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Guitars > Electric Guitars > Solidbody Guitars > Gibson Les Paul Studio Baritone

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Gibson Les Paul Studio Baritone (No Longer Available)

Item ID: LPSBHBCH

Baritone Solidbody Electric Guitar with Maple Top, Mahogany Body, Mahogany Neck, Rosewood Fingerboard, and 2 Humbucking Pickups - Honey Burst

Sorry, the Gibson Les Paul Studio Baritone is no longer available. We've left this page up for reference only. Check out the great alternatives on this page or call toll-free (800) 222-4700 to speak with a Sweetwater Sales Engineer about similar products.

From Our Research Team:

This Les Paul Gives You Lowdown Tones!

If you love the classic tones and vibe you get from the legendary Les Paul but also want the power and low-end rumble only a baritone can provide, then Gibson's amazing Les Paul Studio Baritone solidbody electric guitar is the axe for you. This beautifully booming guitar has all the hallmarks that make the LP such a classic, from the premium carved maple top to the sustain-friendly mahogany body and set neck. But, this 28"-scale Les Paul Studio Baritone also packs serious low-end punch! A pair of powerful humbucking pickups give you a range of outstanding tones, while top-grade hardware keeps the Les Paul Studio Baritone in solid, stable tune.

Les Paul Studio Baritone Solidbody Electric Guitar Features:
  • Genuine Les Paul vibe, tone, and playability - with distinctive baritone low-end capability
  • Beautiful Honey Burst finish
  • 28" scale length
  • Grade-A maple top and mahogany body plus ultra-playable neck shape
  • 496R and 500T humbucking pickups, for the perfect combination of detail and thunderous punch
  • Premium hardware, for solid and stable tuning
  • Case: Hardshell case included

Gibson's Les paul Studio Baritone gives a classic solidbody big new low-end tones!

Les Paul Studio Baritone Image Gallery

Specification Detail
Manufacturer Part Number LPBSHBCH1

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Reviews

The LowDown on the Baritone

by Scott from Cleveland
August 23, 2011
Music Background: Live sound, Engineering, Playing since the 80's
Impressive! Let me qualify this a bit by stating I own 13 Gibsons. 5 Historic's , some Gibson USA models, and a couple of Norlin vintage special editions. A long with a Fender SubSonic Strat. Curren... read more [+]tly own 30 guitars and have had or restored another 30 or so. So I'm pretty well versed in Gibson quality over the years and its not my first Baritone guitar. I'm mostly into Blues and Classic rock but enjoy Alt and heavier sounding new rock too.

Fit and Finish. You know, I can't find a single flaw on this guitar. The finish is perfect. The frets and nut are perfect too due to the Plek systems machine work. The out of the box playability was excellent. I did lower the bridge pickup slightly since it was a hair to high but this is the type of thing that directly relates to your amp and gain levels and isn't a set up issue in my opinion.

Construction. Mine was just how you want it. A nice slab of straight grained dense mahogany for the neck and a lighter more resonant chunk of mahogany for the body. Interestingly enough for a 28 inch scale guitar it's balanced beautifully. The area where the neck meets the body is the balance point. In my opinion it's better balanced than a regular LP. I didn't weigh it but would classify it as a heavier medium weight guitar. I've seen Les Paul's that where a LOT heavier. Mine rang out great acoustically also which is a good sign.

Compared to my Fender SubSonic Strat... Well there is no comparison. The Gibson steals the Fenders lunch money and leaves it crying at the bus stop. As far as tone and playability goes the Gibson has the Fender beat. Hands Down.

Electronics. The pickups are 500T and 496R at the Bridge and Neck. Being a vintage PAF oriented guy I was worried that the HOT Ceramic pickups would be a bit to hot for my rig. Not to fear they really sound great in this ax with its lower voicing. Plenty of punch and grind and while there is a good amount of highs its not excessively bright. The 300K volume pots are probably taming the treble a bit compared to 500K pots. The tone pots are 500K and have a great usable sweep. Backing off on the volume controls cause the sound to clean up beautifully. No mud here. Also these pickups are LOUD...... EMG loud. Think about 150% hotter than a hot PAF loud. This all works to give it a definite growl which is a good thing in a Baritone and strong clean sounds. Its also very quiet. The pickups work great with heavier rock sounds and rolling the volume back gives you a robust clean sound. Unlike some of the newer LP Standard's I have seen these still use the older method of mounting the pots to a steel plate in the control cavity as opposed to the newer method of mounting the pots to a prewired circuit board. So tweaking pots and caps and pickups in this would be a breeze for all the tweaker's. Gibson made a good choice's with the electronics.

This is a no nonsense guitar that rocks a LOT heaver than a regular Gibson yet still cleans up enough to be versatile. Chances are if your reading this you already know what these guitars are all about. Hopefully my self indulgent review helps a few of you make up your minds. I have been wanting one of these since the initial batch sold out back in 2005. I am 115% satisfied with this guitar.

As a LP Standard type of guy I would loved to have seen these with crown inlays, and neck and body binding but that would have added to the price. Which is pretty reasonable.

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See Also: Solidbodies , Gibson , Gibson Solidbody Guitars

Gibson Les Paul Studio Baritone

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