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Yamaha SKRM-100 SubKick
Sub-bass Transducer for Kick Drums and Bass Instruments Mounted in 10" Drum Shell


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ItemID: SubKick   Retail Price: $630.00
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  Best Kick Out Today 
by Sean Edwards from Mesa, Az USA, June 2007
Music Background:  Student/Recording Engineer

This in combonation with a Audix D-6 is possibly the most versatile kick sound an engineer could possibly have. An amaizing peice of equipment.

BOOM! 
by David Brotherton from Los Angeles, August 2005

Two years before this was introduced into the market by Yamaha, I used an NS-10 speaker mounted in a snare stand. It was good but there was some eq-ing involved. Now, it's totally dialed in, no eq-ing needed. This is such good deal for what you are getting, and with say a D 112 inside giving you some more attack and blended with the Subkick....Best kick drum sound you could ever get. Oh yeah, my Mom likes it too!

Get the sound you want 
by Eric from CT, February 2005

Get the sound you want out of your kick drum with this. This mic is great sounding, easy to use, flexible and durable. It's basically the biggest dynamic mic you've ever used on a drum set. Experimenting with it's sound is easy- either move it closer or further away from your kick. Team it with another dynamic mic and mix the signals to get a huge, deep and full body and a tight smack from the beater. This is great for people who don't have the room acoustics or time to fiddle with more complicated setups. And those that do, you might want to switch. Sounds great, easy to use, priced right-- and you get the most amazing low end on a kick. Stop torturing your condensers on kick drums. its not the best way to learn how to mic kick drum, but if you want results, get it.

Great mic for not much dough 
by W Kennard from College Station, TX, February 2005

This is a great mic for kick druks. I use it along with a beta91 for both live sound and recording. I have been able to get serious low end thump that I just didn't have with the 91 alone. However this mic is great on anything that you want great low-end on. Stick it on a bass cab and feel the stage rumble. This is a great mic for the money, you won't go wrong with it.

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