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Yamaha n12Item ID: n1212-channel/2-bus Mixer/FireWire Audio Interface Yes, It's In Stock!This item is available for immediate delivery. Our centrally-located warehouse ensures you the fastest delivery time in the industry. Order now by adding to your cart or call your Sales Engineer.Get more value at Sweetwater
From Our Research Team:An interface with mixing capabilities!Yamaha's new n12 is a marvel of modern recording technology. Not only is it a full-function mixer, but it's also an integrated interface for Cubase. Onboard there are eight pristine Yamaha preamps, 3-band EQ, morph-able compressor, and a FireWire connection to the computer. The audio passes through the n12 - which allows you to manipulate signal as you would on a conventional mixer including setting up monitor mixes for the performers - and then straight into Cubase. The n12 is the future of audio interfaces!Yamaha n12 at a Glance:
Switchable Phantom Power If you're serious about your sound - especially for vocals or acoustic instruments - you'll undoubtedly want to use studio-quality phantom-powered condenser microphones for the extended range and natural reproduction they provide. The n8 and n12 are fully compatible, with switchable built-in phantom power. Direct Connect to a Wide Range of Sources The n-series consoles provide both balanced XLR connectors and balanced TRS phone jacks on all mono input channels for direct connectivity with the widest possible range of input sources. The stereo inputs have both unbalanced RCA pin jack and phone jack pairs. All mono inputs also feature TRS insert jacks that can be used to insert external signal processors into the signal path of the corresponding channel. Hi-Z Input for Direct Guitar or Bass Recording Not all guitar and bass recording situations required amps, microphones, and a soundproof studio. You can conveniently connect an electric guitar or bass directly to the “B” input of channel 4 on the n8 or channel 8 on the n12 and engage the input Hi-Z switch for optimum matching and sound. Effective Musical EQ Like compression, artful EQ can dramatically enhance a mix in many ways. The n-series equalizers have been created through an extensive study of the most musical and desirable consoles used by leading artists and engineers throughout the world. They offer a finely-balanced and dynamic relationship between EQ curve, frequency ranges, and other factors that give you truly musical control. 3-band equalizers with sweepable midrange on each channel deliver totally satisfying, potent EQ control that can take your music to a higher level. High-resolution Rev-X Reverb Yamaha's Rev-X digital reverb algorithm is renowned for its high resolution and extraordinarily natural sound. The n-series consoles offer this leading technology built in. You have a choice of hall, room, and plate reverb simulations with reverb time and level control. This superlative reverb processor can be used for wet monitoring while recording as well as for adding ambience during final mixdown. Dimmer and Mute Switches These handy functions are normally only found on large studio consoles, but you'll be glad Yamaha has included them on the n8 and n12. As you'd expect, the mute switch mutes or un-mutes the console's output, while the dimmer switch reduces the output to a level that is still audible but allows conversation or phone calls. The advantage of the dimmer switch is that you can simply tap it a second time and be precisely back at optimum monitoring level without having to reset faders or level controls. Source Select and Level Control The n8 has source selectors for DAW (the stereo output from the DAW running on your computer), ST (the console's stereo bus), AUX (the console's auxiliary bus), and 2TR (the console's 2-track inputs), while the n12 additionally features a “5.1” source selector for surround monitoring. The console's surround monitoring capabilities are impressive, with bass management, down-mixing, and other features you'd normally only find on high-end professional gear. You can even use the console for top-quality surround playback from pre-recorded sources such as DVDs and computer sources, giving you a chance to hear how top engineers approach surround production on your own monitor speakers. But although they provide professional capabilities, the n-series mixers make general monitoring hassle-free: simply select the signal you want to monitor and spin the big CONTROL ROOM LEVEL knob to set the ideal monitoring level. Surround Monitoring and Bass Management The n12 features three pairs of speaker outputs that can be used for full 5.1 surround monitoring: front left and right, center and subwoofer, and rear left and right. If you don't need surround capability the outputs can simply be used to switch between different stereo pairs for comparison. When the 5.1 mode is selected all three output pairs are active, with the speaker selectors functioning as temporary mute switches. Bass management is also implemented for optimum matching between the full-range speakers and subwoofer. A down mix switch that lets you instantly collapse the 5.1 outputs to stereo. Solo Level Control Solo switches on every input channel let you monitor a single channel or any group of channels within a mix without having to change settings on any of the other channels. The n-series consoles even provide a pre-fader listen switch for pre-fader solo monitoring, and a solo level control that lets you adjust the solo monitoring level as required. This is another feature usually only found on large, expensive consoles. Talkback with Built-in Microphone Another n12-specific feature is a built-in talkback microphone and talkback switch with level control for efficient engineer-artist communication. When talkback is engaged the dimmer is also engaged automatically. One Function per Control Another reason the n8 and n12 are eminently predictable and easy to use is that nothing is hidden below the surface. There are no layers, no multi-functions controls … there isn't even an LCD display. Each and every knob, switch, and fader does exactly what it says it does, and nothing else. Stated another way, that means you always know what you're doing, and there are no surprises to delay your progress. 24-bit, 96-kHz Digital Quality What you won't see but will definitely hear is the superb audio quality delivered by the digital technology inside. 24-bit 96-kHz processing is the de-facto standard for professional audio, and that's what's happening inside the n8 and n12 chassis. The extraordinary Sweet Spot Morphing Compressors, channel equalizers, and Rev-X reverb processor are all made possible by state-of-the-art Yamaha digital technology too. Yamaha n12 Features:
Yamaha n12 - an innovative audio interface!
