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Empirical Labs ELDS DerrEsser 500 Series De-esser

API 500 Series Module-format De-Esser
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Empirical Labs ELDS DerrEsser 500 Series De-esser
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A multi-function de-esser/dynamics processor!

Empirical Labs' DerrEsser brings multi-function dynamic filtering to the API 500 series module format. At its most basic, the DerrEsser is an effective de-esser. Employing a unique crossover technique the DerrEsser uses its Voltage Controlled Amp to reduce the volume of high or harsh high frequencies while maintaining musicality. Set your threshold, pick the frequency you want to control, and you're pretty much up and running. Of course, there are a variety of functions available depending on the settings, so plug in and see what DerrEsser can do for your vocals!

Empirical Labs DerrEsser at a Glance:
  • DS Mode
  • HF Limit
  • Highpass
  • Lowpass

DS Mode
(Bypass Button in, all other buttons out). As a de-esser in the DS mode (HF Limit off), one can set the threshold to tame harsh S's (sibilants) that result from an overly bright singer or from EQ'ing to make a vocal sound aggressive and clear. In this mode, the dynamic action is "level insensitive", as the detector circuitry compares the High Frequency content to the low frequency content. Overall signal level doesn't matter at all. When there is enough HF compared to LF, the threshold is exceeded and the DerrEsser starts to turn down the frequencies above the crossover point set by the Frequency control on the front panel. Great care was taken to ensure this DS section meets the Empirical Labs reputation for originality and ease of use, and uses the latest technology VCA, specially selected for glitch free, distortion free, and noise free performance. The time constants were carefully selected and the corner frequency is user adjustable with a high performance active crossover.

HF Limit
(Bypass Button in, HF LIM in, all other buttons OUT). In this mode, the DerrEsser looks at the general level of the High Frequencies only. Think of it as a high frequency compressor. If there is enough high frequency content to exceed the threshold, then gain reduction occurs. It is level sensitive, but responds much more to high frequencies. This mode can also act as a de-esser but is more of a general high frequency smoothing device.The HF limiter is probably the first carefully tailored soft knee HF limiter in existence.

Highpass
(Bypass Button in, Listen in, HP/LP out, HF LIM doesn't matter). By using the "Listen" Function, the user can employ the superb filter circuitry inside the DerrEsser to process their audio. With the Listen button in, and the HP/LP switch OUT, the user will be hearing the high frequencies that are being controlled with the dynamic/compression circuits. The corner frequency is adjustable by the Frequency knob. Once the Listen switch is engaged, all bargraph LED's should light as indication.

Lowpass
(Bypass Button in, Listen in, HP/LP in, HF LIM doesn't matter). With the Listen button in, and the HP/LP button in, the user is now listening to the low frequencies, those not affected by the VCA and dynamic/compression circuits. This is a 12 dB per octave filter whose corner frequency can again, be adjusted by the Frequency knob.

Empirical Labs DerrEsser Features:
  • Freq. Response is 3 Hz to 120 kHz (-3dB points).
  • Dynamic Range - 115 dB from maximum output (.5%THD soft clipping) to minimum output. Transformerless noise floor typically - 93dBu.
  • Distortion Ranges between .0035% and .01% depending on mode and settings.
  • DC coupled Input and Outputs
  • High quality audio caps used internally.
  • Input Balanced, Output single ended but with balanced impedance.
  • Pin 2 hot
  • Input Impedance is 20k Ohm. Output impedance is less than 51 ohms.
  • D-S Dynamics Time Constants - Attack time is less than 1mS. Release .04 sec, fixed internally.
  • Power Consumption - 8 Watts max. 4 Watts Typical
A fresh look at de-essing with Empirical Labs' DerrEsser!

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Tech Specs

  • Processor Type: De-Esser
  • Number of Channels: 1
  • Controls: Threshold, Frequency, Listen, Bypass, HF Limiter
  • Frequency Response: 3Hz-120kHz
  • Manufacturer Part Number: ELDS-V DerrEsser

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Customer Reviews

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Rated 5/5

Excellent

Does precisely what it says. And very transparent.
Rated 5/5

Not just for vocals

I've had this unit for all of two days, so I can't comment on longevity, but I figured I'd come write a review with my first impressions. For background on myself: I am a singer/songwriter/producer working in my own studio I've built up. I record a lot of vocals, electric guitar, acoustic guitar, and bass, usually just one mic or DI signal at a time. I have a lunchbox with one good channel strip worth of outboard gear (a pre, an EQ, and a compressor) and that's it: I'm all in-the-box besides that. I'm not quite the professional producer or studio owner I still hope to be some day, but I've got a good number of records under my belt and I'm not a kid anymore.

