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Apogee Symphony Desktop 10x14 USB-C Audio Interface

10-in/14-out USB-C Audio Interface with 24-bit/192kHz Symphony AD/DA, 2 Microphone Preamps, Variable Impedance, Built-in DSP, Preamp Emulation, Channel Strip Plug-in, DualPath Monitoring, Digital I/O, Touchscreen, and Apple Logic Pro X Integration - Mac/Win/iOS
$1,495.00

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Symphony AD/DA in a Desktop Interface

The Symphony Desktop packs Apogee’s flagship AD/DA conversion into a desktop interface, along with hyper-realistic preamp emulations and powerful DSP. Experience industry-leading digital sound quality at up to 24-bit/192kHz, while cutting-edge analog components ensure clean, low-distortion results. Track through Apogee’s Alloy Mic Preamp emulations to add grit and character right at the source. Juice up your tracks with Apogee FX plug-ins, powered either by the interface’s built-in DSP or natively within your DAW, in a myriad of flexible, low-latency workflows. An array of analog and digital I/O options makes integrating this interface with your studio a breeze, while a dynamic touchscreen display supplies intuitive operation right from your desktop. You can also take full command from directly within Apple’s Logic Pro X software, giving you what’s possibly the most streamlined DAW workflow on the planet. This incredible interface also comes with the Bob Clearmountain-tweaked ECS Channel Strip plug-in. In a nutshell, the Symphony Desktop gives you Symphony I/O-grade performance in a DSP-enhanced unit that fits on your desktop. If you want to elevate your studio into the big leagues, this is a great way to do it.

Symphony AD/DA — cutting-edge components for unrivaled sound

The Symphony Desktop boasts Apogee’s legendary AD/DA conversion, which is regarded as the reference standard by many within the pro audio industry. Like its rackmount forerunner, this audio interface’s A/D converter stage yields ultra-low distortion, a high slew rate, and fully differential analog op-amps, along with a leading-edge A/D converter in a performance-enhancing dual-sum configuration. Thanks to this superior design, you’ll capture every source with hyper-realistic quality and transfer it flawlessly into your DAW. The Symphony Desktop’s D/A converter stage is just as impressive, yielding uncompromising results via an ultra-low-distortion, high-current output driver. Whether you’re mixing, mastering, or listening critically, the Symphony Desktop will provide a transparent window into your project. Apogee conversion has long been a gold standard here at Sweetwater, and the company’s Symphony AD/DA is their best design yet. Once you experience it, you’ll never settle for anything less.

Apogee’s mic preamps deliver superior performance with any source

Apogee’s world-class AD/DA conversion often steals the spotlight away from the company’s incredible analog designs. But truth be told, their preamps have always delivered mind-blowing results. In fact, renowned audio engineer Bob Clearmountain has stated that Apogee preamps are his all-time favorites. After all, top-shelf conversion doesn’t add up to much if it’s paired with subpar analog circuits — the analog stages are what make the converters sound so good! The Symphony Desktop’s mic preamps continue in that tradition. Their Advanced Stepped Gain Architecture ensures clean, low-distortion results, while up to 75dB of gain gives you enough breathing room to capture everything from a pounding kick drum to delicate acoustic fingerpicking. To top it off, variable impedance settings on both mic and instrument inputs optimize their input stage to match your specific device, yielding ultra-deep lows and crystal-clear highs.

Alloy Mic Preamp emulation adds grit and character to your recordings

Sometimes you want to add grit and character to your recordings — attitude, if you will. That’s where the Symphony Desktop’s Alloy Mic Preamp emulations come in. AMP employs both analog circuitry and digital processing to create some of the most authentic modeling on the planet. The detail that goes into this remarkable technology is astonishing. It models every critical aspect of the signal path, starting with input impedance, transient profile, and distortion characteristics in the analog domain, followed by a bit of digital refinement, delivering a hybrid result that’s much greater than the sum of its parts. The Symphony Desktop gives you the choice of a Solid State Class A sound inspired by a legendary British console and a gently overcooked American tube sound. Both emulations are spot on, responding realistically if you push them, just like their analog counterparts.

