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Live Sound > Live Sound Mixers > Analog Mixers > Allen & Heath GL2400-24

Allen & Heath GL2400-24

Item ID: GL2400-24

24-channel Mix Console with Six Aux Sends, 7 x 4 Matrix, and Extended Headroom Preamp Design

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From Our Research Team:

Ideal FOH and Monitor Mixer for the Club or the Tour!

Whether you’re mixing FOH, monitors, or both, recording live or in the studio, installed in a busy conference center or house of worship, out on the road touring or earning its keep in rental stock, the new Allen & Heath GL2400 provides the perfect solution. This 4-bus, 6-aux console adds a host of new features including a 7 x 4 matrix with innovative mic crosspatching to create ambient enhanced additional mixes such as mono or stereo IEM and recording feeds.

The GL2400 Series includes other thoughtful new touches such as the pluggable option jumpers, XLR lamp sockets and Sys-Link V2 expandability. Performance is top-flight with the latest extended headroom preamp design, responsive 4-band EQ, and a new ultra-quiet mix head amp. The stylish new design uses individual nutted pot cards in a rugged, all-steel small footprint chassis, ideal for flightcasing or the space-limited venue.

Allen & Heath GL2400-24 Mixing Console Features:
  • L/R and M main outputs
  • Four audio groups with pan control
  • Six auxiliary sends with per-channel pre/post fader switching
  • Two stereo channels each with mic and dual stereo line inputs
  • 7x4 matrix
  • Proper dual functionality for FOH and/or monitor mixing
  • M can be configured as L/R sum, wedge, or aux-fed sub or C master
  • Recording capable with channel direct outputs
  • Matrix external inputs with level trims and common input capability
  • Stereo channel line inputs can be independently routed to L/R
  • Stereo channel mic input breakpoints for cross patching into matrix
  • Responsive 4-band, 2-sweep EQ
  • 100Hz channel high-pass filters
  • Individual phantom power and polarity switching
  • Dedicated Channel, Master and stereo Monitor meters
  • Internal jumper plugs for pre/post-EQ aux, direct out and other options
  • Mutes, meters and AFL on all fader masters
  • Assignable talkback
  • 1kHz oscillator and pink noise generator
  • 2-track monitoring and replay to L/R
  • Headphones and local monitor outputs
  • Electronically balanced XLR outputs with +26dBu drive capability
  • Preamp +34dBu maximum input capability for mic or line
  • Ultra low-noise mix head amp design
  • Internal power supply with MPS12 backup supply input (16 to 32 models)
  • 100mm dust protected faders
  • Metal jacks, gold-plated XLRs, sealed pots and switches
  • Individual circuit card assembly with nutted pots
  • Solid copper bus bar grounding
  • Sys-Link V2 console linking option
  • 4-pin XLR lamp sockets

GL2400-24 Image Gallery

Specification Detail
Type Analog
Channels 24
Inputs - Mic Preamps 24 x XLR
Inputs - Line 22 x 1/4" (CH 1-14, 17-24), 4 x 1/4" (CH 15-16), 2 x TRS (Tape)
Inputs - Other 4 x TRS (Matrix)
Outputs - Main 2 x XLR (Main), 1 x XLR (M), 2 x TRS (Monitor)
Outputs - Direct 24
Outputs - Other 4 x XLR (Group), 4 x TRS (Matrix), 2 x TRS (Tape)
Headphones 1 x 1/4"
Send/Return I/O 6 x TRS (Aux)
Phantom Power 24
EQ Bands 4-band Sweepable Hi- and Low-Mids (CH 1-14, 17-40), 4-band (CH 15-16)
Aux Sends 6 x Pre/Post Per Channel
Busses/Groups 4 Audio Groups, 7x4 Matrix
Faders 29 x100mm
Channel Inserts Yes (22 Total: CH 1-14, 17-24)
Effects No
Talkback Yes
Computer Connectivity No Computer Connectivity
Rackmountable No
Height 5.87"
Depth 22""
Width 32.2"
Weight 47.3 lbs.
Manufacturer Part Number GL2400-424/120X

