to the Xone:92, 2 mics, CD players, MD players, drum machines, samplers, and pretty much anything else you might want to bring into the mix.

XONE:92 AS A MIDI Controller
MIDI (Musical Instrument Digital Interface) allows the Allen & Heath XONE:92 panel controls to transmit MIDI data to enable remote control of external effects, samplers, sequencers including Ableton LIVE and the Korg KAOS Pad. Tap Tempo related MIDI clocks are also transmitted from the XONE:92 to provide synchronisation of MIDI sound modules to pre-recorded sources playing through the XONE:92.

More EQ Than Most
The Allen & Heath XONE:92 features 4 BAND EQ controls rather than the usual 3 for greater creativity. Each band has a safe +6dB boost. The HI and LO bands have infinite attenuation (total kill) with a sharp 12dB/oct roll-off and the XONE:92's MID bands have a massive -30dB of cut, enough to shape your sound well beyond normal EQ range, and without overloading your system.

High Quality Faders
The Allen & Heath XONE:92's stereo channels use high quality twin rail linear or rotary VCA faders. These control the audio using DC voltages meaning that the XONE:92 can take a huge amount of punishment without the bangs and crackles that inevitably creep in on regular audio faders.

Seamless Beat, Scratch Or Cut Mixing
The XONE:92's high spec Penny & Giles VCA crossfader is easily removable from the top panel for quick replacement. . The curve can be swept between dipped response, ideal for seamless beat mixing, and fast-attack, suitable for scratch or cut mixing with the XONE:92.

New Levels Of Performce
Unique to XONE:92, two stereo state variable Voltage Controlled Filters provide the DJ with a new level of live performance creativity. The XONE:92 uses these to sweep the sound by accentuating or cutting frequencies from 30Hz to 20kHz. The 3 filter types on the XONE:92 (HPF, BPF and LPF) can be combined to create many more amazing effects. The XONE:92's Low Frequency Oscillator controls enable cyclic LFO changes to be applied to each filter. A large Resonance control on the Xone:92 changes the 'Q' or sharpness of the filter effect from subtle to extreme. Each VCF has its own 'ON' switch.

At Home In The House
Combined with the XONE:92's extensive output and monitoring features, color coded indicators, stylish layout and clear graphics visible in all lighting situations, Allen & Heath gives you an unbeatable performance console with the XONE:92, equally at home in dance clubs, home set-ups, live venues, and on the road.

Allen & Heath XONE:92 Features:
  • 6 Dual stereo inputs, 2 with mic inputs, RIAA preamps for up to 4 turntables.
  • 2 auxiliary sends selectable pre/post fader (and crossfader).
  • MIDI output from VCF 1+2, crossfader, LFO (MIDI clock), dedicated data control and start/stop button.
  • New twin-rail VCA channel faders or high quality VCA rotary faders.
  • 2 independent stereo mix outputs.
  • 2 VCF filters - any performance channel can be assigned to either filter and either side of crossfader.
  • 2 x independent Low Frequency Oscillators (LFO) for filter modulation.
  • Active Penny & Giles VCA crossfader allowing contour to be set from smooth to scratch mix.
  • Custom illumination showing status of all performance switches.
  • 4 band EQ - high definition of frequency bands, with 'infinite kill' on HF and LF; wide Q for cut, narrow Q for boost.
  • Dedicated booth output.
  • Metering - extensive channel, output and cue metering.
  • Intelligent cue system allowing pre or post EQ monitoring.
  • Monitor section - includes post EQ switch; split cue and Cue/Mix monitor balance control.
  • 2 x headphone outputs 1/4" and 3.5mm jack.
  • Talkover facility on mono/mic channel attenuates music by 20dB.
  • Dedicated clean feed record output.
  • Input selectors with 2 colour indicators.
  • Smooth action level controls.
  • MIDI output from VCF 1+2, crossfader, LFO 2 (MIDI clock), dedicated data control and start/stop button.
  • Large 'light-pipe' illuminated cue switches.
  • 9 led 3 colour channel 'bulls eye' LED meters.
  • Either smooth travel 60mm VCA faders or rotary VCA faders (Linear or Rotary versions).
  • 2 Independent mix outputs.
  • 2 Rotary master level controls.
  • Dual stereo analogue VCF effects.
  • 3 Filter modes combine for more effects.
  • Independent frequency sweep controls.
  • Resonance control for subtle or wild effects.
  • Filter LFO Depth and tempo controls.
  • Illuminated Filter switches punch effect in or out.
  • Powerful headphones monitor with auto cue.
  • Headphones split cue and Aux 1 & 2 monitoring.
  • Stereo music only booth monitor output.
  • Booth mono and mute switching.
  • 9 led 3 colour main 'bulls eye' LED meters.
  • Balanced 0dBu XLR stereo Mix 1 output.
  • Impedance balanced Line stereo Mix 2 output.
  • Pre-fade recording output.
  • Universal power supply for worldwide performance.
  • Internal installer options for system optimization.
  • Plinth or 19" rack mount ears included.
  • Spare knobs included.

