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Behringer Ultracurve Pro DEQ2496 2-channel Equalizer and Mastering Processor

24-bit/96kHz Equalizer, Analyzer, Feedback Destroyer and Mastering Processor with 4 EQ Modules, Dynamics, Digital Delay, Feedback Destroyer, and FFT Analyzer
$349.00

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Behringer Ultracurve Pro DEQ2496 2-channel Equalizer and Mastering Processor
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The Behringer Ultracurve Pro DEQ2496 is a 24-bit/96kHz Equalizer, Analyzer, Feedback Destroyer and Mastering Processor. Essentially, it's an entire rack of powerful EQ, dynamics, and time correction - all designed to correct problems and generally max out sound quality. With all that it does, you might expect the Behringer Ultracurve Pro DEQ2496 to cost a fortune, but it doesn't. You get all this, and more - all packed into a trim, amazingly affordable 1U package. Brimming with sophisticated equalization, dynamics, feedback correction, and automatic FFT analysis with Auto EQ, the Behringer Ultracurve Pro DEQ2496 is a must-have.

Behringer Ultracurve Pro DEQ2496 at a Glance:
  • Dual 31-band Graphic Equalizers (stereo linkable)
  • Dual 31-band Virtual Paragraphic Equalizers (stereo linkable)
  • Dual 10-band Parametric EQs per stereo side
  • Dynamically-activated EQ
  • Feedback Destroyer with Learning Mode
  • Stereo Imager
  • Compressor/Expander
  • Limiter
  • Digital Delay
  • RTA/SPL/FFT Analyzer with Auto EQ
A wealth of EQ choices

The Behringer Ultracurve Pro DEQ2496 gives you dual 31-band Graphic Equalizers, 31-band Virtual Paragraphic Equalizers and a 10-band Parametric. Of course, you get phase-neutral digital graphic EQ, however the DEQ2496 lets you to alter the bandwidth of each frequency. If you favor the traditional approach to variable bandwidth, you also get 10-band parametrics that can be fine-tuned in increments as small as 1/60 of an octave!

Mastering processor

The Behringer Ultracurve Pro DEQ2496 is a digital 24-bit/96kHz EQ/RTA mastering processor - ideal for sophisticated live sound troubleshooting or audiophile mastering. Whether you're putting the finishing touches on recorded material or shaping your sound for a PA system, the DEQ2496 will give you the exacting control you need.

RTA/SPL/FFT Analyzer with Auto EQ

The Behringer Ultracurve Pro DEQ2496 features an FFT (Fast Fourier transform) real-time analyzer for accurate graphic display of 61 frequency bands. You can monitor main or digital I/O, AUX/ digital out, or a feed from your RTA mic - and display the results in an assortment of ways (including delightfully retro VU meters). Auto EQ lets you analyze and adjust your system's frequency response automatically. Now, how cool is that?

Behringer Ultracurve Pro DEQ2496 Features:
  • Ultra-high resolution 24-bit/96 kHz mastering processor featuring 32/40-bit floating-point DSP technology
  • Audiophile 24-bit/96kHz A/D and D/A converters offering 113dB of dynamic range
  • Four concurrently selectable EQ modules:
  • 31-band graphic EQ, 10-band parametric EQ, Feedback Destroyer, plus 3 Dynamic EQs per stereo channel
  • Ultra-high resolution 61-band real-time FFT (Fast Fourier transform) analyzer
  • Analyzer features additional auto EQ function for room and loudspeaker equalization
  • Unique VPQ (Virtual Paragraphic EQ) option allows parametric control of graphic EQs
  • Compressor/expander with peak limiter per stereo channel
  • Additional stereo imager and stereo delay for delay line applications
  • Multi-functional level meters (peak/RMS, VU and SPL meter with dBA/dBC weighting via RTA/mic input)
  • 64 user memories for complete setups and/or individual module configurations
  • Separate mic/line input with phantom power for RTA and Auto-EQ applications
  • Balanced inputs and servo-balanced outputs with gold-plated XLRs, stereo aux out, AES/EBU and S/PDIF I/O
  • Wordclock input and MIDI connections for full remote control, preset dumps and system updates
  • Open architecture allowing future software updates via MIDI
  • "Planet Earth" switching power supply for 100-240V flexibility, clean audio, and energy efficiency
  • High-quality components and exceptionally rugged construction ensure long life
The Behringer Ultracurve Pro DEQ2496: your rack needs one!

