Hear Technologies Hear Back Four PackItem ID: HearBack4pk
Hear Back Four Pack with 4 Personal Monitor Mixers, 1 Hub, and Cables
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From Our Research Team:
Monitor Mix for Everyone in the BandThe Hear Back system changes the way monitor mixing is accomplished on stage or auditorium - as well as, in the studio! Imagine getting your mix exactly the way you want it. With the Hear Back, you save time and get the sound just right, the first time. This affordable system is perfect for headphones, wired and wireless in-ear monitors, and/or conventional floor monitors!
Hear Back Four Pack at a Glance
Hear Back Hub
A single Hub supplies signal and power to a maximum of eight (8) Mixers - this bundle includes four (4) Mixers. That's one for you and three more for other members in the band! You can always purchase more Mixers (again, up to eight) if the need arises. If that's not enough, the Hubs can be daisy-chained using the HearBus In and Out for virtually unlimited system size. The Hub supports 8-channels of ADAT lightpipe or analog via DB-25 input. It couldn't be any easier!
Hear Back Hub Features:
Hear Back Mixer
The Hear Back Mixer is your personal control surface that allows you to create YOUR OWN monitor mix - live! The Mixer features 10-channel control, 8 incoming signals and your own monitor volume. You also have control over the built-in DSP Limiter (designed as a "brick wall" limiter for hearing protection and to protect monitor wedges from overload). Also, for convenient on-stage or in the studio use, the Mixer offers a built-in standard threaded mic stand mount! Each Mixer is connected to the Hub via affordable and easily available Cat 5ee cables. Total control of your own mix - that's the Hear Back system.
Hear Back Mixer Features:
The Hear Back Four Pack includes four (4) Mixers, one (1) Hub, four (4) FREE 50 foot Cat 5ee cables, and one (1) FREE Hear Back analog DA-88 style cable saving you a total of $130.00!
Hear Back Four Pack Features:
Hear Back4 pack - One of the industry's most powerful headphone amplifiers!
Can We Help?Sweetwater's friendly and knowledgeable Sales Engineers are regarded as the most experienced and educated professionals in the music industry, with extensive music backgrounds and intense training on the latest products and technologies. As your personal contact here at Sweetwater, they are available to provide personalized advice any time you need it.
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Christopher , Savannah, GA
Reviewsbased on 4 reviews
by Alan Arnold from San Clemente, CA USAI have been using a typical headphone power system in my home recording studio. I use it for recording and jamming with typically no more than 4 people. For some reason, we could never get a mix tha... read more [+]t everyone agreed on, and as the jams went on, all the musicians would keep turning their volume up. That made a very ugly sound and made the experience not fun. Although the HearBack is expensive, I thought I would try it.... and I will tell you it's like a new studio. Everyone gets control over their own mix, and everyone is happy. The sound is clear and true. I would have bought this a long time ago if I had known about it. close [-]
March 28, 2010
Music Background: Drummer, Pro Musician, Music Technology Consultant,
Crystal Clear Sound
by Arne Louison from Saratoga NYI was doing research into different monitor systems and I kept coming back to the HearBack because of the features. I finally purchased the system and I am amazed!! The sound is crystal clear and the ... read more [+]ability to be able to link channels is something that I could not live without now. I have owned and used other monitor systems and for the price, the HearBack is well worth it!!! I highly recommend it. close [-]
September 30, 2006
Music Background: Musician / Studio Engineer
a very pleasant surprise
by Stan Brown from Sacramento CAWhen this was first suggested as a solution for independent headphone mixes the thought of running Cat 5 cables in my studio that already has plenty of XLR and TRS jacks spread aplenty prompted a qui... read more [+]ck "NOPE!"
November 12, 2011
Music Background: recording engineer, musician, singer/songwriter
I use the RME FF800 interface with the Mixer Matrix and decided I just needed a headphone amp and purchased the Presonus HP6 in conjunction with an old Oz Audio Qmix- This worked but I seemed to spend a lot of time re-adjusting sessions (I do a lot of live recording with small groups) and as the session wore onm, inevitably someone would turn up and then everyone else would want more "me" and at some point the signals would become rather hissy.
I stopped using the Q-mix, relying entirely on the RME Matrix Mixer, but I still spent way too much time adjusting each persons level and the Presonus (IMHO) was slightly under powered.
I finally (mainly in frustration) decided that the Hear Back would simply let each person be in charge of their own damn headphone mix!
Several hours to run the Cat 5 cables (if you make your own cables be prepared to have your patience tested), the mixers mounted using Atlas podium mounts and short extensions and some aux busses set-up to route mix or click to ch1/2, drums to ch 3, bass to ch 4, guitars 1 and to to ch 5 and 6 (respectively), keyboards to ch 7, and vocals to ch 8 (although your needs may differ)... each mixerr can power 2 headphones, and there is an aux in on each mixer (though i haven't used)
amazing clarity, plenty of volume, despite one comment on a forum that the 1.5 msec latency was distraction (his hears must be much better than mine or the folks that have used it), a major improvement.
my nits (which are few)-
I wish ch 1 and ch 2 could be unlinked as a stereo channel (a combined level control for both)
I wish the signal could be totally 'mono' if desired
I wish analog and digital inputs could be used together close [-]
Great Monitoring System
by Mark Hodges from Willis,VAJeff Barnett here at Sweetwater told me this was a great system and he was right. Digital quality headphone mixes throughout the studio and it all took about an hour to hook up including pulling 12 st... read more [+]rands of wire thru the existing conduit lines. (4 spares while we were at it)
June 1, 2004
Before, in our studio, the mixes all sounded "mono-mushy" when they got thru the snakes, mixers,cables, headphone amps, junction boxes etc. Now the we patch into the original recording signal, then the signal goes into the Hear Back (24bit)converter and straight to the remote mixer and into your ears via your favorite headphones. Anyone in the studio that doesn't like the mix they are getting have only themselves to blame. And I plan to hang a sign telling them just that.
Thanks Sweetwater!!!!!!!!!!!!!!!! close [-]
Hear Technologies Hear Back Four Pack
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