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Antelope Audio Isochrone OCXItem ID: OCXMaster Clock with Atomic Clock Input, 32-192kHz, Superclock Output, and Jitter Management Module
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From Our Research Team:The New Quality Standard in Professional Master ClocksTime passes, and unfortunately, sometimes so do clocks. It was a loss for digital studios everywhere when Aardvark's Aardsync II master clock went quietly into that goodnight. And while we audiophiles mourned the passing of the amazing Aardsync, a testament to the sound quality that it imparted to digital recordings was the fact that no one was selling them on eBay. Cheer up! If ever there was an argument for the existence of reincarnation, it would the emergence of the new Isochrone OCX master clock from Antelope Audio — master clock boasting truly advanced technology and the soul of the old Aardsync II. That's because the Isochrone OCX is the brainchild of Igor Levin, designer of the original Aardsync and founder of Antelope Audio.Antelope Audio Isochrone OCX at a Glance:
Oven Control The core of any master clock is the Crystal Oscillator, and clock performance is impacted greatly by the type of Oscillator used. While other master clocks cut corners with their Oscillators, Antelope chose the best. The Oven Controlled Discrete Transistor Crystal Oscillator is without question the most stable, jitter free in existence. Before the Isochrone OCX, these oscillators were found only in aerospace and telecommunication hardware designed for critical operations. The OCX is the only master clock to address jitter at the source. Its Oven Controlled Discrete Transistor Oscillator provides 4X-6X less jitter and 100X greater stability than its closest competitor. Oscillator accuracy is compromised when exposed to temperature fluctuations. The Isochrone OCX addresses this completely with oven control. The oven's temperature controlled environment allows unparalleled oscillator stability. Other master clocks use standard crystal oscillators which don't account for temperature at all, and quality suffers as a result. The indispensable benefits of oven control are found only with Isochrone Clocks. Antelope's Jitter Management Module Jitter free operation is critical in the modern studio. Antelope's Jitter Management Module makes jitter essentially nonexistent. Adaptive Loop Filtering is taken to the next level with a sophisticated DSP Based Multistage IIR filter, ensuring a jitter free, great sounding studio. Connecting a device to the OCX will make it sound noticeably better. This is achieved with Antelope's exclusive Acoustically Focused Clocking technology (AFC). AFC is the 3rd generation of DDS, a technology introduced over ten years ago by Isochrone engineer Igor Levin with his ground breaking Aardsync master clock. The AardSync was immediately recognized as the industry's best sounding clock. It's successor, the AardSyncII, provided even greater sonic benefits with its 2nd generation DDS technology. This legacy of amazing sound continues to evolve with AFC. AFC was designed to provide far more than impressive specs, Advanced engineering combined with exhaustive listening tests culminated in AFC's extraordinary sound. Atomic Clock The Isochrone OCX can be locked to the most accurate clock on Earth: the Atomic clock. A studio can truly achieve perfect stability with the power of Atomic Clock, and the OCX is the the only Master Clock capable of locking to this unprecedented technology. Peace of Mind Clocking is a critical task, and should never be complex. With straightforward controls dedicated to specific tasks, warning lights for critical errors, and a highly visible, accurate frequency display, the OCX's operating status is apparent with a momentary glance. Antelope Audio Isochrone OCX Features:
A master clock is the heart of the digital studio, essential to maintaining stability and preserving sonic integrity. The Isochrone OCX exists to meet this need. Uncompromised design has created one of the most stable, best sounding master clocks available.
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Reviewsbased on 3 reviewsNoticeable Difference
by Tom Battaglia from Missoula, MT
I was very skeptical when shelling out the bucks for this unit. My rep., Paul Rowan assured me that I could return it if I kept it in new condition without racking it, etc. When it arrived, I performe... read more [+]d some tests of playback at 44.1 from some commercially produced stems. In blind A/B comparisons, I was able to identify the OCX half of the time. When I compared test multi-track recordings made (OCX used during recording and playback vs. not) and played back at 48K, I could identify the OCX 100 percent of the time. The material was 11 tracks of drums close mic'd. The effect was clarity vs. muddiness. This is not to say that my interface's clock (RME HDSP RayDAT) is muddy, just that when combined with the OCX there is more clarity and separation. All pre-amp settings, eq, etc. was identical. Tracks were recorded back to back. close [-]
November 16, 2011 Music Background: Musician with Project Studio Great piece of gear
by Slyme blowfish from Miami FL
This is a great auddition to my studio, I'm up to 32 channels now on my pro HD native system.
October 11, 2011 Music Background: Recording engineer Happily Impressed
by DMT Audio from Saratoga Springs, NY
I was using a Lucid GenX192 with decent results. I spoke to a few local Mastering engineers about DAC converters for my system and after a lengthy discussion and some research online I figured the fir... read more [+]st thing to do was get a better master clock. I checked all the reviews on the Isochrone OCX and they all pretty much said the same thing. I looked for as many comparisons as I could between the Apogee Big Ben and this unit also. Once I checked the actual specs between the Lucid and the Antelope I was convinced to make the purchase. August 31, 2011 Music Background: Recording Engineer When I got the Isochrone I did some A/B comparison with the Lucid. Just so I wasn't going crazy I brought my wife down to listen. She picked the Isochrone. When asked why she said the sound was wider and the there was more depth, you could hear everything and it did not sound muddy. That was exactly what I thought and that is pretty much what every review said also. Did some actual tracking with it and when I went to mix I was very pleased. The kick and snare sounded so clear, I could tell exactly where the toms were when the drummer did a roll and each cymbal seemed to have it's place in the mix, but where they should be relevant to the kit. No muddiness and being able to hear reverb tails that seemed to go on forever. Basically this unit turned my converters into crystal clear, transparent, high end converters. And that is a result I can gladly live with! I'm very happy that I added this to my setup!!! close [-] Sweetwater Advice
Bob MondokThis is a magic box. Plug it into anything that has a digital input and it instantly sounds better. Mixes have more depth and come alive with much more detail. Also popular
Antelope Audio Isochrone OCX
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