Apogee FX plug-ins add a pro-level sheen to your tracks

If you’ve never tried Apogee’s stellar FX plug-ins, you’re missing out on a good thing. Obsessively crafted by the same team that designs all Apogee hardware and software products, there’s a reason why they’ve garnered heaps of praise by reviewers and by users on internet forums — they’re that good. The Symphony Desktop comes with Apogee’s ECS Channel Strip plug-in, which includes superb-sounding EQ, compression, and saturation, all tuned to perfection by Bob Clearmountain. ECS Channel Strip works in tandem with the audio interface’s microphone preamp emulations, arming you with a virtual rack full of sonic colors.

A full range of low-latency workflow options for maximum flexibility

Apogee’s plug-ins provide you with a full range of low-latency workflow options while you’re recording. Native mode allows you to run plug-ins natively in your DAW. Just instantiate the plug-in, adjust your buffer, and you’re ready to go — it’s the easiest way to get a sound without printing an effect. Print mode enables zero-latency recording directly to your DAW through the Symphony Desktop’s hardware DSP. This workflow is similar to tracking through external hardware, thereby printing the effect to tape. After all, there’s nothing like getting it right at the source! The last option is Apogee’s DualPath Link. This method gives you maximum flexibility, letting you dial in an inspiring sound — latency-free — without printing the effect. That said, DualPath saves your plug-in settings, giving you the option of adjusting the effect parameters later during the mixing phase. If you’re an Apple Logic Pro X user, you’ll enjoy the ultimate DualPath experience, thanks to unique hardware-software integration. Using the Symphony Desktop and Logic Pro X in tandem lets you take full command of the interface within a single window in the DAW — no additional mixer or console app required. It’s one of the most streamlined workflows available.

Apogee Symphony Desktop Features:

  • 10-in/14-out desktop USB-C audio interface
  • Symphony AD/DA conversion yields hyper-realistic sound quality at up to 24-bit/192kHz
  • 2 mic preamps with Advanced Stepped Gain Architecture and up to 75dB of gain ensure clean, low-distortion results
  • Variable impedance settings on both mic and instrument inputs optimize their input stage to match your specific device
  • Alloy Mic Preamp emulation employs analog circuitry and digital processing to give you ultra-authentic modeling
  • Run Apogee FX plug-ins (sold separately) via built-in DSP or natively within your DAW
  • Native, Print, and DualPath modes provide flexible recording, monitoring, and processing workflows
  • Comes with Apogee’s ECS Channel Strip plug-in with superb-sounding EQ, compression, and saturation
  • Included ECS Channel Strip plug-in works in tandem with the microphone preamp emulations, arming you with a range of sonic colors
  • An array of analog and digital I/O options makes integration with your studio a breeze
  • Dynamic touchscreen display supplies intuitive operation right from your desktop
  • Unique hardware-software integration with Apple Logic Pro X gives you an incredibly streamlined workflow

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Tech Specs

  • Computer Connectivity: USB 2.0
  • Form Factor: Desktop
  • Simultaneous I/O: 10 x 14
  • Number of Preamps: 2 x mic, 1 x instrument
  • A/D Resolution: Up to 24-bit/192kHz
  • Effects: Built-in DSP Processing, Mic Pre Emulations, Symphony ECS Channel Strip
  • Analog Inputs: 2 x XLR-1/4" combo (mic/line), 1 x 1/4" (Hi-Z)
  • Analog Outputs: 2 x 1/4" (L/R)
  • Digital Inputs: 1 x Optical Toslink (ADAT, S/PDIF)
  • Digital Outputs: 1 x Optical Toslink (ADAT, S/PDIF)
  • Headphones: 1 x 1/4", 1 x 1/8"
  • USB: 1 x Type A, 1 x USB-C
  • Software: Symphony Desktop Control Application
  • OS Requirements - Mac: macOS 10.13 or later, iOS 13 or later
  • OS Requirements - PC: Windows 10 Anniversary Update or later
  • Power Supply: 12V DC power supply (included)
  • Height: 2.5"
  • Width: 8"
  • Depth: 4.75"
  • Weight: 1.85 lbs.
  • Manufacturer Part Number: SYM-DESKTOP

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Customer Reviews

Write your review
Rated 5/5

Best Bang for your buck.

