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Although this item is no longer available, a Sweetwater Sales Engineer can help you find an appropriate replacement that we have in stock and ready to ship today. Just give us a call! Line 6 Variax Acoustic 700 (Natural) (No Longer Available)Item ID: VariaxAc7006-string Acoustic Guitar - Custom-Crafted Modeling - Natural Finish 
Sorry, the Line 6 Variax Acoustic 700 (Natural) is no longer available. We've left this page up for reference only. Check out the great alternatives on this page or call toll-free (800) 222-4700 to speak with a Sweetwater Sales Engineer about similar products. From Our Research Team:Many Acoustics - One Instrument!The Line 6 Variax Acoustic 700 is the world's first acoustic modeling guitar. It offers 16 richly detailed acoustic instrument sounds, phenomenal feedback-resistance, unique and intuitive tone-shaping options, and instant access to altered tunings.Line 6 Variax Acoustic 700 at a Glance:
Classic and unique modeled sounds The Variax Acoustic 700 utilizes Line 6's exclusive technology to create the most realistic guitar and string instrument sounds possible - all from one guitar! Besides classic acoustic guitars, the Variax Acoustic 700 includes Dobro, banjo, shamisen and Indian sitar sounds. Line 6 Variax Acoustic 700 Models are based on:
Onboard circuitry for amp connection convenience All the Variax Acoustic 700's modeling magic happens within the guitar - there's no tabletop box or rackmount unit to deal with! This means you can plug the Variax output directly into any standard acoustic amplifier, a PA, a recording device, or other audio in. Alter the modeled microphone "position!" The Variax Acoustic 700's top slider (the one furthest away from you when you hold the guitar) allows you to alter the position of the modeled microphone. Here’s a simple way to remember how it works: As you move the slider closer to the soundhole (away from the Model Select knob), the Mic Position is also getting closer to the soundhole. Some of the instruments modeled in the Variax Acoustic 700 don't have a soundhole, but the control will work similarly for these instruments. When the slider is close to the Model Select knob, the strings (and upper frequencies) are emphasized; when the slider is close to the soundhole, the body (and lower frequencies) are emphasized. Easy Access to alternate tunings The Variax Acoustic's Model Select knob also lets you engage the Instant Alternate Tuning function. With a quick press on the knob, the LED will change from green to red. Now, none of the notes are where you thought they were! To learn the method to our madness,check out the next section, Instant Alternate Tunings. But wait, there’s more: The Model Select knob also lets you save any customizations you have carried out. Built-in compression The bottom slider allows you to change the level of compression. A compressor usually has a lot of controls to adjust, but Line 6 takes care of all the complicated stuff for you. Just push the slider toward the Model Select knob for more compression, and away from the knob for less. Plus, Vetta II compatibility! For the ultimate in guitar and amp/cabinet modeling, use the Variax Acoustic 700's digital output to connect to the Line 6 Vetta II amplifier. You'll experience a wealth of sound possibilities that ordinarily would require several guitars and a stage full of amps to reproduce! Line 6 Variax Acoustic 700 Features:
The Line 6 Variax Acoustic 700 guitar: Like 16 guitars in one!
Can We Help?call toll-free (800) 222-4700 or E-mail usto get personalized advice from a Sweetwater Sales Engineer. Additional Online Resources:
ReviewsWhat They Dont Tell You!
by Dan Bennetto from UK
Ive Been playing the guitar for quite a while and i have alot of acoustic guitars i regularly lug around. This seemed like a perfect alternative. And It Is! October 28, 2006 Music Background: Musician The sound that comes from i... read more [+]t is almost unbelievable. Ive made people who have played for 50 years on some of the worlds finest guitars want one of these things. What they say at Line6 is very true. However the out put is very very hot and im afraid from experience id say its a no go on an Amp. Even the Acoustic amps are a problem for some of the effects. Its a PA only thing really, although the resonators and the exotics all go beautifully through my amplifiers. In truth its just the ones you'd use on PA anyway. Heres what the reviews often miss out: This guitar feels Very expensive. It has some tiny tiny little features that all come together to make it feel massively professional to play. The case that comes with it is worth a fortune on its own. Its a soft case that makes my solid flight cases look unsafe to use! the padding is in places 2 inches thick! Lots of pocket space means no extra bags either. The Cable that is supplied is usually a Planet Waves cable. These are indestructable! I towed my bros car home on one and it still works!!! (this will probably not go down well at the warranty office dont dont try it at home) Comes with everything from the XLR A/B box to the allen keys for bridge and neck adjustment. Mine even shipped with a Line6 Plectrum lol The fact is that im actually suprised its so cheep to buy. In the UK (where i am) its retail is considerably higher than this and i still bought one and i still think i got a steal at the price. close [-] Lots of Inspiration & Ideas
by bikesandguitars from Colorado
