• 

From Our Research Team:

Virtually Limitless Sampling Power!

GigaStudio 3 is the much anticpated new version of the best and most powerful sampler. GigaStudio 3 offers up to unlimited polyphony, 96kHz/24-bit sample support, ReWire support, VST hosting, realtime convolution modeling and a new look and feel for improved usability and workflow. Naturally, it retains the features that made GigaStudio the professional choice for sampling, such as disk streaming, the lowest latency of any sampler and the best sound libraries in the world.

Streaming Samples and You
GigaStudio can load sample files up to 512 gigabytes in length. The first few milliseconds of each sample are loaded into RAM for instant playback, then the rest of the sample streams off of the hard drive. This gives you access to big, dynamic samples without needing tons of RAM into your computer.

Check out all of the marvelous GigaStudio libaries today!

But what does it mean to have gigabytes of samples? How is this better than the Piano sound in my favorite synth? Let's compare the 3 gigabyte GigaPiano II, included with the Orchestra and Ensemble editions of GigaStudio 3.0, with the 16 to 64 megabyte piano sample found in a typical synthesizer.

First, every key on the piano is sampled in GigaPiano II. On a typical synthesizer, the piano might only sampled twice every octave, so the middle C sample may need to stretch all the way up to middle F#. Since a piano sounds different depending on how hard you strike the key, GigaPiano II samples each key sixteen times at different velocities. A typical synth piano will only have one to three "crossswitches" per key, so you can usually hear the transition from the soft sample to the loud sample. Some piano sounds on synths don't have any crossswitches, filtering and attenuating one sample to cover the entire dynamic spectrum. More crossswitches gives you a more accuate sound, and it's also a lot more satisfying to play.

GigaPiano II has enough memory to record the entire decay of a piano note, even though the low bass notes may decay for 20 seconds or more. A synthesizer can't possibly do this with just a few megabytes, so they loop the sample after only a second or so. This artificially looped sound is then attenuated using a synth filter and DCA to approximate the natural decay of a piano key, which is something GigaStudio can handle by just playing the actual recording.

Many GigaStudio libraries include different mic techniques to choose from. For example, the VintAudio Yamaha C3 library has close mic, distant mic and player's perspective mic locations. You can load all of these samples at once and balance between them when mixing, or even output different mics to multiple outputs for a 5.1 surround mix. Obviously, this is something that's impossible to do in a synthesizer.

Finally, samples are sometimes converted to a lower sampling rate to save on ROM space on synthesizers. Since they only have 50-100 megabytes of total sound ROM for all of the instruments they want to include, they might cut corners by sample rate converting to save space. For example, they may decide that a bass guitar or kick drum doesn't have a lot of high end, so resampling it at 22kHz is acceptable. GigaStudio is going the complete opposite direction, with version 3 now offering up to 96kHz sampling.

Hardware samplers might be able to load a bigger sample than hardware synthesizer, maybe up to 128MB or more, but simply nothing compares to GigaStudio. We don't mean to pick on your favorite synth, but if you haven't played a 3GB piano library you just don't know what you're missing.

Sequencing with GigaStudio
GigaStudio 3.0 comes in three sizes, the Orchestra version offering unlimited polyphony for full arrangements. GigaStudio 3.0 Solo has 96-voice polyphony, and GigaStudio 3.0 Ensemble plays up to 160 voices. More voices gives you the ability to layer instruments, add parts to your arrangement and approximate huge symphonic orchestras. And the efficient kernel-level processing and RAM usage in GigaStudio results in more polyphony than any other software sampler. Up to 8 banks of 16 MIDI channels can be played back for 128-part multitimbral sequencing.

Included for the first time in version 3.0 is Rewire support for routing GigaStudio into your sequencing program. This allows GigaStudio instruments to appear in your workstation software, right beside plug-in instruments and audio tracks.

Mixing in GigaStudio
GigaStudio 3.0 has a capable digital mixer built-in, with 128 channels and 32 fader groups. This allows you to submix instruments within GigaStudio so you don't need to deal with hundreds of faders during mixdown. It includes four-band parametric EQ and compression on every channel, with a graphic display to check your settings at a glance. Each channel has 8 aux sends, which can be linked for stereo operation. GigaStudio 3 can accept up to 32 input channels, useful for processing DAW tracks through GigaPulse Pro, and can output up to 64 simultaneous output channels.

GigaStudio 3.0 now includes VST plug-in support, so you can use your favorite effects plug-ins to process sounds within the DSP Station window. Insert your favorite vintage compressor plug-in on a snare drum, a filter plug-in on a string line, tube amp distortion on a bass track - wherever your imagination takes you.

Integration with your Studio
GigaStudio is a Windows application that takes advantage of the power of Pentium-compatible processors. As a free-standing application, it can take advantage of Kernel-level processing power. This means that it gets to dig underneath the Windows layer and get down to the nuts-and-bolts of your computer's CPU for more processing power. This results in more polyphony and lower latency (delay between MIDI input and sound coming out) than plug-in-based software samplers. In fact, GigaStudio has the lowest latency of any sampler, anywhere, ever.

You may be wondering how to take advantage of GigaStudio in a Mac-based studio. Most composers use a dedicated computer to run GigaStudio, dedicating all of the power of one system to running their sampling workstation. With the constantly-falling prices of PCs, you can put together a screaming system for less than the price of many rack-mount synth modules. If you look at price vs. performance, your GigaStudio computer workstation will give you much more realistic sounds than any synth module, not to mention more multitimbral parts, higher polyphony and better effects.

