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Shotgun Mic For Film and Video from RODE
By now, we all know that when the multi-award winning RODE company puts its mind to creating a mic, it's going to be solid, rugged, great sounding, and a lot less expensive than microphones that are sonically equivalent. The NTG-2 represents RODE's genius for innovation in the field of designing microphones specifically for video applications.
The new RODE NTG-2 is a lightweight condenser shotgun microphone, which has been specifically designed for professional applications within the film, video, television, and production industries. The NTG-2 provides a balanced low impedance output stage and operates from either an internal 1.5 V battery (AA) or 48 V to the P48 standard.
A wide bandwidth and controlled polar response coupled with low-noise SMT electronics, makes the NTG-2 the perfect choice for film, video engineering, and voice-over work. The RODE NTG-2 is extremely lightweight making it ideal for mounting directly to video cameras or on boom poles. The NTG-2 comes complete with mount and windshield. The windscreen effectively supresses wind noise when recording outdoors in moderate conditions.
RODE NTG-2 Features:
- Super Cardioid.
- Frequency Range: 20Hz-20kHz selectable HPF @ 80Hz/12dB octave.
- Maximum SPL: 131dB
- Broadcast sound quality.
- Rugged metal contruction.
- Condenser microphone transducer.
- Weighing 161 grams approx. (5.17 oz).
- Low noise circuitry.
- Low handling noise.
- Supplied with stand mount and zip pouch.
- Designed and manufactured in Australia.
- Full 2-year guarantee.
| Customer Reviews |
A Killer Microphone for web-based audio !!! by John Petrocelli from New York City (Ground Zero / Financial District), June 17, 2007 Music Background: Hypnotist, Voice Over, Former early years CBGB punk alumni guitarist
“Let me start out .. I am not a technical, hard core music fanatic .... and my ears have been slightly damaged over the years from swimming in one-too-many polluted lakes and I have spent one night .. too many in the seventies ..sitting in a front row seat on band nights in front of a stack of ear-shattering Marshal amps while the WHO ...CREEDENCE ....SPRINGSTEEN ... pulverized my ear drums to...” Read More
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"This is THE mic to use for voice-over applications. It is great at eliminating room characteristics, which helps it to capture clean announcer and dialog tracks. It is also excellent for ADR and in the field."
Dave Brow
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