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Neumann TLM 102 Large-diaphragm Condenser Microphone - Nickel

Transformerless, Large-diaphragm, Compact, Cardioid Condenser Microphone
$729.00

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Neumann TLM 102 Large-diaphragm Condenser Microphone - Nickel
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Sweet Little Microphone — Huge Neumann Sound!

At first glance, the TLM 102 stands out from other Neumann microphones because of its extraordinarily compact design. Don't let its size fool you! Inside the TLM 102 sits a large-diaphragm, cardioid capsule that Neumann developed specifically for their next generation of microphones intended for a broad range of applications. Like the rest of the TLM series, the TLM 102 is built around low-noise circuitry and captures sound sources without adding extensive color. It particularly excels with vocals, and the ability to handle extreme SPLs makes the TLM 102 a truly versatile microphone.

Neumann TLM 102 Transformerless Cardioid Condenser Microphone at a Glance:
  • A great way to naturally sweeten vocals
  • Tiny condenser with massive versatility
  • TLM technology means low noise and high clarity

A great way to naturally sweeten vocals
Up to 6kHz the frequency response of the TLM 102 extremely linear. But just after 6kHz, Neumann built in a slight boost to bolster the presence of the voice. This characteristic adds a quality often called "sweetness" to vocals that makes them jump out in the mix. The extra smoothness tends to enhance vocals by smoothing out a highly audible frequency range and adds some extra dimension to spoken recordings. The small stature of the TLM 102 is also a major asset in applications where maintaining a clear line of sight between the vocalist and the control room or or band is a priority.

Tiny condenser with massive versatility
The TLM 102 has an extremely flexible field of application and is affordable enough to find a place in professional and project studios alike, as well as in broadcast and live sound. Its largely linear frequency response extends across the audible spectrum from 20Hz to 20kHz. Since it doesn't take up as much space as a typical large-diaphragm condenser, it is easy to position the TLM 102 in front of guitar cabinets or use it as a drum mic. And there's no need to worry about high SPLs — the TLM 102 can easily handle up to 144dB, so loud sound sources are not off limits.

TLM technology means low noise and high clarity
The letters TLM stand for "transformerless microphone." With TLM technology the usual output transformer is replaced by an electronic circuit. TLM technology ensures good common mode rejection, and prevents RF interference that may influence the balanced audio signal. The capsule's built-in elastic suspension mechanism and pop screen in the TLM 102 also further diminish the noise of handling and use.

Neumann TLM 102 Transformerless Cardioid Condenser Microphone Features:
  • Maximum 144dB maximum SPL
  • Cardioid pickup pattern
  • 20Hz - 20kHz frequency range
  • 132dB dynamic range
  • 50-ohm impedance
  • Weight: approximately 260g
  • Diameter: 52mm
  • Length: 116mm
  • Requires +48V phantom power
Put a Little Powerhouse in your studio with Neumann's compact, cardioid TLM 102!

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Tech Specs

  • Microphone Type: Condenser
  • Polar Pattern: Cardioid
  • Diaphragm Size: Large diaphragm
  • Frequency Response: 20Hz-20kHz
  • Max SPL: 144 dB
  • Output Impedance: 50 ohms
  • Sensitivity: 1mV/Pa @ 1kHz
  • Signal to Noise Ratio: 82dB (A weighted)
  • Self Noise: 12dB (A weighted)
  • Connector: XLR
  • Color: Satin Nickel
  • Power Source: 48V phantom power
  • Dimensions: 4.5" x 2"
  • Weight: 0.57 lbs.
  • Included Accessories: Stand Mount
  • Manufacturer Part Number: 008626

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Customer Reviews

Write your review
Rated 5/5

Prefer over TLM 103

This mic is clear, not toooo bright, and has a nice definition to it.

Before this mic I was using cheaper mics and EQing them dramatically. While a cheaper mic with EQ can sound very similar in quality to a more expensive mic, I've found that I almost never EQ anything from the 102. It sounds great from the get-go. That's time saved for me and clients.
Music background: Recording Engineer, Musician
Rated 5/5

Neuman TLM 102

Apesar de ser un micrófono pequeño es mas de lo que aparenta me quede fascinado...
Excelente microfono muy recomendado para comprarlo vale la pena (creo que lo volveria a comprar)
Music background: excelente....
Rated 5/5

gonna have a lil learning curve If ya not privy.

death metal loud rappers/singers your in for a treat you now on a relaxing cruise of the tlm 102 its a small boat but it goes fast like a speed boat on Miami Beach. sooth and release your vocals out without have to force volume into it because it pickups up sound very well and with a bump in the high mids. now if you get crazy things can get harsh and ugly real quick! use this mic to get more personal and when you need more shine in the higher end. experienced recording artist who have lots of control of there performace and vocal dynamics you are also in for a treat you can treat the tam 102 like a small private jet that will make you feel like the vocals fall into the mic with even just thinking them lol. this mic pickup ants walking. bedroom producers and artist with not the best Acoustic situations BEWARE get ready for a world of hell and harshness and for 5 year old kids in your music. small *** mic pick UP EVERYTHINNG! good ting and bad ting mon!
Music background: audio engineer
Rated 5/5

Neumann TLM 102 Large-diaphragm Condenser Microphone

One of my favorite mics. Can't go wrong with Neuman!!!
Music background: Producer/Engineer
Rated 5/5

Just the basics

I've had a few different entry-level LDC mics such as the Shure KSM27 and the AT2020. They were both only so-so at best, especially via stock interface preamps. I couldn't justify the jump up something like an AKG C414 so decided to give this a chance and was glad I did. The drawback of this mic is that it's no frills - there's no pad, there's no high-pass, no adjustable patterns. It is not a do-it-all mic, but rather a one- or two-trick pony for modern-sounding vocals and stringed instruments like acoustic guitar where the character of the upper midrange really defines the sound.

The good news is that for those two tricks, this mic just works really well, at least for my voice and guitars. If I can keep the mic about six inches away (which the noise floor allows for pretty easily unless I'm really singing softly) I find it needs very little EQ to sit well. Hard to think of better value for money in a lead vocal mic.

Last but not least - it's really small! But it doesn't seem to have any impact on the sound, and the small size actually comes in handy for mic'ing acoustic guitar.
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