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The Roger Nichols Gear Collection
Guitars > Guitar Amps > Acoustic Guitar Amps > Fishman Loudbox 100 (100W)

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Fishman Loudbox 100 (100W) (No Longer Available)

Item ID: Loudbox100

100-watt Acoustic Guitar Amplifier

Sorry, the Fishman Loudbox 100 (100W) is no longer available. We've left this page up for reference only. Check out the great alternatives on this page or call toll-free (800) 222-4700 to speak with a Sweetwater Sales Engineer about similar products.

From Our Research Team:

Great for gigs!

The 100-Watt Loudbox 100 from Fishman, a leader in the world of acoustic guitar amplification, is the newest addition to the powerhouse family of Loudbox acoustic amplifiers. Designed with the gigging performer in mind, this two channel amplifier is lightweight, compact, and ultra-flexible.The Loudbox 100's Instrument Channel features extensive tone shaping with shelving style Bass and Treble, resonant Midrange and Notch Filter and Phase switch for feedback control. A 1/4" input with gain control, 10dB pad and Clip indicator is complemented by a dedicated effects loop and XLR D.I. Output. For samller gigs, the Loudbox 100 delivers.

Fishman Loudbox 100 Features:
  • Power: 100W RMS cumulative, bi-amped with active crossover
  • Drivers: 8" (90W), 1" Neodymium Soft Dome Tweeter (10W)
  • SPL @ 1 Meter: 114dB SPL
  • D.I. Output
  • Tuner Output
  • Headphone Output
  • Mute: Mutes Instrument and Inst/Mic Channels
  • Dimensions: 16" x 13.5" x 11.5" (40.5cm x 34cm x 29cm)
  • Weight: 23 lbs


Instrument Channel:
  • Input Gain with 10dB Pad and Clip Indicator
  • Shelving Bass and Treble
  • Resonant-style Midrange
  • Effects Level
  • Notch Filter (feedback control)
  • Phase Switch (feedback control)
  • Dedicated Effects Loop
  • 1/4" Input


Instrument or Microphone Channel:
  • 15V and 24V Phantom Power
  • Input Gain with 10dB Pad and Clip Indicator
  • Shelving Bass and Treble
  • Effects Level
  • Notch Filter (feedback control)
  • Phase Switch (feedback control)
  • Dedicated Effects Loop
  • 1/4" Input & Balanced XLR Input
  • Auxiliary Stereo Input with Level Control
  • Digital Effects: Hall 1 & 2, Plate 1 & 2, Chorus

Fishman Loudbox 100 - A great amp from acoustic amplification experts!

Loudbox 100 (100W) Image Gallery

Specification Detail
Manufacturer Part Number PRO-LBX-400

Can We Help?

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to get personalized advice from a Sweetwater Sales Engineer.

Additional Online Resources:

  • Discuss this product!
    Ask questions, get answers about the Fishman Loudbox 100 (100W) in Sweetwater's Guitars Forum.

Reviews

Best Combo Amp / Small PA I've Every Used!

by Chris Godfrey from Birmingham, AL
July 11, 2011
Music Background: Pro Musician
Absolutely blown away! I've been a professional musician since 1995 and I've played through every system imaginable. I simply cannot believe what this amp can do. It's very loud, clean with tons of... read more [+] low end as well. I've used it so far on three lives occasions and everyone is blown away. I also own the Roland AC-60 and it doesn't hold a candle to this amp. MY HIGHEST RECOMMENDATION!!! close [-]

Update to previous review

by Jack Loganbill from Chicago USA
August 3, 2008
Music Background: Extreme Hobbyist
I played a solo performance in front of 125+ people in a medium sized church sanctuary.

I played a classical nylon string guitar with UST pickup through the Loudbox 100 with NO additio... read more [+]nal sound reinforcement.

The sound was sensational. I flubbed the first part of the performance, but the sound quality and volume of the guitar were outstanding. close [-]

Loud and Clear - Perfect Gigging Amp

by Jack Loganbill from Chicago, IL USA
July 31, 2008
Music Background: Extreme Hobbyist
For the past several months or so I have researched and tested acoustic combo amps in an attempt to find the best amp value. I narrowed it down to the Loudbox 100 and the Ultrasound AG50-DS4. I ended ... read more [+]up buying the Loudbox because of its higher wattage and slightly better connectivity options.

Both amps are very popular among acoustic guitarists. In fact, the Loudbox seems to be super popular at this time (July 2008) as it seems Sweetwater has a difficult time keeping them in stock. (I waited several weeks).

Features and Layout
The Loudbox includes just about every bell and whistle guitarists look for in an amp. It includes a
three band EQ (low, mid, high) with center (0) detents, two channels, XLR input with phantom power on Channel 2, an auxillary input with separate volume control, DI outs for each channel and a main
DI out. Each channel has its own effects loop.