Here's how much I depend on this interface-
I recently had a mechanical issue with the encoding nob and had to send it
out to get repaired ( thank you Sweetwater ).

I needed to keep working while that unit was out of commission ,
so before I sent it out, I ordered a second Symphony desktop.

( owning 2 is still more affordable that many pro interfaces,
including the non- desktop symphony)

for me the two channel format works great for everything I need to do, including tracking vocals or
bass or guitars, which often happens.
the DSP FX ( opto comp, pultech and Digital eq in particular) on the front end are extremely useable and
are huge time and space savers if you know what you're doing.

As others have stated, the DA conversion is stellar, and so is translation.

Obviously, understanding your room and or your headphones is a big part
of having great mix translation to a variety of consumer products,
but if the magic combination of your DA converters, internal clocking and
audio path are not not perfect, you will be scratching your head
and wondering why you didn't hear the things you don't like in your studio.

I am never surprised anymore- Thanks Apogee/sweetwater
Music background: Mixing/mastering/traking/playing
Rated 5/5

Amazing Interface

I recently moved into a condo and can't use my tube amps as they get the neighbors all rowdy when I play them at a level that sounds good. I bought a Simplifier DLX and two Adam Audio A7V powered studio monitors to replace my amps and cabs w/help from Carson McClain at Sweetwater. I bought the Apogee to interface w/my Mac, record loops and add in drum tracks. The Apogee makes it all work seamlessly and provides fast and easy tweaks using the touchscreen and push/dial. I was really worried I would miss my honest, reliable tube amps, but it all works amazingly well together and sounds awesome AT ANY VOLUME. And for me, that's the part that makes it all worth it. I get great tone and the police don't stop by to tell me my neighbors think I'm too loud. The purist in me really hated this decision, but after using the system for a few weeks, I have zero complaints about the tone. If you're on the fence, take the leap- you'll be glad you did.
Music background: Tone enthusiast
Rated 5/5

So far, so really, really good!

Replaced an Apogee Duet 2 with the Symphony Desktop and the sound quality is amazing. I thought my Duet was awesome, which it WAS, but man, the pre-amps no this S.D. sound so good. 3 different pre-amp choices get you exactly what you are looking for. If you know Apogee, you know B.Clearmountain and if you know HIM, well, let's just say he's got quite an ear for music and the fact that his wife owns Apogee makes it even better. I run this with Logic Pro X. Set up was a bit confusing but after I got a hold of Apogee support my issues were fixed in less than 30 minutes. Thank you to Phil Potts - my Sweetwater rep for always taking care of me. Thanks Phil and Sweetwater!
Music background: Audio Engineering, Guitar, Music Production
Rated 5/5

great interface

I've had this about a year now and really enjoy working on it. Bit of a bumpy start due to the pandemic but the delivery issues have been sussed out it seems by now. the stand out is the conversion both ad/da sound is simply great. leaves me not wanting anything else and I have had many very high end converters. it simply works. The mic pres do an excellent job and deliver a pristine signal. My only want is another pair of outs. The IO is really pretty limited for this price range, but if your doing a simple set up it delivers the goods.
Music background: producer
Rated 5/5

Outstanding Sound Quality

I bought this interface because I am doing more mastering work and wanted a simple top-quality setup. I A/B'd this against my prior interface by bouncing a recent master out of Logic with no change except running it through the new Symphony desktop. I work in a treated room and the difference was not subtle. The string sounds were more detailed and present especially the higher harmonics. Translates extremely well. I will not only be mastering a little differently but also mixing a differently through this unit due to the additional detail it provides. Outstanding quality and seamless integration with Logic Pro. The software preamps and FX are also excellent and the dual path option is easy to use. It's remarkable that this level of quality is available in such a compact form and at this price. This is a real winner.
Music background: Guitarist/Former Studio Engineer
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