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Neumann M 147

Large Diaphragm Cardioid Tube Condenser Microphone

Item ID: M147

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Top-of-the-Line Neumann Mic!

The Neumann M 147 tube condenser microphone is absolutely top-of-the-line, the ideal cardioid microphone for the fully professional recording studio. Its transformerless output, low self noise and high dynamic range are the result of proven Neumann components and modern construction.

Neumann M 147 Tube Condenser Microphone at a Glance:
  • Highly sensitive mic for capturing the "air" around instruments or vocals
  • Legendary K 47 capsule offers full frequency response
  • Tube-based impedance converter and transformerless output for low self noise

This cardioid mic captures the "air"
Part of the M 147's appeal comes from its extreme sensitivity - 20mV/Pa - that allows it to capture the ambience of a sound. It's spatial characteristics are so refined, you'll wonder if you hung a stereo mic by mistake! The M 147 can translate any sound's special qualities onto a recording, making it an excellent microphone for acoustic guitar or bass, horns and any kind of vocals. But don't stop there - you can put the M 147 up against an instrument amplifier and get outstanding results, too!

A classic capsule for the best sound reproduction
At the heart of the M 147 is the famous K 47 capsule, familiar to Neumann users from the popular U 47 and U 47 FET mics. The M 147 also features a frequency response of 20Hz to 20kHz. Recognized by pros worldwide as one of the finest mics available, the M 147 is a must-have tool for vocalists and an extremely welcome addition to any sophisticated studio setup.

Tube design plus transformerless output
Following the M 147's capsule is a tube impedance converter. Then comes a Neumann-standard efficient, transformerless output circuit that guarantees an extremely low self-noise level. This innovative combination of current tube technology with the most advanced solid-state circuitry was recognized with a 1997 TEC Award to the M 147's sister M 149 mic.

The M 147 Tube can feed extremely long microphone cables without affecting the quality of the audio signal. Like all Neumann tube microphones, the M 147 Tube comes with an elegant satin nickel finish.


Neumann M 147 Tube Condenser Microphone Features:
  • No-compromise large-diaphragm condenser mic
  • Famous Neumann K 47 capsule with single polar pattern (cardioid)
  • Ideal for vocals and acoustic instruments
  • Signal/Noise ratio 82 dB (DIN/IEC 651)
  • Frequency response 20Hz - 20kHz
  • M 149 tube impedance converter
  • Transformerless output for low self noise and high dynamic range
  • High quality aluminum case, mic cable and compact universal power supply included

The Neumann M 147 Tube Condenser Microphone: Uncompromised quality!
Specification Detail
Freq. Response 20Hz-20kHz
Kind Tube Condenser
Max. SPL 134 dB
Notes Shockmount optional, Uses K47 Capsule from Legendary U47
Polar Pattern Cardioid

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Reviews
based on 4 customer reviews

inSync Review

by: Art Hill
Are you missing that "vintage" tube microphone sound in your recording system? The Neumann M147 tube condenser microphone is a re-creation of a microphone legend: the U47. It's the perfect way to ad... read more

Classic Neumann mojo, but not for everything.

by Dee Roc from Boston, MA
February 16, 2009
Music Background: Project studio.
No frills cardioid tube transformerless capacitor mic. Sounds like a Neumann, which is what you pay for. Vintage sweet high-mid detail and warmth. You need a nicer pre to pair with this mic, like a Gr... read more [+]ace or a Sytek, something clean and solid-state. I always need to lift up some 11-13k shelving to really bring out it's sheen, more or less depending on your choice of pre. This mic is not an overall swiss army type. It excels in some things, ok on most things, and downright blows on some things. The things I like it for: Kick (18"-24" outside front), sweet and soft female vocals, ride cymbal, bass cabinet (right up on the grill), Fender clean tone, and some acoustic guitars. It sucks on raspy, aggro, or screamo male vocalists, drum mono o.h.,guitar od/dist, tambourine, and Hammond. The best application? Banjo! Ukulele! Mandolin! 12 string acoustic! Really captures the transients like magic. The mic is built to last 100 years, but I feel it is a tad overpriced. Nonetheless, mine is a keeper. close [-]

Review of the Neumann M-147

by Dennis Newberg from Monticello, New York
December 20, 2009
Music Background: pro musician
I own this mic and will give a basic review of its pros and cons. This mic is a bit like owning a vintage car. Its a classic based on the legendary neumanns the Beatles used. Its got a tube for that w... read more [+]arm sound and the mic is beautifull with a gorgeous case with classic shockmount. It comes with a power supply. Tube mics require periodic maintenance which can be expensive. To get the most from this mic if used for vocals, you will need a high quality preamp which is a big added expence. When you factor in these items you might want to reconsider going with a tube mic if you are on a budget. close [-]

Your Mileage May Vary

by Peter from Vahon Island
October 26, 2008
Music Background:
There are a lot of nice mics available on the market in this price range or even cheaper (much cheaper) that might better help you achieve the sound you are looking for. This is a loud, bright, crisp ... read more [+]sounding mic. In fact, the mic has such high gain that you might want to pair it with a nice dark preamp with a pad. On the positive side, this microphone is dead quiet. It has really low noise floor specs. I have had good results with this mic on violin and shakuhachi. It is not my first choice for vocals, and mine rarely gets used at all. As always YMMV close [-]

U47?

by Tom Guignette from Lagrange Oh
January 1, 2004
Music Background:
An affordable tube microphone based on the legendary U47. The mic uses the same dual-membrane K 47 capsule as the classic U 47 fet and U 47 microphones. Its transformerless tube electronics, are much... read more [+] like those found in the current M 149 tube microphone. The M 147 offers a fixed supercardioid pickup pattern, with no pad or low-cut switches on the mic body or power supply. The microphone offers a high SPL figure of 130 dB, making a pad almost unnecessary. These switches would have been nice, but invariably would have raised the cost of the mic. Self-noise is low at 12 dBA, making the M 147 one on par with the U87. I first tried the M147 on vocals. I noticed a understated top end and thick low-mid response. The M 147 doesn’t produce a airy type vocal without a dash of high end shelving, it had more of a vintage sound. Next was an acoustic guitar (Taylor 714ce). I positioned the mic 2 ft back pointing were the neck meets the body. I was fairly happy with the results i got. It was warm and full but not the pop acoustic sound i was looking for, a tad bit to muddy for my taste. A km-184 served this purpose better. Next was an electric guitar.... I set the mic about 15 inches back from a Marshall cab aimed at the center of the cone. This time the warm midrange was an asset to what i was looking for. It made my Shure 57 sound thin and buzzy in comparison. It sounded great on clean guitars as well. For jazz guitar it`s probably one of the best mics you could get, accept for maybe a Coles or Royer ribbon mic. The M 147 compares nicely to the other Neumann microphones. Up against the TLM 103, the M 147 was thicker, warmer and darker sounding with a touch more character. A nice mic to round out your cabinet, but a U47 it isn`t. close [-]

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Neumann M 147

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