I used to make a living doing solo acoustic shows. Over the years, I have had a host of nice guitars including higher end Taylor's, Larrivee's, Goodall's, Takamine's and a Gibson. When playing live,... read more [+] I was always in puruit of the best, truest, acoustic sound and in doing so I have tried every acoustic amplification device known to man - I believe I was one of the first to try dual sourcing back in the early 90's with a Rane AP-13 pre and a Donnell mini-mic on the gooseneck inside my guitar. About annually I regularly changed out my amplification rig to the latest-greatest. My current set up is a Taylor 914 with expression system > Taylor K4 Neve eq / preamp > A Designs REDDI tube direct box. To be honest, it sounds about as good as every other amplified acoustic solution I have tried - maybe a little more realistic at lower volumes - and as many already know, the expression system is probably not the best choice for high volume applications. March 21, 2008 Music Background: Former pro guitarist turned recording enthusiast Anyway, one day I happened on to the Variax 700 when the local store owner said, "Wanna try this new modeling guitar? I can't decide if I like it." After about an hour of playing with the settings and trying the different models, mic placements, compresson settings and tuning models, I declared, "You know, I really don't care that every sound isn't spot on - When I plug it in to the PA, it plays LOUD with no complaints and it sounds as much like an acoustic guitar as any of my other real acoustic guitars do, but what I like is that all of these tunings and sounds MAKE ME WANT TO PLAY!!!" So, that's what I like most about the Variax. It's a different instrument, a new toy & a new challenge with every different setting. I have had quite a few song ideas bloom from screwing around with the Variax and it works great when I need a banjo or dobro sound or a quick acoustic guitar for a recording. So, would I use it for a professional solo acoustic recording? Probably not. That application is still best left to a good condenser mic or two and a nice outboard preamp / compressor. Would I use it for a solo acoustic demo or laying down a quick idea on my laptop? Yes, definitely. Would I use it for an acoustic part to sit in the mix with drums, electric guitar, bass and keyboard? Yes, absolutely, in this app it's my first call - before the real thing. So with that said, here are a few nitpicks: I had some difficulty with the set up. I like 12-53 strings but this guitar wasn't really cooperating with the string tension and the nut wasn't cut correctly. I cut the nut a little myself and ended up using 11's - no big deal as it's a modeling guitar and string gauge has little effect on sound. Also, the neck radius is very flat - I'm not sure what the exact radius is but the neck is not very familiar feeling. This is more observation than complaint. Finally, my main complaint is with the volume. It's very inconsistent from instrument to instrument and tuning to tuning, especially. This is not a huge deal and can be overcome with a little practice to memorize settings, but don't expect to buy it and run out to your first gig that night unless you're content using one or two sounds. In summation, if you have the cash and want to try some new ideas or need some more sonic paintbrushes for your recording or live rig - the Variax 700 is pretty cool. close [-] More plusses than minuses
by C Breeze from Cape Cod, MA
I've been using my acoustic Variax for solo gigs for 3 years now, and it has paid for itself many many times over; great investment for working musician, even a guy like me with a non-music day job! ... read more [+] During an evening, I switch between tunes with tracks (bass/drums) which I programmed myself and straight acoustic tunes. The Variax shines in the former context (sounds great with bass/drums, especially when it comes time to do some lead work) but lags a bit on the latter straight acoustic venue (the richness just is not there, nor string sustain; brittle sounding to some degree). I hate to say it, but the only one who probably feels that way on one of my gigs is me; I'm sure the guy in the audience dooes not notice the difference the way I do; bottom line is the variax is very utilitarian and practical for live applications (done numersous 5-piece band gigs with this guitar successfully also, and it lets me compete volume wise).May 10, 2008 Music Background: Pro musician 30 years I personally love both 12-string options, and enjoy getting the 12-string sound without the finger-hurt (I owned a Hagstrom 12-string back in the 70s, so I know the extra degree of difficulty playing a real 12). I am having a blast playing solo using about 8 different instruments in course of an evening and about 4 tunings; I am doing tunes now I would never have dreamed of doing live 4 years ago, especially a few alternate tuned songs. It has made me a much happier soloist, as I can cover so much ground now with one guitar. However, I may start dragging my old Ovation out as a second guitar on gigs that require pure acoustic and less backing track tunes, but I have to have the stage space to do that. I must say that the richness of that Ovation can't be captured by any models of the Variax. But, despite that, two thumbs way up overall for this guitar as a live gig instrument. close [-] Great for recording and and live but you have to use it the right way
by Christopher Wade Damerst from Los Angeles CA
I've had one for over a year.March 2, 2008 Music Background: Pro Musician Here is the deal with the Variax Acoustic. When recording: 1. The action has to be set high like a Martin, you should refer to a Martin for a... read more [+] measurement, otherwise it buzzes funny and doesn't sustain properly. 2. Digital alternative tunings are not good enough for recording including the 12 string guitars, but digital tuning down from the original pitch can be a cool effect when recording. Physically tune and/or kaypo the guitar for alternate tunings. 3. Use air tight headphones, otherwise you can hear the instrument and it will mess you up. 4. Mess with the sliders to get the desired tone. I like the Mic Placement slider more towards the sound hole for the Acoustic guitars and more towards the neck for the resonators and others for a more boxy tone. Don't forget to try the compression too. All of these settings are a personal preference thing. 5. When mixing your track work with your EQ and compression to get desired tone, you always have to do this with any acoustic guitar. When Performing Live: 1. To me anything goes. 2. Get the Workbench if you need that Piezo attack sound and to setup your presets (Volume Adjust, Mic Placement, Compression, and Digital Tunings, and to put your preset on the knob position desired). Most of these settings are hard or impossible to do on the guitar itself. close [-] Sweetwater Advice
Forrest PowellThese are a must-have for performing musicians in high-demand acoustic acts when miking an acoustic isn't plausible or recording straight into a board is necessary. I started using one of them at church for our contemporary worship service and I gave up using four other different guitars once I heard it. Pleasant acoustic modeling, great compression, full dreadnought low-end sounds. |
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