Electro-Voice RE20 Dynamic Broadcast Microphone with Variable-D

Dynamic Cardioid Broadcast Microphone
Electro-Voice RE20 Dynamic Broadcast Microphone with Variable-D image 1
Electro-Voice RE20 Dynamic Broadcast Microphone with Variable-D image 1
$449.00
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Electro-Voice RE20 Dynamic Broadcast Microphone with Variable-D
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$449.00
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Broadcast-standard Dynamic Mic

The Electro-Voice RE20 is the broadcast studio voice-over mic used by pros for years. The RE20 is smooth across a wide spectrum of frequencies, and because it's a Continuously Variable-D mic, it's virtually free of bass-boosting "proximity effect" when used close. An easy "bass tilt down" switch corrects spectrum balance for use in long-reach situations or other bass attenuation applications, making it great for acoustic and electric bass, as well as a kick drum. Engineers at Sweetwater agree: the Electro-Voice RE20 is a studio and broadcast standard!

Cardioid polar pattern for top-notch rejection

A true cardioid microphone, the RE20 offers greatest rejection at 180º off-axis — directly to the rear of the microphone. Pattern control is so consistent that the frequency response is nearly independent of angular location of the sound source, creating virtually no off-axis coloration, yet providing the greatest possible rejection of unwanted sounds.

An integral blast and wind filter covers each acoustic opening on the RE20. In recording sessions or onstage, singers can "close talk" the microphone, singing with their lips almost touching the grille screen with no worry of "P-pops" or excessive sibilance. Part of the filter also shockmounts the internal microphone element, reducing the transfer of vibrations from external sources.

Large-diaphragm Dynamic

The exceptional performance of the RE20 is achieved by using a large Acoustalloy diaphragm in combination with an exceptionally low-mass aluminum voice coil. Using this diaphragm assembly, the RE20 is capable of reproducing extremely high sound pressure levels with no fear of the overload and distortion often experienced with phantom-powered condensers. The RE20 will also continue to function flawlessly in high humidity and elevated temperatures that would seriously degrade competitive condenser microphones.

A massive steel housing and effective humbucking coil assure the RE20's resistance to magnetically induced hum and noise. This means the RE20 can be used successfully in situations where other microphones would experience unacceptable levels of hum and buzz. By exploiting the strength of its steel housing and employing a mechanical nesting concept, EV designers have created an exceptionally rugged microphone with superior handling noise rejection ideally suited for professional uses.

Immune to Proximity Effect

The bass-boosting proximity effect common to most directional microphones, when used close to the sound source, is eliminated in the RE20. This is accomplished via the application of the EV-exclusive Variable-D technology. By controlling the effect of microphone proximity, the RE20 can be located very close to sound sources without a loss in clarity or definition, making the RE20 ideal for tight vocals and challenging instruments. It can be used inside bass drums, on acoustic guitars, and it is found in voice booths and broadcasting studios everywhere.

Electro-Voice RE20 Dynamic Microphone Features:

  • The top industry-standard broadcast microphone for decades
  • Variable-D technology minimizes proximity effect for smooth and consistent sound
  • Finely-engineered cardioid polar pattern provides 180º of off-axis rejection, with no coloration
  • Voice tailored frequency response brings out rich fundamental and chest voice
  • Large diaphragm delivers condenser-like sensitivity and response
  • Humbucking coil further reduces noise from poor grounding
  • Bass rolloff switch makes it easy to rein in low frequencies

Additional Media

Studio Microphone Buying Guide

Tech Specs

  • Microphone Type: Dynamic
  • Polar Pattern: Cardioid
  • Frequency Response: 45Hz-18kHz
  • Output Impedance: 150 ohms
  • Color: Silver
  • Connector: XLR
  • Weight: 1.62 lbs.
  • Included Accessories: Stand Mount, Carry Case
  • Manufacturer Part Number: F.01U.117.389

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Customer Reviews

Rated 5/5
Based on 57 reviews
Write your review
Rated 5/5

Perfect mic that doubles as a hammer

What can be said about the undisputed industry standard for dynamic mics. All other mics are just attempting to be as good as this one. Now, I know that not one single mic can work for all applications, but this mic might be the closest to a Swiss army knife that has ever been. Home run for male vocals, drums, wind instruments, and due to it's flat response, I've even used it for acoustic guitar. I adore the RE20.

Oh also, you could likely build a large house with it. It's more solid than some hammers I've used. ((And yes, this is a pro, not a con))
Music background: Professional Voice Artist and Musician
Rated 5/5

Excellent Voice Microphone

I have owned this Electro-Voice RE20 for some 6 months. It's been employed on a low power FM station and listening to the signal it sounds warm and clear. Also, I employed the RE20 for an audio book recording, making different voices. One of the voices was done with a scratchy and angry sounding voice purposely up close to the mic, with a pop filter (the RE20 has a built-in pop filter-so it has two, one built-in and clamped on) between my lips and the mic. And listening to that recording each word could be heard clearly, because of the RE20 ability to be immune from the "oh-no!" garbled proximity effect. It is a dynamic mic and I have another dynamic mic that sounds good but has severe proximity effect. So... a thousand kudos to the people at Electro Voice!!
Music background: Radio Station and Voice-Over Recordings
Rated 5/5

Well deserved Reputation

The Broadcast standard Reputation is well deserved, and unlike some of the reviews I have seen on line I did not need 30 DB of gain to use it, I run it thru a Focusrite ISA One and no EQ needed and it sounds amazing.
Rated 5/5

Ver versatile

I bought this mic for male vocals, and for that, it delivers. However, I've discovered that is also a great bluegrass banjo and double bass mic as well. When recording banjo, I place the RE 20 in the back of my banjo under my armpit with a small condense mic up front. The Re 20 track rejects all the harsh overtones typical with a banjo recording and delivers and nice smooth low end, more palpable banjo tone. For my bright student model double bass, I place the RE 20 in front of the f holes and blend that track in with the pickup track. This mic takes out my bass's highs and beautifully picks up the lows. I HIGHLY recommend this mic for male vocals, banjo, and double bass.
Music background: Multiinstrumentalist, sound engineer, producer
Rated 5/5

Solid and versatile mic

The EV RE20 is great for broadcast and podcasting. It it also nice for acoustic bass, kick drum and floor toms. It has lower output than condensers, which is helpful when recording loud sources. The RE20 rejects background noise well, making it easy to keep your mixes clean. You may need to boost the gain when recording quiet sources. It really doesn't sound bad on anything. I heard a recording of a concert band recorded with a pair of EV RE20s, and was pleasantly surprised. Every studio should have one or two.
Music background: Musician, Educator, Arranger and Composer

Sweetwater Advice

Greg Baum

I bought my first RE20 in 1982 to use on my demos for Motown. In all these years it has never failed me. Believe it or not, my partner used to like to record vocals with it. For me, it is still my choice for a kick drum.

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