Additional Media

Xone:92 Block Diagram
Xone:92 User Manual

Tech Specs

Channels 4 + 2 mic/stereo return
Analog Inputs 4 x stereo RCA phono, 4 x stereo RCA line, 2 x XLR mic, 4 x 1/4" return
Analog Outputs 2 x XLR, 4 x TRS, 1 x stereo RCA
Headphones 2 x 1/4"
Other I/O 2 x TRS sends with 4 x TRS returns on mic 1 and mic 2 channels
Faders 60mm VCA channel faders
Crossfader Replaceable active Penny & Giles VCA crossfader with adjustable contour
EQs 4-band with infinite kills
Effects X-FX engine plus 2 x LFO
MIDI Control Crossfader, LFO (MIDI clock), dedicated data control and start/stop button
Rackmountable Yes
Width 12.6"
Depth 14"
Height 3.5"
Weight 13 lbs.
Manufacturer Part Number XONE92 Fader

Customer Reviews

Based on 6 reviews
Write your review

8 years later, this is still the best mixer you can buy

From 2003, here we are in 2011 and this still smokes everything else out there. Yes, there is Rane, Pioneer, even Allen & Heath themselves making hybrid and full digital mixers will integrated midi, interfaces, etc... Every DJ has their own way of working. Everyone has controllers, interfaces, etc... so that nice few thousand $ hybrid mixer becomes useless when John Doe plugs in his Audio 8 and X1 directly into said mixer. Audibly this smokes everything out there. No unnecessary AD/DA converters, no useless effects, no flashy screens... Leave all that stuff to your software and let a mixer do what it does best. MIX! I'd say the 92 is the staple of mixers for another 5 years. I've had mine since 2004 and it's still flawless although it's seen thousands of hours of use.
Music background: Live Engineer


The product was excellent, the shipment and the support too!


iI wasn't a filter enthusiast but was blown out of brain when i saw a video on you know what tube outstanding It's not just a button but whole section from bottom almost reaching the top of the X92 The two mic channels coupled with return sends is going to take me some adjusting to get use to the sound is unlike any mixer i've owned . i couldn't be more pleased with it,worth its weight and not to frget the easy 24 mths no interest if paid in full

exceptional mixer every part but.....

The Allen and Heath Zone 92 is an excellent device for djs. The sound quality is unmatched. I found 2 problems. The first problem is the headphone amp distorts quickly. I dont understand how the zone 92 has any bad parts. The second problem is the faders are toooo long. Those of you who know how to jack understand. You simply cannot flip the faders quickly and be accurate unless you drive screws into the plate at unity to stop the faders. Guess there is always Rane.....Empath. Filters are sick send\return options are sick. Great piece of gear but...
Music background: techno, funk, electro, jazz

beyond all others

this is so far ahead of anything else on the market now I don't know why clubs use anything but this. any dj willing to spend 5 mins. of there time understanding this mixer will soon realize how superior it is to anything else (except the V6 obviously). it's time to take dj'ing to the next level, here is your best tool available!
See also: Mixer, Allen & Heath, Allen & Heath DJ Mixers