GigaPulse SP - The Next Generation of Colvolution Effects
GigaPulse is an exciting new component of GigaStudio 3. GigaPulse employs convolution to create incredibly realistic reverb, mic modeling and instrument resonance simulation. Convolution uses an actual recording as the basis for signal processing, essentially sampling the sound of a room. For example, the sound of a concert hall is recorded with a set of unique tones. This "impulse" recording can then be imported into GigaPulse Pro (the encoding processor included with GS3 Orchestra) where our concert hall impulse can be included/encoded into a sampled instrument or .gig file. When this instrument is loaded into GS3, now embedded with convolution, GigaPulse SP (the convolution player included with all version of GS3) reveals itself. Your instrument loads with the GigaPulse SP effect automatically inserted. The result sounds like you're playing in that hall.

Editing and Recording your own sounds
GigaStudio 3.0 has a new Quick Edit window that gives you instant access to the most commonly-accessed parameters. You can still use the full editor when creating your own samples, but Quick Edit is perfect for moving a part down an octave, changing the filter setting on a bass sound, shortening the release time of a synth sound, or other common tweaks you might do when putting together an arrangement. Just close the QuickEdit window when you're finished, no need to save and reload the sound. Changes are saved with your GigaStudio performance, so the original instrument on your hard drive stays the same.

GigaStudio 3.0 now also has the ability to record samples directly into the program. Just hook your DAT machine, CD player or mic preamp to a GSIF 2-compatible sound card and start recording. GigaSampler 3.0 supports samples at 96kHz/24-bit, so you can capture instruments and effects with extreme detail. GS3 can record up to 32 simultaneous channels, so you can sample in surround or route DAW track to GigaStudio 3 for processing through GigaPulse. You can still import WAV files to put together samples from sound files on your hard disk, but now the premier sample player is now a sampler as well.

Included Libraries
It's no secret that GigaStudio has the best collection of sound libraries ever assembled. The best composers and arrangers in the music world rely on GigaStudio for accurate, musical sounds for their productions and film scores. GigaStudio's exclusive Quicksearch technology makes finding the right sound quick and easy. And with the new features in GigaStudio 3.0, those sound libraries will become even more realistic and musical.

For example, GigaPiano II is the followup to the piano that started it all. This bright, 7'4" Kawai piano was sampled with 24-bit resolution. Each key was recorded for its full decay at seven velocity layers with the pedal up, and another seven with the pedal down.

The true breakthrough for this library is the soundboard resonance using GigaPulse SP. The piano's soundboard was recorded and imported into GigaPulse Pro with the pedal up and down. This results in the most convincing piano sample yet released, where the performance actually interacts with the soundboard like a real grand piano. GigaPiano II is included with GS3 Orchestra and GS3 Ensemble, and a limited edition is included with GS3 Solo.

• GS3 Orchestra: 16GB worth of sample library included
  
• GS3 Ensemble: 10GB worth of sample library included
  
• GS3 Solo: 3GB worth of sample library included

New Features in Tascam GigStudio 3:

• Unlimited Polyphony: Instead of a maximum 160 voices, polyphony limits for GigaStudio 3.0 Orchestra are limited only by the number of drives, drive speed, and processor speed your system has.
  
• ReWire: GigaStudio 3.0 supports ReWire routing into sequencing/recording applications such as Cubase™, Nuendo®, Sonar™, and Pro Tools®. MIDI from the DAW is routed to GigaStudio. ReWire allows audio generated from GigaStudio to be sent into the DAW application where it automatically shows up on faders within the DAW's mixer section.
  
• New DSP Station: The GigaStudio 3.0 mixer section has expanded to 128 channels, 32 group faders and features an expanded processing section including a 4-band EQ and compressor on each channel.
  
• Quick Edit control: Parameters such as tuning, envelopes, filters, attenuation, and sample offset are at your fingertips in real-time without having to go into the instrument editor.
  
• VST plug-in hosting
  
• Real Time Surround Convolution
  
• Intelligent MIDI: New controller rules including Expanded Legato, Alternation, Round Robin, and Random sample playback make instruments sound even more realistic.
  
• 24-Bit/96kHz instrument support: GS3 allows creation and implementation of 24-bit/96kHz sample libraries with 192K hardware support.
  
• Enhanced Capture To Wave (multi channel): Now simultaneously record 64 audio streams.
  
• Unlimited Instrument Stacking: Load as many instruments as you wish on a single MIDI channel. Control each of the stacked instruments parameters and even route each stacked instrument to its own audio channel.
  
• Up to 256 Dimensions available for creating expressive keyswitches and crossfades
  
• GSIF 2.0 with Kernel Level MIDI and support for 32 channels of audio input and 64 channels of output. Any of the DSP Station's 128 channels can be made active to support input from an outside source; our revolutionary kernel-level audio engine is now available for incoming MIDI streams.
  
• GigaPulse SP and GigaPulseTM Pro: Use the breakthrough GigaPulse Pro NFX plug-in to add surround convolution reverb, instrument resonance and microphone modeling to your favorite libraries. Up to seven channels of convolution is supported for surround applications. Resonant body modeling, added to mic modeling and reverb convolution takes sampled instruments to new heights of realism and represents the next major step in sampled instruments like GigaPiano II. Sample developers now have the ability to encode their instruments using GigaPulse Pro, included with GigaStudio 3 Orchestra. These encoded instruments can be played back in any level of GigaStudio using GigaPulse SP.
  
• Up to 512GB - 1/2 a terabyte - of samples are now supported.

Specification Detail Manufacturer Part Number GS30