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Tech Specs

  • Number of Bands: 2 x 31-band
  • Q Type: Variable
  • Boost/Cut Range: ±15dB
  • Low Cut Filter: Variable
  • High Cut Filter: Variable
  • Faders Throw: Virtual Faders
  • Rack Spaces: 1U
  • Power Source: Standard IEC AC cable
  • Height: 1.75"
  • Width: 19"
  • Depth: 8.5"
  • Weight: 4.519 lbs.
  • Manufacturer Part Number: 000-14602-00010

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Customer Reviews

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Rated 5/5

Makes a Big Difference

Most bands plug in and play and don't thinking of EQing orunderstand how to EQ a room for sound. When your band finds a sound it likes you want that sound the same everywhere you play. But every live room sounds different and unless you have a degree in engineering or a sound man who knows your sound its never gonna sound as good or the same. The Behringer Ultracurve Pro is not a simple plug and play rack device, but when you read and learn how to use the DEQ2496 properly it will help your live sound tremendously and may become your most important peice of PA gear. We're an experienced band playing around and out of state. The DEQ2496 saves time and makes a difference in how our band sounds no matter where we play. Its not perfect, but using the Auto EQ alone helps us get the best sound out of the PA for the room we are playing in. The DEQ2496 Auto EQ generates white noise frequencies thru the PA speakers, a Measuring Mic (not a vocal mic) you'll need listens to the frequencies in the room and adjusts the EQ according to the rooms dynamics and gives you a good EQ setting of the room in 30 to 45 seconds. You can adjust from there if needed. Management says, people dont come to see lousy sounding bands! With a built-in compressor, limiter, feedback destroyer, stero enhancing, parametric EQ on top of the Auto graphic equalizer the DEQ2496 has everything you need to control your PA and sound more professional. We now have a clear and full sound everywhere we play. And don't worry about a sound guy.
Music background: Bassist
Rated 5/5

ULTRACRUVE PRO DEQ2496

I JUST ORDERD MIND TODAY :) AND FROM WHAT I'M READING ABOUT IT , I MADE A "GOOD MOVE" :) I'M ALSO RUNNING A FEW "BEHRINGER PRODUCTS" IN MY SYSTEM AS I SPEAK :) WHEN IT LANDS AT MY STUDIO: "X-MEN STUDIOS"(HOME OF "WE:FUNK" RADIO LOS ANGELES) IT WILL BE "HOOK UP" :) !!! SWEETWATER U ARE "THE BUSINESS" :) AND WE WILL BE DOING BUSINESS WITH YOU IN THE FUTURE :) "DJ DR.FUNKENSTEIN" OF "UNCLE JAMS ARMY" AND "EIN"RADIO !!!
Music background: DJ / MUSIC ENGINEER
Rated 5/5

Flexible Sound Processing Unit

I have two applications for this sound processor and it works well for both. The first is for equalizing a stereo listening room after acoustic treatments were installed. I can attenuate some modal remnants in the room as well as flatten out the low end response curve from 20Hz to 100Hz between the main speakers and powered sub-woofer. I used REM software to measure the room response and provide the detailed filter settings for the unit. The second application is for a large screen television application where I wanted to compress the audio (when loud material such as from commercials) is present, to improve the room response, to widen the stereo imaging from the sound bar speakers, and to optionally apply filters to improve voice intelligibility which is appropriate to most material. The unit is very easy to use and it has more processing power than either of the applications require.
Music background: Musician, Vocalist, Recording, Electronics Development Engineer
Rated 4.5/5

Very useful, both at the venue and in the studio

I currently own 3 of these. I bought my first one ~15 years ago when I was doing sound reinforcement for a couple of local bands and was encountering feedback in some venues. I got tired of twiddling equalizer knobs until I found the feedback frequency, only to have some more pop up on other frequencies. The Auto feature of the Feedback Destroyer handles this superbly, attacking each frequency as it appears.

The other feature that is nice for live performances is the Auto EQ, which can be used to set up good equalization in the venue before the performance. During the performance, the RTA lets you monitor the equalization and make changes as necessary.

In the studio, my main use is to EQ the monitors. Again, the Auto EQ comes in handy and the RTA lets me tweak it as necessary. Equalization of the monitors is essential to producing a good mix, and the Ultra-Curve Pro works nicely for this.

My third unit replaced my first unit, which died recently. Actually, I don't know what's wrong with it, but it powers on, but the display remains blank and the unit does not function (although it does pass the audio signal through, unmodified). I may get it repaired, to keep as a spare. This is my only complaint about the DEQ2496, and even there, if a unit lasts for 15 years, one would probably have to call it pretty robust.

I like this product and it fills a certain void very nicely. I'd recommend it.
Music background: Semipro musician and audio/recording engineer
Rated 4.5/5

It is great.

I got this unit years ago, then it was discontinued and I see it brought back. I would have liked a more stepped PEQ option rather than just a 1/2 step. But it works well.

The only problem I had, back in 2009, was the power supply went in like 5 months, but I had a friend replace some of the parts on the PS with better parts and it has been going strong for almost 10 years now.

This goes in front of my Avocet, from my Apollo digitally. Slight room EQ for my room and then to the Avocet.
I leave it on the RTA which is a great feature to have.

The pink noise is accurate compared to some DAW plugins, so it is great to tuning with an RTA mic.
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