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API 5500 2-channel Parametric Equalizer

Dual Equalizer with True Bypass, Range Control, Integrated Power Supply, and 1U Rackmountable Chassis
$3,295.00

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API 5500 2-channel Parametric Equalizer
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A Classic API EQ Made for the Modern Studio!

The API 5500 dual equalizer puts the great sound and classic design of an API original into a rackmountable package that's even more versatile! Based on the venerable 550 equalizer designed by API founder Saul Walker, the 5500 adds new features such as a Range control for finer adjustments, true hard-wire bypass, and an integrated power supply that lets you apply mutes noiselessly. Two hand-built 2520 op amps (coupled with API's 2503 output transformer) provide plenty of headroom for clean operation. Whether you're tracking, mixing, or mastering, you'll love what the 5500 does for your sound.

API 5500 Dual Equalizer at a Glance:
  • The legacy of a classic API equalizer
  • No ICs in the signal path, plenty of headroom
  • A finer range of control
  • True bypass means no signal loss and no "thumps"

The legacy of a classic API equalizer
The 5500 manages to make a legendary EQ design more relevant and user-friendly than ever. The lineage of the 5500 circuit can be traced back to the original 550 equalizer designed by Saul Walker, the founder of Automated Processes Inc. The 550 was designed as a console equalizer which, due to the architecture of the recording console, uses an unbalanced input. Because the ergonomics of a console dictate that the controls take up little space, sometimes the number of included functions can be limited. The 5500 is specifically designed to address these limitations. It has a balanced input, a true straight-wire bypass, an integrated power supply with noiseless muting, and a range control that expands it versatility to mastering applications.

No ICs in the signal path, plenty of headroom
Like all API products, the 5500 contains no integrated circuits in its signal path. The gain comes from two hand-built 2520 operational amplifiers in each channel. The balanced input is handled by a 2510 discrete operational amplifier, which is similar to the 2520, but without the high current output stage. Besides being a key component of the API sound, the 2520 coupled with the API 2503 output transformer is capable of delivering +30dBm before clipping. With this much headroom, it is unlikely that the 5500 can be driven to distortion unless perhaps another API unit is driving the input!

A finer range of control
The Range control feature gives you a high degree of control over the 55OO. The range of the amplitude controls can be reduced to 1/2 or 1/4 of their stated scale, providing a means of adjusting the tonal balance with finer resolution in an even gentler manner. This should be especially useful for complex program material as contained in stems or submixes, and is ideally suited for mastering purposes.

True bypass means no signal loss and no "thumps"
You'll appreciate the 5500's true hardwire bypass. In this mode the output connector is wired directly to the input. Shortly after the power is first applied, or immediately after it is lost, a special circuit enables bypass mode so signal is never lost and power thumps are never heard.

API 5500 Dual EQ with Range Switch Features:
  • Classic 550B equalizer design
  • Two Range switches individually alter gain steps
  • Useable as a 550B, 550D or 550M
  • Peak/Shelf switch on HI and Lo bands
  • True hardwire bypass
  • Balanced in and out on XLR
  • Unbalanced input on 1/4"
  • EQ In/Out switch
The API 5500 equalizer adds modern functionality to a classic API EQ design!

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Tech Specs

  • Type: Solid State
  • Number of Channels: 2
  • Bypass: Yes
  • Number of Bands: 4
  • Q Type: Fixed (12dB/octave)
  • Boost/Cut Range: ±12dB
  • Freq Range High: 2.5kHz-20kHz
  • Freq Range Hi-Mid: 800Hz-12.5kHz
  • Freq Range Lo-Mid: 75Hz-1kHz
  • Freq Range Low: 30Hz-400Hz
  • Inputs: 2 x XLR, 2 x 1/4" TRS
  • Outputs: 2 x XLR
  • Frequency Response: 10Hz-30kHz
  • Rack Spaces: 1U
  • Power Source: Standard IEC AC cable
  • Height: 1.75"
  • Width: 19"
  • Manufacturer Part Number: 5500

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Customer Reviews

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Rated 5/5

Absolutely incredible

I wanted an eq with an edge for my mastering rig, this box does this in spades and then some.I thought that a very famous unit costing over 2x more would give the vibe I wanted, but I found it made my tone cloudy in the mids. Money doesn't always dictate the right piece of gear, and I think this is a relative bargain for sure. I instantly fell in love with the 5500's punch and clarity…I'm an API convert now, and most likely will buy the 2500 soon. I guarantee if you want an eq with punch and clarity you won't be disappointed
Music background: Composer, engineer, producer, pianist
Rated 5/5

I love the API 5500

I have recently moved into working with a hybrid mixing system after being in the box for the last ten years or so. The API 5500 is my favorite piece of analog gear at the moment. When it works for the source, it works amazingly well. It seems to add dimension and a little character besides just eq. I love that. I compared it to a few plugins that are supposed to mimic what it does. They do not do the same thing as the real unit. I will never part with this. It's great for tracking, mixing, and mastering, in most situations I have tried.
Music background: Recording and Mixing Engineer
Rated 5/5

Most Musical EQ I have ever Used

I first tried this with an online analog gear robotic system that lets you use analog gear in your DAW. It struck me right away how musical the eq was compared to any plugin I have ever used. In person the unit it is even better and super east to use. You can push the dials anywhere you want and it never sounds bad. I am in my early thirties and grew up using plugins in Logic Pro. Only recently diving into analog gear. I bought and sold lots of different items during my experimentation time. I came to the conclusion that many plugins are as good as analog gear, BUT some really high end analog gear has a special sonic quality that justifies the price and inconvenience using versus the a plugin. I cannot use a plugin the way this works in how musical it carves out frequencies. With that said I use many plugin eqs too and live them. I can see where it would be a pain to use tons of analog gear so I am highly selective. I use this in tracking or mastering. I also own a Rupert Neve Bus compressor and together with a couple API 500 module preamps, and UAD interface. You don't need this really, but If you are an audio fanatic and want that extra 5% in your mixes and masters then adding this to your collection should be on the list. It is one of the best
Music background: Home Studio Owner/Musician
Rated 5/5

Great all around

I use this on my analog console mix buss and it is usually on. It is quiet, and adds clarity and transparency to the mix buss output. It works well on dialog with its selectable frequency and level controls. I will never sell this as it has found a home on my mix buss. I chose it for its' detail advantage say over a typical mix buss EQ where you might just want to use a bell curve kind of EQ. You can pin point with this EQ as well which comes in handy for tracking. Highly recommend this EQ.
Music background: TV Music Composer and Producer
Rated 5/5

Real EQ for all needs

One of the best investments that I have made ever.
This EQ sounds really good and musical.
Can be used for tracking, mixing and mastering and easy to use.
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