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Reviews

based on 5 reviews

No Comparison

by D from Madison, WI
June 7, 2011
Music Background: FOH Engineer
The Mackie will do the job well as long as you don't work the EQ's too hard, but they don't travel well. It is not a better value. My GL2400-24 is pristine and has never let me down. Even after hun... read more [+]dreds of gigs, it sounds great and has had no problems, not even so much as a noisy pot or fader! close [-]

Last Post Decieving

by JOSH from MA
January 27, 2011
Music Background: Indie Record Label Owner, Studio Owner, Touring FOH Engineer
I just wanted to wright a little on the last comment that was posted and on this product.

First off, The Mackie ONXY 24-4 Not even in the same category of mixer at this console. Dont ge... read more [+]t me wrong, the Onxy 24-4 is nice it sound good, but the quality build is night and day. Mackie now manufactures everything in China, now more than ever there are issues with products, And will read as many reviews on that particular mackie board breaking, IT IS NOT MEANT FOR TOURING, or being moved at all!!! I would never puchase a Mackie console over Allen and Heath, EVER! This GL2400 IS TOUR WORTHY and probably they best console for the cost, BOTTOM LINE. Sure It doesnt have every bell and whistle the Onxy series has, But the GL2400 IS A WORKHORSE! with awesome preamps and tons of versatility.

My main point, The GL2400 IS the best console for the price! close [-]

Amazing!

by Andrew DeNunzio from NJ USA
February 8, 2011
Music Background: Recording Engineer, Hobbist, Musician
This board sounds great! Perfect for any project studio that's on a budget. The pres are crystal clear, the Eqs are very musical, and the routing is limitless. It can make any "in the box" mix come al... read more [+]ive! Overall very well made and rugged. I would recommend this for any live or studio work! close [-]

Mackie Onyx 24-4 Is a Better Value

by D.J. from Monterey, TN
September 5, 2008
Music Background: Live Sound Engineer, Recording Engineer, Vocalist
First off, let me say that this is a truly great board. I owned it for a short time and had no serious complaints with the board, and the one defect I encountered was corrected very quickly by Allen ... read more [+]& Heath's superior customer service team (they actually sent me a NEW replacement board free of charge when I returned the defective one). Great customer service is certainly worth something, and I commend A&H on this.
The largest reasons for the title I gave this review can be found in the review I wrote for the Mackie Onyx 24-4. The bottom line for me was that the Mackie simply presented a better value in terms of features and functionality than the A&H, and at a lower price. I fully understand the arguments for paying for quality, etc., but I could hear no discernable difference in the sound between the two boards (positively none that would be heard in a live environment), and the Mackie gives me a few extras that the A&H has left out (again, check out my review of the Mackie for details). Make no mistake that this is a great board for the money, and if you are an "Allen & Heath guy", then by all means buy this board. You will be very happy with it. I am writing this review more for the guys who may be looking to buy their first 24+ channel live board who are wavering between all the choices out there. I just can't justify spending more money to get fewer features (unless you count the Allen & Heath name as a feature!), and hopefully this review will help someone make a better decision. And just in case you are also looking at options from Soundcraft and Midas, I can't fathom anyone other than a national touring act or huge touring sound company spending that kind of money on a live board. For us working musicians, save the extra cash and buy more processing equipment, better power amps, or an extra guitar (in case you break a string on stage!). close [-]

Best Board for the Money

by Greg @ The Totah Theatre from Four Corners
August 7, 2007
Music Background: Professional Audio Engineer
Great features for such a small price. The pre-amps sound great. A few more auxes and busses would be nice but I can't complain because of the price. Highly recommended!

Also popular

See Also: Allen & Heath , Allen & Heath Analog Mixers , Allen & Heath Analog Mixers

Allen & Heath GL2400-24

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