Rode NT2-A 
Large-diaphragm Condenser Microphone with 3 Polar Pickup Patterns, High-pass Filter and Pad
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A Legend Is Reborn!
The new NT2-A is a professional large capsule (1") condenser studio microphone with variable pick-up pattern, variable high pass filter and variable pad. These features provide greater creative control and versatility. Three 3-position switches located on the mic body provide the freedom to step from Figure 8, Cardioid or Omni polar pick-up patterns; from a flat response to either 80 Hz or 40 Hz high-pass filter and a Pad adjustment of 0 dB, -5 dB or -10 dB attenuation. The heart of the NT2-A is the Australian designed and manufactured TYPE HF1 dual diaphragm capsule. The frequency and transient response of this new transducer has been voiced to complement today's modern recording techniques, and yet still evoke the silky smooth character of the legendary microphones of the 50's and 60's. The NT2-A includes a soft pouch and clip. Rode NT2-A Features:- The Australian designed and manufactured HF1 1" edge terminated, gold sputtered, dual 5 um diaphragm capsule.
- 3-position variable polar pattern: Omni, Cardioid & Figure 8; all controlled on the mic.
- 3-position variable high-pass filter: Flat, 80 Hz or 40 Hz.
- 3-position variable pad: 0 dB, -5 dB or -10 dB.
- Ultra low noise, transformerless SMT circuitry.
- Wide dynamic range.
- High strength heat-treated steel mesh head.
- Durable satin nickel finish.
- Internal capsule shock mounting.
- Supplied complete with soft pouch and clip.
- Designed and manufactured in Sydney, Australia.
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Sweetwater Advice
Matt Adams
I consider the NT2-A to be a staple of my studio. It's combination of excellent sound and a down to earth price make this a must have in any studio!
Great for Vocals
by Renee Asteria from Berkeley, CA
January 25, 2010
Music Background: Producer, Singer, Song-writer
I have been using this microphone for preproduction purposes for the past 6 years. I am extremely happy with it. Great price for great sound. I am a female vocalist - composer - music producer - world ... read more [+] music style. close [-]
unbelieveble mic perfect sounding
by smj from trinidad and tobago
March 26, 2009
Music Background: dj
i purchase this mic like 3yrs ago confused at the time on which is a good mic to buy i took a chance, since then i have been using this mike to record vocals its clear clean sounding mic, it actually ... read more [+]makes your vocals sound fat which is good i love it and i'll never get rid of it very very good investment trust me. close [-]
Solid Mic, Solid Sound, without the Boutique Price
by C. Portman from Houston, TX USA
October 31, 2007
Music Background: Recording Engineer, Producer, Studio Owner, Pro Musician—Live & Session.
This mic is probably impossible to beat regarding overall sound and build quality at anything remotely near this price range. It sounds 100% boutique, especially when combined with a boutique preamp. ... read more [+]
I work fulltime in the music industry as both a music producer and a session drummer/guitarist...multi-instrumentalist. I do the drum work on most albums I produce.
I bought a pair of NT2As approximately one year ago to use for their versatility. I've used it on everything from drum overheads to acoustic guitars to percussion to male & female vocals. Yes, I did say female vocals. Another reviewer stated this is not a good mic for female vocalists. Well, generalizing a mic's use based on personal experience is not the most ideal approach. It should also be noted that a great studio staple like a Neumann U87 is NOT going to sound good on every female (or even male's) vocal. But for many it will sound perfect. The same goes for this mic. I've put it on female vocals and found it to be quite flattering. It's individual and changes client to client.
This is precisely why you HAVE to build a versatile mic locker for your clients. Unless you're like Tori Amos, with your own studio created only for yourself, then it's all about finding the best personal fit to make your personal recordings shine. I think of mikes much like tennis shoes. Not everyone is going to wear the same size or prefer the same brand. And that's because everyone has different feet just like everyone has different vocal characteristics.
So, for multiple clients (producers like me) you need variety. You need to invest your money in a product that's going to give back way more than what you put into it.
And I must say that variety starting with the MOST versatility at the BEST price for the BEST build quality and BEST sound in its class, is (dare I say) CRAZY to pass up.
Regarding RODE Microphones in general (of which I have collected way too many and need to sell some if anyone's interested), they are a phenomenal mic company. Chinese mic prices for boutique mic build & sound is almost too good to be true.
Admittedly, my preamps are all boutique—ADL 600s, Avalon 737sp's, Trident S20s, Focusrites, etc. And the combo of my RODE mic collection with these versatile pres sound as good as some of the U87s, 414s, Royers, and Blue mics I've recorded with in multi-million dollar studios. So, take it from someone who knows. You can't go wrong with a RODE. And the NT2A is probably the best "first mic" for anyone wanting to start their own project studio. If you want a boutique sounding valve for just a bit more cash, give the NTK a closer look. close [-]
Great For Vocals
by Gary Arnold from Sydney Australia
July 24, 2007
Music Background: Producer - Wavtracks Royalty Free Music - http://www.wavtracks.com
This an incredible mic especially for the price. I was blown away with in combination with even a cheap preamp. Not renowned for a great acoustic guitar sound but when i tested it it was actually very ... read more [+] good. Very warm and silky. The pads and switches are a great help and it is a solid little aussie mic that will last forever. I use thing for so many different instruments it's ridiculous.
Regards,
Gary Arnold
Creative Director
Wavtracks Royalty Free Music close [-]
Read more reviews
See Also: Condenser Mics
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