A mute button allows you to mute the amp--and it's
foot switchable. This a great feature to avoid pops when removing and inserting cables and mics.

I found the layout of the controls and connectors to be perfect. The tilt-back cabinet is attractive and its Tolex covering should last forever, especially given the plastic bumpers top and bottom. The control panels are steel and are very attractive. This amp certainly has great curb appeal.

The armor-like metal grill is attractive and provides superior speaker protection--evidently someone at Fishman plays live gigs and realizes how easy it is to rip fabric grills and punch holes in
speakers when transporting amps.

The first time I saw the Loudbox I was surprised by just how small it is. Its size and reasonably
light weight make it very portable.

My only complaint: No place to wrap or store the power cord.

Sound Quality
Soundwise the Loudbox is very clear (and loud). Some reviewers rate the tone quality as sterile. It
is clean with very little if any color whatsoever, so yes, the sound is "sterile". Many guitarists
are accustomed to their amps offering color to their guitar sound--this amp does not.

The best way I can describe the Loudbox sound quality is crystaline high-fidelity that cuts like a
knife. In contrast my little Ultrasound AG-30 has a softer attack which some may find easier to listen
to.

With that said, the quality of the sound the Loudbox emits depends on the guitar and its pickups. I
email-conversed with several well known, professional guitarists while researching this purchase.

Their bottom line was that each amp's sound greatly depends on the type and quality of pickup being
used. I cannot agree more.

I have two guitars (Dreadnought and OM) with K&K mini westerns installed. They sound great recorded
and through my PA system. With the Loudbox EQs set flat, both guitars sounded too bassy and distorted at higher gains and volume. Rolling off the bass EQ completely and setting the mid EQ to nine o'clock delivered a much more balanced sound, though my ears detected that the EQ setting stole some of the color the K&Ks offer.

The same guitars equipped with an LR Baggs M1 soundhole pickup sounded great through the Loudbox. A combo of the M1 and the K&Ks (with EQ set appropriately) also sounded great, clearly transmitting the woody rumble of the guitar.

My Alvarez nylon with undersaddle pickup sounds great through the Loudbox, as do my nylon semi-solid
bodies. The Alvarez sounds absolutely brilliant, and again the Loudbox emphasizes the woody sound or
texture of the guitar. Amplifying this guitar was the primary reason for the purchase, therefore I
am delighted with the Alvarez/Loudbox combination.

Finally, I have two steel string guitars outfitted wth LR Baggs Element undersaddle pickups. The
Loudbox amplified the quackiness of these pickups and no amount of EQing seemed to help. Some sort
of an anti-quack preamp is required.

I found the two Loudbox 100 anti-feedback features to be very useful in squashing feedback. However,
in a small (15 x 25), carpeted room, I could not stop the feedback caused by a $$$ condensor
microphone. I had less problems with a Shure SM 57 (dynamic mic).

I connected a guitar synth output to the auxillary input and the results were more than
satisfactory. The front mounted aux volume control allows you to completely control the aux volume
in the mix.

The Loudbox includes five digital effects. The chorus and plate reverbs are perhaps too discrete. I
would prefer more control to bring them out in the mix and control their parameters. I find the Hall
reverbs to be very satisfactory and useful in adding depth to the otherwise somewhat one-dimensional
sound the amp offers.

Recording Bonus
I realize that you purchase an amplifier to amplify the instrument. However, I found the Loudbox to
be an absolutely wonderful recording tool. With my headphones connected (disabling the speakers), I
was able to dial in the perfect mix of guitar sound and vocals (condensor mic). The Hall reverb
added great depth to my vocals. Since each channel has its own effects volume control, I could dial
in just the right amount of reverb volume for the guitar/vocals. I was very impressed, and with the
channel 1, channel 2, and main XLR outputs, it is very easy to connect to a recording console.

Bottom Line
I have a/b compared the Fishman Loudbox 100 to my PA and the Ultrasound AG-30. The PA tames the K&K
pickup in my large dreadnought better than either combo amp.

However, the nylon string guitars sound better through either of the combo amps than the PA, as do the steel strings with the LR Baggs M1.

There is a significant difference in sound between the Loudbox and the Ultrasound. For my primary
nylon guitar, the Ultrasound offers a softer attack to the sound and seems to have more dimension
(like it has reverb, which is does not). However, the Loudbox offers much higher headroom and
slightly better clarity.

But where the Loudbox really shines is its incredible connectivity options, layout, and general armor-like construction--it is perhaps the best designed "gigging" amp available for anywhere near the price. close [-]
See Also: Combos , Fishman , Fishman Acoustic Guitar Amps , Fishman Guitar Combo Amps

Fishman Loudbox 100 (100W)

Today's Payment: $176.65
Includes $10 processing fee
Payment 2: $166.65
In approx. 30 days
Payment 3: $166.65
In approx. 60 days

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