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Reviewsbased on 7 reviewsIf you are a Cubase user You must own this!
by Todd from Ca, United States
I have been using the N12 as my studio work horse for over 2 years now with Cubase 4 and 5, and I could not be more pleased. The sound quality is outstanding, the morphing compressor is amazing, and ... read more [+]the seamless integration into Cubase is unmatched.February 9, 2012 Music Background: Musician The EQ is very musical while the preamps are transparent and the on board reverb gets the job done well If you use Cubase this is the only interface youll ever want. close [-] Brilliant
by Jam from
This is an impressive product. It sounds truly great for the money -- better than anything in its class near its price range, and the drivers work great for low-latency performance. The integration wi... read more [+]th Cubase, in particular, is simply superb, although it can just as easily be used with ProTools 9, for example (although without some of the cool remote control features as of this writing). I've also tested it with Reaper and Sonar without problems. June 15, 2011 Music Background: I mainly use it with Cubase 6 on Windows 7 x64, along with a Steinberg MR816 and the total features with this combination of gear are stunning. I couldn't put together features and sound quality anywhere near that price range as of this writing. And just coming close to this combination a few years ago would have been impossible. I'm very aware of the current crop of digital mixers, but so far nothing still sounds as good at this price point and has such great integration with Steinberg products. But don't let it's Steinberg-advantage detract from your decision if you choose not to use Cubase/Nuendo, and prefer to work in PT, Logic, etc. This is a stellar device regardless of DAW choice... but if you are a Cubase user, you get some nice bonuses. The DAW remote control section works beautifully in Cubase and has been very handy. Also, after owning the n12 for a while now, I did have one technical issue. I contacted Yamaha and they were quick to respond. I received two phone calls from them to help out. They were helpful, and took the time to answer my questions, even though it turned out that my N12 was no longer under warranty (Ahhhh!)... so I took it upon myself to try to fix it. Crazy idea, but I figured I might was well give it a shot before sending it in to them to get fixed by a certified service center. So I insanely took the entire thing apart to look for loose wires, or see if I had spilled something that might cause the issue, etc... as I took it apart, I noticed how well designed and well-built it is. Physically, this thing is very solid, in and out. It should last for years. Anyway, after I took it apart, I noticed a loose wire! Somehow it had come loose -- maybe during a recent move I might have jarred it loose! It had survived some rough physical handling, so perhaps that was what happened. So I snapped the cable back in properly, re-assembled the N12, and wow - it worked perfectly again! Totally shocked and happy with the result. I expect years of continued service from this, and even when this thing has been discontinued, and/or when Yamaha stops supporting the driver, it can still act as a great standalone mixer. All in all, probably one of the best gear purchases I've ever made. At this point, I'm sold on the Yamaha/Steinberg collaboration, and will be very enthusiastic about future product releases. I'd likely buy the N12's successor in a heartbeat. Although, I'm not sure they could improve on the N12 at this price. close [-] What a board
by Calebizsol from Los Angeles and Dubai
This is a great board. Mine came with Cubase AI5 which is great. However, I use Presonus Studio One with it and I have no reason to ever step foot in a studio again. Presonally, I found what works ... read more [+]for me is to record the tracks in Studio One (the N12 Multitracks beautifully. I don't sense any latency). Then my final mixdown goes back into the N12 as 2 tracks and that is where the N12 spanks the competition. I use the N12's Morph Compressor and the Rev-X reverb to polish the mixdown. Unbeliveable results.April 28, 2011 Music Background: Broadcast and Recording Engineer, Semi-Pro Musician. The faders don't have memory or are they motorized. I downloaded the track sheet from Yamaha and record my settings. Ohh No!!! I have to use paper and pencil..gee, how analog!! :) Dollar for Dollar this is the best deal. Buy this board with the Pro Version of Studio One and you will come out cheaper that buying the competions board. Heck, you'll have money left over for Studio Monitors. By the way, the N12's control room section rocks. You don't have to to buy a monitor controller cause it's already on the board. And you can do 5.1 surround sound recordings with the right DAW. I love this board!!! close [-] Awesome Mixer /Great work flow
