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Neumann TLM 193Item ID: TLM193Large-diaphragm Double-membrane Cardioid Condenser Microphone - Black 
Special Order, But We Can Get It FastBecause of our great relationship with Neumann, we can get this item as fast as or faster than anyone else. Please note that special orders are non-returnable and non-cancelable - Order online or call your Sweetwater Sales Engineer for information.Note: While most of the items we sell ship for free, this item does not qualify for free shipping due to special circumstances. Get more value at Sweetwater
From Our Research Team:Sweetwater Loves the TLM 193!Neumann lets you step into the world of high-end microphones at a moderate price with the TLM 193! This large diaphragm, double membrane cardioid condenser microphone is designed for critical recording, broadcast and live sound applications. You'll find dozens of uses for the TLM 193 - it can give you more bang for the buck than most low-priced imitations!Neumann TLM 193 Condenser Microphone at a Glance:
An incredibly versatile microphone! Sometimes with Neumann mics we tend to jump right into the specs - they always tell the story of Neumann's legendary sound and quality. But with the TLM 193, let's take a look at the versatility and value this mic delivers. It excels at many applications including overhead and close-miking drums, capturing the nuances of acoustic performances, and recording critical vocals in the Neumann tradition. But this just hints at the TLM 193's potential applications! TLM 193 Applications:
These are just some of the most common applications. Your own experimentation will undoubtedly lead you to maximum use from this microphone. The heart and soul of a true Neumann mic The capsule of the TLM 193 is the same legendary large diaphragm capsule used in the U 89i/TLM 170 family. This unit is mated to the proven FET 100 circuitry of the KM 100 series. These state-of-the-art components deliver ultra-low self noise (10dB-A), high sound-pressure capability (140dB before overload), dynamic range (130dB), wide frequency response (20Hz - 20kHz) and the quality, durability, longevity, and glorious sound which makes the TLM 193 a true Neumann microphone. The TLM 193 uses a transformerless circuit which is responsible for its extremely low self noise and large dynamic range. The polar response is very linear over a wide incidence angle. Even off-axis signals are reproduced faithfully and without coloration. The exposed surface of the microphone capsule is at ground potential, making it immune to typical interference and contamination. Stands up to studio and live performance demands The TLM 193 shatters the notion of a "fragile" condenser mic. All exposed surfaces of the microphone capsule, including the diaphragms, are at ground potential. This technology makes them highly immune to electrical and atmospheric interference and contamination by microscopic dust particles. The TLM 193's capsule is elastically mounted to avoid any jolts and structure borne noise that could interfere with its operation. A must-have mic value The TLM 193 is the perfect microphone for both budget-conscious project studios and larger facilities who want Neumann performance without paying for the additional features of our flagship models. The TLM 193 package includes the microphone, a swivel-mount stand adapter, and a foam-lined wooden jeweler's case. You'll seldom find this combination of quality and value! Neumann TLM 193 Condenser Microphone Features:
The Neumann TLM 193 Condenser Microphone: "Plug and play" for high quality reproduction!
