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M-Audio Venom ReviewsSweetwater Advice
Yuval Fuchs
When an electronic product overwhelms you with inspiration to make music, it should then be designated as a 'true musical instrument'. This is what I felt about the M-Audio Venom from the moment I first laid hands on it. Needless to say, I have not been able to get my hands off of it since then.
Robert Johnson
By now you've probably heard it all about M-Audio's Venom. Believe me - it's all true! It's a beast of a synth that finds beauty in the repulsive. Think of it as that kid down the street your mother never let you play with.
Austin Moss
This monster has a spot in my studio next to my Virus and underneath my Nord Lead and it holds its own, nevermind how much it costs! The depth of the modulation matrix is easily my favorite part. That it is also a soundcard and can process audio from the DAW and record it back in is just sick. Great for advanced sound designers and preset hounds alike. I've been bitten by the bug.
Matt Lowe
The M-Audio Venom should be called the big green monster of synth. Not only do the preset patches sound huge, but you also have the ability to design your own sounds from the ground up using the editor software.
Carson McClain
Venom is harsh, agressive, mean and spits acid on the face of every other keyboard in it's category. Not only can you play back beats and loops with Venom, you can also play along with synced arpeggios and basslines all in one patch. You have four parts that you can assign to any key range with its virtual editor so setting it up is a breeze. It's not like ANY other keyboard you own. Once you hear it, you will understand.
Customer Reviewsfrom LA April 28, 2012 Music Background: Electro Archives M-Audio Venom ReviewAmazing synth for $350! I own 2 because it rocks. Sounds better than the Virus. The Vyzex editor is super cool and the USB 2.0 interface sounds fantastic. Yes the CM are paid to endorse it but when they claim it's the best modern synth to hit the scene in the past ten years you better believe it because it's TRUE. You will never regret buying it. Can't recommend it enough.from NJ August 3, 2011 Music Background: Electronic producer Superb synthGreat synth with built-in audio interface that imo sounds fatter than a Virus (though virus has better effects). The designer of this synth (the dude featured in the debut videos on Sonic State) also was involved in the design of the Alesis Andromeda, so it should give an idea of what this synth can sound like.It is quite rich featurewise with the exception of polyphony which is on the low end for a VA digital synth. However, I would rather prefer standard 12 voices than Access Virus' 80 voices that always varies based on your programming... from newark nj usa March 24, 2011 Music Background: artist the avid venom is cool !i have a micron,,, a micro korg ,..a roland sh -201 ,, a bunch of casios and yamahas.....and have been creeping up on the price.and the value somewhat has gone u p as the price.....i am happy... the venom was a pretty nice surprise ....i was gonna get the novation ultra or the mopho,,,,i got the venom and what i like about it is the way its so darned easy (multi voice single voice presets)the arp. are like on and off also.... the program is the program the manipulation of the real time or performance controls is like right there....well....i'm not getting synth shy....i came right back to order an e mu shortboard...from s w e e t w a t e r a g a i n ! the avid venom is cool! from February 1, 2011 Ok for a synth, nothing new or outstanding.It almost pains me to write this review. When I heard about the Venom, I really wanted to like it. I loved the concept of the synth, and the fact that it was made affordable. M-Audio likes to say that the synth is somehow revolutionary, but I don’t see it. The grunge and distortion is nothing different than what you could get from any other synth that offers distortion.There are many nice things about the synth. It is very lightweight, and noticeably so. The 4 part multi patches are easy to edit, offering the ability to edit a single part of the patch by simply pushing the corresponding button. The resonance from this thing is insane. It has to be heard to believe. Performance controls can be mapped to something that you are used to, allowing flexibility to live performances. The software for the synth is one of the better ones that I’ve seen. This ease of use alone will win a lot of people over. Now I must cover the unfortunate negatives. It looks a little cheap to me, but I want to touch more on the programming and sound. This is definitely designed as a software based instrument. Programming a sound from the hardware is limited by the number of knobs and disorganized layout. Simple is not always better, especially when you sacrifice speed for simplicity. This obviously won’t be a problem for most, but it’s a consideration for people who would prefer making large changes to sound in a live setting without tabbing up and down through settings. For example, you might want to adjust the cutoff, but you’re in the wrong row and adjust the FM. Now…a person can pay attention and not make a mistake like this, or even change the mapping of the performance controllers. The thing is…M-Audio is great for loading their hardware with tweakable knobs and sliders. Why now, would they release a synth that is so watered down? The sound coming from this synth is insipid, and it feels empty. It doesn’t seem to cut through enough and feels very flat. A lot of work must be done to really push the sound. For the price, it’s not a bad synth at all but it doesn’t compete with the other synths (including software) that are available. In the promotional video for the synth, there is the quote “you’ll be hearing this all over the radio”…well…we already have. It’s been done before and done better. inSync Review
Marshall Oliver
2-20-2012
The M Audio Venom is a keyboard in the dirtiest sense of the word. For the number of features in the product I would it cost in the thousands but to my surprise it was marked below 500 dollars. The sounds that this synth can make blew me away. Anything ranging from aggressive leads to thumping bass sounds can be found in this board. It was a blast simply running through the sounds and coming up with parts on the fly.
Some of the features I found most useful were the arpeggiator and the built-in audio interface. Since I am not a player of the keys it best served me to try out the arpeggiator. It had all the features that you would expect: up, down, and alternating patterns. The pure simplicity of creating melodies allowed for me to focus on music and not operating a piece of machinery. To sum up my experience I would say that Venom did everything I expected a synth to do in this price range and more. The added value as a MIDI keyboard controller and as an audio interface will surely attract users looking for an all in one solution. I would recommend Venom simply on the sounds alone, but the added functionality makes this one a no brainer.
M-Audio Venom49-key Analog-modeling Synthesizer with 12-voice Polyphony, 3 Oscillators Per Voice, 512 Single-sound Patches, 256 Layered Patches, and Effects |
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