Great mic.

I use this to mic guitar cabs, snare, even used it as overheads before. In a pinch, I have used it as a kick mic. as well. It works for pretty much everything. I have since traded off, or sold all of my 57's, and use i5's. I love this mic!!

better than a 57

Micing a guitar cab with this will make you use your sm 57 as a back up. No joking, it's that much better. Very full and clear sounding. Plus, it's shorter which comes in handy if you use a cab shield.
Not sure how it works on vocals. A sound guy at church wants me to
buy a couple more for drums, etc.

Great on Snare or Guitar Amps

I recently picked up the Audix DP 5A kit and was amazed at the quality of the mics. This works great on SNR. I prefer it to a sm57. Also works great on Guitar Amps. Since I've used it in miking stereo ac30s with an audix i5 and an sm57 and once again I preferred the tone of the audix i5 so much so that I'm definitely gonna be picking up a few more of these.

Great buy!

Every horn musician needs one

Clean, dynamic and realistic. My shure 57 and 58's could never do what these have done for my system. The industry standard has been de-throned. I has replaced my Pa System serveral times thinking that was the problem. Guess what? it was the mics. Before you invest in new equipment try a set of i5's

breathe life back into your snare

If you think an SM57 sounds good on snare, you're right...but who wants to settle for good when you can get great! Scrap that SM57 and try an Audix i5 instead and hear the life and presence come back into your drums. Plus these things are built like tanks.

Get rid of your 57's and get these...

I mix for a lot of live bluegrass/blues/folk musicians. Many of which use washboards, stomp boxes, acoustic guitars without pickup's, etc. I use to use 57's to mic these items all the time, but then bought a used i5.......now, the 57's stay in the box, and I just buy these. This mic. sounds better by far. I put these on a low stand in front of stompboxes, or in front of a washboard, or soundhole on an acoustic and they always sound great! Great all around mic, and everyone should have several of these in the mic box!!

Wonderful General Purpose Mic

I love this mic. We use it for whatever we need it for in our demos. While the Shure mics are also great, we find it easier to find a particular instruments sweet spot with this mic (especially when searching for the ideal tone while micing a guitar amp). And just like the Shures, this little beast can take a beating. I have dropped it a number of times and it still sounds perfect. It even works great for vocals. We use it as a background mic live.

Hello Snare!

We all know how to get a great snare recording...stick a 57 on it and add a little 100Hz. Not anymore! The i5 is like a 57 with some booty! I just tried it on a snare in my last session and my suspicions were confirmed -it sounded incredible. My 57 has been demoted to the bottom of the snare (where it really shines). Do yourself a favor and buy one of these little guys...you will not regret it!

Thinking about the old "standard"? Buy the i5 instead.

The i5 is a fantastic recording microphone for guitar amplifiers. I have found it to be sort of like using a Shure SM57 for the highs and a Sennheiser 421 for the lows, only with the i5 you don't have the phase issues plaguing you that would be present when using two mics. While it has sufficient presence, it doesn't come off as bitey.

Smooth without being dark, present without biting, and lots of body without spilling out of the spandex; all appropriate descriptors of this mic's character.

When using this mic on guitar amps in a live sound application, I have found it to work so much better than the SM57 when I am using a proper system. The bitey flavor of the 57 sometimes helps cut through the character of a cloudy old mixer when something more balanced just doesn't do it. Also, so much of live guitar sounds is so subjective to the system, the guitarist, their equipment, and tone (not to mention the rest of the band) that to report on any particular experience that I have had with this mic in a live setting in the short time I have owned it, just wouldn't be fair. My feeling is, that if all the variables aligned into a "perfect" live sound situation, then the i5 would be found to be "the perfect dynamic mic" for that situation.

Another MAJOR plus is the i5's build quality. Nothing about this mic says, "flimsy" or "this piece of plastic will split some day". It's a little monster built for the road and drunk drummers lacking proper aim.

Speaking of drummers... this really is one of the best mics to come along for snare drums. While Audix makes some of the best available dynamic tom mics as well, a handfull i5's can handle the job nicely.

To me, this mic is the new "standard" and it's only earned it's stature with me because it corrected the deficiencies of the old standard to sound and perform the way that it does. You won't be disappointed.

Pleasantly surprised

I read the other reviews on this mic and thought I'd give it try. It's now our standard snare mic. It sounds amazing. It's has a little larger head on it so you have to place it carefully, but the sound is great. It sounds so good on our snare I haven't tried it on anything else yet, but like a 57, I'm sure it's great almost everywhere.

awesome! Dont compare to 57 tho.....

People who compare this to a 57 are overlooking a significant difference between these mics:
An I5 has a wide pattern for a dynamic mic. This makes for a natural, full, open sound. However, the I5 is a terrible snare or tom mic because it's wide pattern makes it pick up the entire kit! An sm 57 has a tight pattern that has excellent side and rear rejection. It is ideal for close micing when isolation from other sources is desired.
The I5 sounds better than an sm 57, but can't mic a guitar amp on a loud stage without lots of bleed from drums, etc.
Get it?