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Reviewsbased on 4 reviewsWhat can I say........it's a Neumann
by Andy Mendoza from San German, PR
I guess this mic is one of the most underestimated NeumannsJuly 17, 2011 Music Background: Recording Eng, Producer, Grammy voting member No matter what preamp I put it thru.......it's sweet sound prevails. Versatile, multiple uses, various applications, excellen... read more [+]t sensitivity and SPL The Neumann to start with when you're on a budget. close [-] Great Mic. Nice Sound
by Blake from Houston, TX
I picked one of these up the other day and the second i used it i was blown away. My first session was a hip hop session with 2 very different singers. One had a bright voice and one midsy. For the b... read more [+]right voice it really warmed it up and made it rich. For lower vocals I just added a little high in the eq and it sounded amazing without picking up a bunch of air. I will be giving this mic ALOT of use and would recommend everyone have this in your locker. Can't wait to try it on acoustic guitars close [-]
December 12, 2010 Music Background: Recoding Engineer, Producer, Rock, Country, Metal, Hip Hop You get more of what you paid for...TLM 193 Nuemann
by NdL Entertainment from La Palma
I was blown away with this microphone, This is a serious condenser mic with a fine silky sound. I like it on vocals since the TLM 193 is darker and more natural-sounding. I prefer to have a warmer sou... read more [+]rce signal. Anyway, I can always hype those highs with eq on my Avalon if I want it. Good for almost any application, but wonderful on vocals any instruments specially saxophone and acoustic guitars. It is my primary condenser mic going through my Avalon 737 mic pre. I consider the Neumann TLM-193 to be overlooked and Under-Rated by many who think only of the TLM-103 or higher priced models such as U67, U87, U89 etc... I say that this mic has turned into THE sound of my studio and my productions. I'm very happy I made this investment... close [-]
June 30, 2009 Music Background: Pro Musician, Producer, Recording Engineer neumann tlm193
by jamie garner from wichita ks
when i was putting my first 'real' project studio together, i went on a search for the best large diaphraghm condenser i could find for the money. thanks to sweetwater's great 'ret... read more [+]urn if not satisfied' policy, i had the opportunity to try some great mics without fear of getting saddled with one i didn't really want.
April 1, 2004 Music Background: i already had a pair of at4033's, and a rode nt1, as well as a 'bargain' (NOT) chinese mic. the 4033's were fine for drum overhead, acoustic guitar, ect, and the rode found some uses too... but i had purchased both a langevin dvc and a neve 9098, and i wanted a mic that could really match the quality of those preamps. another consideration was that i was (and still am) working with a group of exceptional male and female vocalists, and i needed a mic that was flattering to many different voices. both the 4033 and nt1 tended to sound overly harsh on the girls voices, tho on male vox they were fine. i set my upper dollar amount at $1,000 and started looking (and listening!). obviously, the tlm193 was my final selection, so i'll get down to the reasons why. the neumann moniker sure was part of my reason for auditioning it in the first place! it never hurts to have a potential client know you have that kind of quality on hand. but the name doesn't mean squat unless it performs, and it does that far beyond my expectations. it doesn't have the presence bump most large neumann's have (and most cheap mics copy)- it's a very neutral mic. on the female vox, it sounds big and lush, w/out any hint of harshness. on the male vox, it easily blew away the other condensers i have- the resulting tracks always seem to enhance the best qualities of the singer! vocals are just the tip of the iceberg where this mic's capability is concerned tho... it's my first-call mic for electric bass and guitar amps... if you close your eyes in the control room, you'd swear the amp was in the room with you! it also shines on kick drum- i like to use two mics on the kick, a '57 aimed at the beater, and the 193 a couple of feet in front of it... talk about BIG! the 193 isn't one of neumann's more 'famous' mics, tho i don't know why- that feeling seems to be shared by many of the reviews of the mic i've found on the web. perhaps it's because it only has a cardioid pattern, or maybe because it lacks a pad and lo-cut filter? hey, my preamps have those things! i had never even considered the 193 (i guess due to it's lack of hype) 'til i asked my sweetwater rep if he had any demo/refurb mics available. the 193 was mentioned, and i was told it was a demo and it had some wear on it, so it was being sold rather cheaply. well, the 'wear' turned out to be some scratches on the wooden case! the mic itself was pristine. i'm saving up to purchase a second tlm193, and i hope to use them as my main drum overheads. of course i wouldn't turn down a free u87, but i don't feel like it would give me anything i don't already have from the 193. my mic collection has grown huge since i bought the 193- i have high-end mics from BLUE, shure, gefell, AKG, ect.... and i use them all the time when i'm tracking full bands. when it's time to lay down overdubs tho, the 193 pretty much gets used for the rest of that sessions, and that's the highest compliment i can give it. close [-] Also popular
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