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LR Baggs Lyric Classical Guitar Microphone with Preamp

Internal Acoustic Guitar Pressure Zone Microphone System with Soundhole Volume Control and Endpin Preamp with Presence Control
$229.00

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LR Baggs Lyric Classical Guitar Microphone with Preamp
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This article was Written By

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Get Studio Acoustic Guitar Sound Live!

The LR Baggs Lyric Classical pressure zone acoustic guitar microphone strikes a balance between the fidelity of high-end studio microphones and the indispensable feedback resistance of piezo pickups. The next step in LR Baggs's Tru Mic technology, the Lyric Classical microphone introduces several new patented technologies, including a unique noise-cancellation system that eliminates the boxiness associated with under-saddle acoustic guitar mics, while conveying the sweet highs and powerful low end you'd expect from an external microphone. Whether you're recording in the studio of playing out live, you're going to be impressed by the sound quality you get from your LR Baggs Lyric Classical microphone.

LR Baggs Lyric Classical Under-saddle Acoustic Guitar Microphone at a Glance:
  • The feedback-fighting power of a piezo with the sound of a studio microphone
  • Patent-pending technologies provide unbelievably high-fidelity sound
  • Painlessly simple installation will have you up and playing in no time
The feedback-fighting power of a piezo with the sound of a studio microphone

When it comes to capturing the sound of your favorite acoustic guitar, there's really no question about it: nothing sounds as good as a quality condenser microphone. But in most cases, using a sensitive studio mic live is a recipe for instant feedback. And while piezo pickups offer high gain before feedback, they seldom sound fantastic. Thanks to its unique pressure-zone design and under-saddle position, the LR Baggs Lyric Classical microphone is able to capture full and vibrant acoustic tone, while remaining shielded from feedback-causing reflections. There's no doubt about it, the Lyric Classical is the system to get for full and accurate acoustic sound.

Patent-pending technologies provide unbelievably high-fidelity sound

One of the drawbacks of using an internal acoustic guitar microphone is the boxiness of their sound. By placing the featherweight pressure-zone microphone element less than 3mm from the top of your guitar, the LR Baggs Lyric Classical effectively uses the most resonant part of your instrument as its diaphragm. The rest of the magic occurs in the "black box" technologies within the Lyric Classical itself. This includes a noise-canceling system that rejects the boxy midrange reflections outright plus one bit of genius circuitry that tightens your low end, and another that sweetens your highs no matter how hard your play. The effect is nothing short of astonishing.

Painlessly simple installation will have you up and playing in no time

If you already have a bored-out strap pin, then installing the complete LR Baggs Lyric Classical microphone and preamplifier system is freakishly simple. First, you attach the microphone itself to the underside of the bridge plate via a simple, ultra-thin peel-and-stick adhesive pad, and the soundhole controls mount similarly. The Lyric Classical's endpin preamp is simple enough to set in place too, but we'd recommend having a professional, such as one of the experts in Sweetwater's own guitar workshop, do the actual drilling and installation. Call your Sweetwater Sales Engineer for further details.

LR Baggs Lyric Classical Under-saddle Acoustic Guitar Microphone Features:
  • A featherweight pressure-zone-style under-saddle classical guitar microphone with the sound of a studio mic and the feedback-fighting quality of a piezo pickup
  • Microphone's proximity to your guitar's top allows high gain before feedback while capturing the full sound of your instrument
  • Revolutionary noise-canceling technology rejects boxy internal reflections
  • Patent-pending circuitry provides tight lows, sweet highs, and full-range dynamics
  • Onboard presence control offers further tone-shaping options
  • Entire system (microphone, soundhole control, and endpin preamp) mounts easily
  • Professional installation available - call your Sweetwater Sales Engineer for details
Get studio mic sound with piezo-style feedback rejection from the LR Baggs Lyric Classical microphone system!

