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Great Mic!
by Jim B. , June 2008
Music Background: Producer/Engineer/Composer
Gearfolks poke fun at the TLM 103 and say it's like buying a huge diamond with poor clarity and color, but when you've spent $4k on a vintage mic, any legitimate competition from a sub-$1k piece will make you break out in hives. I've used this thing with fantastic success on a rapper with overly sibilant Ts and Ssses and on a nylon-stringed guitar with very dull strings. Ignore the jealous vintage guys and just get it. Incredibly versatile mic for the project studio owner!
Pro Mic - Great Value
by John Quimby from Santa Barbara, CA, May 2008
Music Background: Studio Owner,Voice Talent
I use a TLM 103 as our studio's announcer mic.
It's been heard on a slew of national broadcast commercials and radio programs for NPR, BBC and CBC.
Most recently featured on promos for Indiana Jones and will be heard opening the Indy 500 broadcast on ABC. Not the most expensive tool in the rack - but you never have to apologize for using a mic this good.
amazing mic
by judas from north shore, April 2008
Music Background: recording engineer
beyonce and justin timberlake use this. granted they have probably the best mic chain ever (neve pres, la-2a compression) but u can start with the same mic and created ur own awesome mic chain. just buy the mic.
Best Kept Secret!
by Jeff Kain from New England, U.S.A., November 2007
Music Background: Singer/Songwriter/Producer
I've owned my TLM for seven years and have used it on hundreds of acoustic guitar and vocal sessions. I also rely on David Royer’s unparalleled Mojave Audio MA-200, AKG and Rode mics. I must say that I love Neumann, in particular the TLM-103. I find it fascinating how lower-priced gear can alter someone’s objectivity. I advocate rejoicing at the luxury of this price and then let your ears be the judge. If it were four grand, everyone would be enthralled and impressed because it’s a Neumann. It’s amazing how the price can play with your head, yet this mic is not what I consider inexpensive simply because it’s under a grand. It’s a great mic. I’m proud to own one and am grateful that I got mine for less than a thousand. I feel proficient knowing that I’ve done so and try to place my efforts into talent and capturing the moment more than unnecessarily depleting my savings. I’m not George Martin producing Paul McCartney, but I sure have gotten some sweet recordings using the TLM and nobody knew the distinction until now. Go for it!
Can Anyone Say "Versatile?"
by Jerry from Pinckney, MI, April 2007
Music Background: Live performance, Home recording, Whaever I feel like doing.
I have had TLM 103 for about 7 years now, great mic. It will do just about anything well. Well worth the money. I think that any mic that would honestly earn 5 stars (if such thing exists) would cost many times more than the TLM 103.
Phenoms for the price... actually for any price.
by Johnny V from Prescott, AZ, February 2007
Music Background: Studio owner, Engineer, Producer
The absolute only reason that these don't get a 5 is because they lack the 'industry standard' reputaton of the U87. These mics are amazing, I use a pair for drum overheads and then pull them down to use on guitar cabs! So versatile, so clean, just some solid Neumanns for a grand a piece!
Love my TLM103
by Tim Batt from Huntsville, Alabama, USA, February 2005
I have a matched pair of these microphones. As the recording engineer for the Huntsville Symphony I can attest to their wonderful sound. My best project so far was recording the 150 piece chorus on Carmina Burana. WOW! I used a pair or Schoeps on the orchestra and the TLMs on the chorus.
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