Now, as for this unit: I was wanting to add a DeEsser to the channel strip I've built in my lunchbox, and it was between this and the dbx unit. I went with this unit because I wanted something transparent (I mean, it's a DeEsser, if I want vibe I'll get it somewhere else). Anyway, the dbx isn't transparent and doesn't try to hide that fact. So I splurged on this guy, and here we are a couple days later with me writing this review.

I've used it so far on vocals and electric guitar, and I absolutely love it on both. Last night I tracked myself singing through this, adjusting it mostly by ear (because I couldn't actually see the meter when I was in my vocal booth): it was definitely possible for this guy to go too far and totally suck out my Ess's, especially because I had it downstream of my EQ boosting a lot of HF's for some air. But then I backed off to the point that it sounded natural. Part of me thought this unit wasn't even doing anything because it was so transparent and natural, so I turned it off just to check: sure enough, this unit was doing amazing things to make my really airy and HF-boosted vocal stay at a really natural level on really crazy sibilance. Having heard this live I then recorded a vocal so I could really listen back and try to fit it into a mix, and sure enough: the Ess's sounded incredibly natural, and even as I compressed the vocal to pop levels it only needed minimal additional help from the FF Pro-DS I'm so used to relying on.

Now, for electric guitar: you can use this unit as a straight-up HF Limiter instead of a DeEsser, which is so freaking awesome to have in my channel strip. I like to track lead guitar with outboard compression (as I'm sure everyone who has a compressor does), but it can be challenging to set the compression settings right: low notes have a bunch of energy in them and might get squashed while the high notes are barely getting touched. I end up compromising and doing more processing in-the-box, which sounds fine in the end but it's not as fun while I'm playing and it sorta defeats the point of having an outboard compressor. Now, with my DerrEsser acting an an HF limiter in my strip, it's so much easier to get the right dynamics for lead guitar so that I can squash it on the way in if I want to.

Overall, this unit is a great sounding and transparent DeEsser that lets you EQ for a really present and airy vocal and not worry about sibilance, which is what I was looking for and what I got. But this unit also being a really good HF limiter is a game changer as far as I'm concerned: I'm gonna use the crap out of it on hard-strummed acoustic guitar. If I had a pair of these for drum overheads I'm sure it'd sound amazing. And I read a review of someone else who used this unit to great success on all kinds of woodwinds, and I can totally see that. I'm going to use this on every single vocal I record, lead or backup, from now until the day I die, and I'm gonna I'm gonna save myself some 15-20 instances of FF Pro DS per mix and it's gonna be great.

For a couple of "constructive criticism" comments:
-> The buttons are plastic and don't have LED's, which would be nice, though I can still tell pretty clearly if they're pushed in or not.
-> I wish the unit was shielded with a chassis like the other 500 series units I have.
Music background: Singer/Songwriter/Producer
Rated 5/5

This is the one

I'm so excited about this module. I've struggled with software dessers for years. This circuit is so intuitive and musical, it just works the way I want it to. equally effective on anything shrill or brash exceptional with vocals, acoustic screech, electric guitars etc. get it you'll be glad you did!
Music background: Owner/operator Roost Studio
Rated 5/5

Excellent unit, clean & clear

I'm a voice actor, so I use this on my vocal recording chain to soften my sibilance a bit (it gets very overpowering on my MKH 416). Because my use case is VO, I needed a de-esser that remains very transparent even when turning down sibilance quite a bit, and this has done the job excellently so far! It's easy to dial in, and the knobs feel very robust when turned.

Because it uses relative frequency content instead of threshold, it sounds natural on any volume of vocal, and catches my "CH" sounds too, which is great. My only complaint is that there is no in/out LED indicator - you have to check whether the button is pressed. Not a deal-breaker by any means, just a little inconvenient.
Music background: Voice Actor & Audio Engineer
Rated 5/5

Just perfect

I tried the dbx 520 first but had issues. dbx seemed proud of their product adding what they called "harmonics". With a female vocal I used it on I found it to sound like I put her voice through a mild overdrive pedal. Not harmonics, actual saturation. It also had a faint click when the de-esser engaged and disengaged and I don't mean the bypass, I mean whenever the threshold was crossed.

Now for the DerrEsser... It had no issues whatsoever and sounded incredibly natural when it deessed. Also, it passed pristine audio without coloring. I've got many de-ess plugins but this baby is up there with the best of them!!! Even at full blast S reduction it still didn't make my vocals sound lispy like the dbx could when maxed.

This is an important part of a signal chain because without it, when you try to get airy vocals, the sibilance comes with it. Now add the DerrEsser and you can crank the treble for beautiful airy vocals without issues.

If you're thinking of the dbx, just keep saving up and get this instead. It's worlds apart and worthy of the Empirical Labs name. Thanks David Derr, thanks Sweetwater, and thanks to Aaron Regenold for hooking me up.
Music background: Musician, songwriter, engineer, producer, mixer and even janitor
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