Audix i5

I bought this mic with the express purpose of plugging into my vox amp and jammin on the harmonica. I have no recording experiance but I have played the harp with other exceptionally good mics and I am happy to report that for dirty or clean harmonica playing I am very pleased with this mic. I don't want to get into comparisons because when you are playing the harmonica different mics and amps are different things to different people. I just wanted to say that I like jammin with this mic.

Fantastic all-around mic

I bought this microphone as a more quality alternative option to micing my guitar cab. Although SM57 may work in a live situation, I was less than impreesed with the results I got from it recording in my home. So when I first tried micing my guitar cab with Audix i5, I was blown away. Just imagine an SM57 of greater quality and detail, and without its muddiness or boxiness! It was also much easier to find a sweet spot ("sweet spotS" I should say).
Paired with a decent condenser microphone, it produced reecordings which were hard to believe that they were "home-made".
A few days ago, I also used it to record some vocals, "just to see", and the results were equally (if more) satisfying with the ones I got with budget-md prized "vocal" microphones!
If you want the best microphone for recording ONLY guitar amps, then get a Sennheiser e-906. If you want a damn good microphone for recording guitar amps AND other possible sources, then get the Audix i5.
I seriously cannot of any sound source this microphone cannot handle well. Oh... great built quality, too!

Audix i5 is better than SM57

I bought my Audix i5 a couple of months ago and have fallen in love with it. It is by no means my most expensive microphone, but it is one of my favorites, and is my best sounding dynamic insturment microphone. I have used it on live and recorded drums, acoustic guitar, guitar amps, bass amps, piano and vocals, and in every situation it has given me sound quality that will put any SM57 to shame. It's a great dynamic mike, and rejects most feedback, but is still not as good as my good condensers.

Works on acoustic bass in live setting

4- 6 inches from the f hole. Deep and smooth through subwoofer (K12 tops and K-Sub- monitored through Bose L1 compact). Outdoors in a large corporate tent.

The subwoofer was loud and "rocking" with the acoustic bass. Acoustic Hawaiian music. Everyone happy and impressed. Pro player (day job).

I was ready to switch to condenser but didn't need too. i5 was deep, smooth and articulate. With authority. Could have gone louder if I wanted to.

Good surprise.

The new standard workhorse

A really great multi purpose mic. One of the most useful mics in the cabinet. Bulletproof design. A little more clarity than a 57. Even works as overhead in a pinch!

Don't believe the hype. I made that mistake.

I run a pro recording studio and rely on a wide variety of mics for daily use. I have never liked that Shure makes the SM-57 with a plastic diaphragm cap. One whack from a heavy metal drummer and it just breaks right off. However, the SM-57 is a stage and studio standard for a reason. The frequency range and pickup pattern of the SM57 are absolutely perfect for making snare drums and guitar amps sit perfectly in the mix. I bought an i5 about a year ago and at first listen I noticed that, by itself, it sounds much fuller and crisper than the SM57. This is not necessarily a good thing when trying to fit an instrument into a dense mix. However, every mic has a time and place. My main gripe with this mic is the way it sounds on snare drum (which is why I bought it). It is so unreasonably DYNAMIC that the snare hits are either lost or right in your face from hit to hit with a relatively steady drummer playing (I also had an SM57 on the bottom snare head). I literally had to use 3 compressors in a row on the i5 to catch all of the crazy peaks in order to make it listenable, When the dynamics were finally under control, the sound was not nearly what a snare should sound like. It was very thin and a bit tinny sounding. Far beyond the capability of any corrective EQ-ing. Obvoiusly the necessary overcompression doesn't help this. Not a fan of this mic on distorted guitar amps either. I would say that it sounds far too sizzly for my taste. Either way, all I'm saying is that this mic is DEFINITELY not for me. SM57s are time-tested and well-loved for a reason and I'm sure as heck not parting with mine any time soon.

i5

This mic works wonders for snare. Paired with a condenser mic, on guitar the i5 rules. ALlthough it really helps to have a 70hz, 80hz or 100hz rolloff on a preamp, this mic is beefy and the proximity effect is not subtle. If you aren't careful, you can get some bass buildup. So proximity effect aside, proper mic technique and a good preamp make this mic a real nice addition to my mic locker.

Audix i5

This mic is amazing. I have used it on vocals (female and Male), acoustic guitar, my mesa boogie F50. Gives me a great sound, all the time. On female vocals, I got this beatles like sound (live studio track), vintage like. Very smooth sounding.
This mic always seems to fit into the mix well, with anything I record with it. Assuming you know about compression and mic techinque, you can achieve awsome results with this dynamic mic.