- michaelhoddy
As I read your thread title, I thought "Crest XRM," as it's perfect for what you're after. I believe it's discontinued. I'm not sure what defines cheap for you, but the Crest is more expensive. I see a couple on eBay for $1300-1500.
March 31, 2012 @01:05pm
The band has a drum kit, bass rig, elec guitar amp, keys, violin DI, sax mic, trumpet mic, vocal mic. They play mid size venues with everything reinforced.
We want the ability for up to 8 of the house input lines (for example: vocal, violin, sax, trumpet, keys, overheads doubling as ambient) to go through our rackmount 8ch mic splitter, with the iso side feeding IEM transmitters and the direct side feeding the stage box via a decent size 8ch XLR snake we'll leave in the rack.
The big question is: what should go between the 8ch split and the IEM transmitters? We currently have only 2 interested band members, but room for future growth could be very nice. And we're talking STEREO mixes to all transmitters.
Most little 8ch mixers I've seen don't have stereo aux sends, so I don't think one of these is ideal at all. Instead, maybe some sort of 1U single-bus mixer per transmitter? And the iso outs from the rack split would y-split into each personal mixer? Basically, such mixers would need literally 2 knobs per input: level (with built-in preamps) and pan. 2 band EQs would rock, but not a dealbreaker.
OR - should all the preamps and EQs reside in one master unit (like a normal 8ch mixer with direct outs), and y-split each channel at line level to these "per transmitter" mixers which would handle level and pan without preamp duty?
Obviously there are giant matrix mixers designed for this purpose but I'm on a "low as possible" budget here.