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Tech Specs

  • Instrument: Classical Guitar
  • Type: Microphone
  • Position: Bridge Plate
  • Active/Passive: Active
  • Built-in Preamp: Yes
  • Controls: Volume, Presence
  • Features: Feedback Resistant
  • Power Source: 1 x 9V
  • Manufacturer Part Number: Lyric Classical

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Customer Reviews

Write your review
Rated 5/5

Purest Quality

I have a classical made for me 20+ years ago and it had a Baggs system installed. Never worked well and I gave up deciding to use it acoustic only. But wanting to resurrect it I gave into the classical Lyric which was simple to install and and sounds great. I highly recommend it!
Music background: Classical Jazz and Worship
Rated 5/5

LR Baggs Lyric Classical pickup

This pickup is installed on a Cordoba C10, and it sound fantastic. I run it through an LR Baggs Session DI, to an acoustic amp. No problems with this pickup, and no feedback. It really sounds fabulous. When I bought my classical guitar, I had Sweetwater install this pickup. The Sweetwater tech person did a fantastic job with the install. I'm very happy that I purchased this particular pickup, and very happy that I had Sweetwater install it.
Music background: 35 years of on and off playing in multiple styles
Rated 5/5

LR Baggs Lyric Classical Guitar Microphone with Preamp

Sounds just like my Cordoba. It makes my classical guitar so much more versatile, and I love it!
Rated 5/5

Impressive Product

I considered various means of amplifying my nylon string guitar. I was afraid nothing would meet my needs.Finally decided to gamble on the Baggs Lyric. No regrets. It makes my guitar sound like my guitar, only louder and a little richer. Very easy install if you're confident about enlarging the endpin hole. One mod I made was to install another strap button about 1/2 " from the Baggs strap button/input making sure the screw hits the endpin jack. This allows you to do whatever you want with the strap without unplugging. Also eliminates any chance of the strap slipping off the Baggs strap button and putting the weight of the guitar on the 1/4" plug. All in all very pleased with this purchase
Music background: Bass, 6-string and vocals. Not highly skilled but entertaining and persistent
Rated 5/5

Great natural sound -minimally invasive installation

I installed the pickup on my Cordoba LTD45 classical guitar. I am very pleased with the sound of the pickup. I feel that it gives me the sound of a Shure Super55 hypercardiod mic on a boom stand without the hassle. To be able to simply plug the guitar into an amp or PA is incredibly freeing. Just as an FYI, I use an Acoustic Image Coda R amp.

About the pickup (mic):
1. It has a very natural sound. I needed it for moderately low volume applications wherein the guitar just needed a bit more volume and wanted something that preserved the natural guitar sound. I'm very pleased with the sound of the mic.

2. It was easy to install. I only had to drill a single 1/2 hole where the strap button would normally be. I started with a very small bit and gradually worked my way up to half inch. I see that Luther's have a graduated size boring bit this purpose. My arms were a bit too large to get into the soundhole but my wife was able to put the preamp/endpin/jack through the hole easily. L.R. Baggs includes a small plastic rod that you use to push through the hole from the outside to assist with installing preamp/jack.

3. The Cordoba LTD 45 has Torres style fanned bracing which required me to turn the mic sideways. It still sounds great. I installed it on the treble side of the center brace as recommended in the LR Baggs literature.


A couple of caveats.
1. The pickup only has a volume control. Those wanting more flexibility might consider a Fishman.
2. I have not played the pickup in a loud environment yet and am not sure how not will do with a full band. However, as a test, I cranked it up pretty loud through an amp and it will probably be okay. You might want to use a rubber soundhole cover. It is great for my guitar/flute duet in which the flute is often dominant.

In closing, for anyone seeking a simple, internal pickup that preserves the natural sound of the guitar without having to cut a hole in the side of the guitar or risk affecting the intonation by removing the saddle, this pickup is perfect. I bought a second one for my Takemine 132s classical guitar.
Music background: serious amateur
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