by Johnny Z from Huntington N.Y.USA
The n12 is a great sounding mixer on it"s own,but when you mix it with cubase ai4 it blows me a way.In my studio i record a lot of acoustic tracks ,mainly real drums .typicaly i will use the 8 awesome... read more [+] sounding pres on the n12 for my drum kit ,sometimes i record with eq,compression,and reverb sometimes not. the cool thing is ,after you record your drum tracks in cubase ,you can bring those 8 tracks back into the n12 and mix them analog style with compression eq and what not ,sounds awesome kudos to yamaha! jz close [-]
September 24, 2008 Music Background: Recording Engineer The N12 mixer is awesome
by Soundrage from Salt Lake City, UT
I just received the N12 last Friday and am very pleased I bought this mixer. The preamps in it are absolutely fabulous and in this price range would be very difficult to beat, if not impossible. The p... read more [+]re's are not "colored" like a lot of top end pre's but lean more to "transparency" but with some nice low end to them. Excellent low, mid and high frequency response is what you get with these preamps. Vocals sit really nice in the mix with a nice stereo image. Vocals come right out in front with these preamps too! Acoustic guitars come through very clear. Add a little Morph compression and you get nothing but great sound.December 4, 2007 Music Background: Serious Hobbyist The N12 is a digital mixer but you wouldn't know it when using it. It "feels" analog but then you look at the back of it and there's not a giant mass of cables hooking things up. It's got a simple firewire interface. It's bundled with Cubase AI but I've got it hooked up to Sonar and Reaper as well using ASIO drivers. I was able to get the N12 drivers installed with no problem and started with a sample rate of 128 but had some pops and clicks. Bumped it up to 256 and all is good! Cubase AI installed but when trying to register it the server I was connecting to kept giving me an error that I was not connected to the internet. I was connected so I will have to work on that some more. Another great thing about the N12 is integration with your DAW software. It does have deeper integration with Cubase but that's too be expected since Yamaha owns Steinberg. It's nice to have some DAW controls right at the mixer and get away from the mouse. I have not explored all the integration with Cubase yet but Yamaha has some nice templates that set up your recording environment included and there's more on their website. One thing to remember is the N12 is not a controller in the normal sense. It's a full fledged mixing console and a top notch one at that. The built in Morph compressor is very nice and so is the Reverb. There are tons of routing capabilities but the unit is simplistic in it's design. It's got some real nice monitoring features but I've yet to explore all the capabilities of the N12. The build on this unit is rugged! Compared to my famous brand mixer it's in a different universe. My famous brand mixer was picking up noise from the overhead lights in my studio. Not with the N12, Yamaha engineers know something about shielding. The layout of the mixer is simple and you can clearly read all the text, very professional. The D/A and A/D converters in the N12 are first class converters, very musical to my ears and combined with those awesome preamps all I can say is WOW! At this point I can't think of any cons when buying an N12. I was a little concerned it doesn't have S/PDIF for my amp modeler but I plugged my modeler into a channel insert (which sits directly before the A/D) and then fired up the Morph compressor and I'm getting some amazing sound quality. This compressor is adding a new dimension to my modeler! I highly recommend the N12/N8 to anyone looking for top notch sound, great I/O and buss routing capabilities and nice "analog" ease of use with a digital mixer. close [-] Also popular
Yamaha n12
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