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Avantone Pro CR-14 Ribbon Microphone

Ribbon Microphone with Dual Ribbon Element, Shockmount, Wooden Box, and Metal Case
$279.00

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Avantone Pro CR-14 Ribbon Microphone
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$279.00
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Beautiful Ribbon Sound, High SPL Handling!

Here's an exceptional ribbon mic, at a price that makes it easy to put to work in any studio! Avantone's CR-14 ribbon mic gives you smooth sound, classy retro-style looks, and the kind of SPL handling (up to 145dB) that makes it great on practically anything in your studio - vocals, drum kits, guitar amps, and more! The CR-14 is constructed with top-notch components, from the machined brass body to the low-mass dual ribbon elements. This surprisingly affordable mic comes complete with a shockmount, a wooden box, and a metal case. You'll love how the CR-14 makes your projects sound better immediately!

Avantone CR-14 Ribbon Microphone Features:
  • Unique, elegant brass body design
  • Dual, low-mass ribbon element
  • Fast, accurate transient response, ultra-high 145dB SPL capability
  • Figure-8 pickup pattern via front and rear, with extended sweet spots
  • Low residual noise
  • No power supply required
  • No internal active electronics to overload or produce distortion
  • Magnets: Rare Earth Neodymium
  • Frequency Response: 30Hz-15kHz +/-3dB
  • Output Impedance: <=600 ohms
  • Maximum SPL : 145dB (0.5% THD @1000Hz)
  • Sensitivity : -52 dBv +/- 2dB Re. (0dB=1V/Pa)
  • Recommended Load Impedance: 3,000 ohms
  • Output Connector: Male XLR, 3 pin
  • S/N Ratio re 1Pa : 70dB
  • Included Accessories: Wooden box, shockmount, metal case
  • Finish: Polished nickel trim, metallic wine red body, black grille
  • Weight: 16 oz.
  • Dimensions: 1.45" x 6.89"
Put Avantone's amazing (and affordable) CR-14 ribbon mic to work in your studio!

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Tech Specs

  • Microphone Type: Ribbon
  • Ribbon Type: 2-micron Aluminum (Dual Ribbon) (5mm x 35mm)
  • Mono/Stereo: Mono
  • Polar Pattern: Figure-8
  • Frequency Response: 30Hz-15kHz
  • Max SPL: 145dB
  • Output Impedance: 600 ohms
  • Signal to Noise Ratio: 72dB
  • Connector: XLR
  • Weight: 1 lb.
  • Included Accessories: Shock Mount, Wood Box, Aluminum Flight Case
  • Manufacturer Part Number: CR14

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Customer Reviews

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Rated 5/5

The mic of choice

I don't have a lot of knowledge when to comes to microphones, but I know what I like, and this mic delivers! It has a soft and even representation on my recordings which make the mix easier to translate. I love this mic, and its my choice for any occasion!
Music background: advanced
Rated 5/5

Awesome Ribbon Microphone

I'm impressed with this microphone for its sound quality, build quality, and packaging. Very low self noise, almost none. None of the Youtube videos do this mic justice. Side by side with the SE Voodoo Vr1 I'd pick the avantone cr-14 based on its sound alone. It works wonders on my voice for deep James Earl Jones style voiceover.
Rated 5/5

This mic is a sleeper...

I purchased this mic on a whim, because I had read some positive reviews from other engineers and for the price point, I thought it was worth a shot. If I was disappointed, the loss would be minimal, right?

The construction was solid, with a nice weight to it, not flimsy at all. The included accessories were of a quality that would be associated with higher priced mics.

The first application with this mic was mic'ing a clean-channel fender twin about 6 inches away. It handled the high SPL's like a champ, and it did a great job capturing the fullness of the amp. The end result was a faithful rendering of a classic fender amp. I was immediately impressed, and my studio partner was very intrigued with this mic.

Next, on a dare, we decided to give the CR-14, fronted with a cloud lifter, a shot at a vocal track for a baritone male voice. This is when we knew we struck gold. The mic captured a richness and clarity of the performer's voice that was a highlight of the track. I was flabbergasted this mic sounded as good as it did on a performer that we would normally use an AKG-414 or Neumann TLM-193 on. We then tried the mic on a different vocalist (also male) and the result was equally impressive. The CR-14 certainly won't be your go-to vocal mic, but if you want to capture a rich or breathy vocal track, try this mic. For close-mic vocalists, the proximity effect is minimal if not absent.

We were so intrigued with this mic, we even tried it on an upright bass. Blown away. It can make a great companion to another condeser mix, or possibly on its own.

Look, the CR-14 is obviously not an end-all mic. It has its limitations for sure, but this ribbon mic is a workhorse, capable of being used in many applications. So impressed with this mic, I purchased a second one.

Avantone hit this one out of the park. For the price point, you will find it to be a valuable workhorse in your mic closet, and is arguably Avantone's sleeper of a mic.
Music background: Aongwriter, musician, enginner, producer, and total music geek.
Rated 5/5

Rich in tone and versatility

This Mic did so well I bought a second so I can mic a room in stereo for video production. I mic individual instruments and vocals for overall mix control but honestly these babies pick up everything. So when you think of the sounds a room can produce the natural reverb the warmth of an old wooden saloon, or space of an old church these mics due the justice. Also great for upright bass about 6 feet away 8-15 inches off the ground with a pencil cardiod small diaphragm wrapped in foam and shoved under the the fingerboard. Anything with complex vibrations drum over/under, horns, harmonica, piano it's a beast doesn't really need much lift
Music background: Musician, music producer, film maker
Rated 5/5

Upright Bass- YES

This mic came with a recommendation of a highly sought after upright session player here in Nashville (credits Carrie Underwood, Faith Hill, etc). Got it for a trio session with a bass player with the credit of winning Nashville best instrumental jazz Musician award. He loved it and immediately went to buy his own. No reviews seem to talk about this as a go to for upright bass. Nashville top upright session players are moving to this mic as their go to.
Music background: Prof drummer and studio owner
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