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Guitars > Electric Guitars > Solidbody Guitars > Gibson Firebird VII (Red Metallic)

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Gibson Firebird VII (Red Metallic) (No Longer Available)

Item ID: DSF7R1LG

Solidbody Electric with “Reverse” Mahogany Body, Three Mini-Humbucker Pickups, Ebony Fingerboard, Lyre Vibrola Tailpiece, Gold Hardware — Red Metallic

Sorry, the Gibson Firebird VII (Red Metallic) is no longer available. We've left this page up for reference only. Check out the great alternatives on this page or call toll-free (800) 222-4700 to speak with a Sweetwater Sales Engineer about similar products.

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From Our Research Team:

It Turned the Guitar World Upside Down - Literally

Created by legendary automotive designer (and visionary) Ray Dietrich, the 1963 Firebirds literally reversed conventional concepts for guitar bodies and headstocks. You can bet heads turned when any guitar player took to the stage with one of these unusual instruments strapped on. Players like Eric Clapton, Johnny Winter and Ray Manzanera (Roxy Music) found their combination of looks and sound to be perfect for their needs (though, of course, Clapton played many Gibsons through the years). The top-of-the-line Firebird VII features mother-of-pearl fingerboard inlays that place it among the ranks of Gibson's most prestigious models. Gibson Firebird VII at a Glance:
  • Mahogany "inverse" solidbody in Red metallic finish with Lyre Vibrola tailpiece
  • Three high output ceramic magnet, gold-plated mini-humbuckers
  • Mahogany neck with ebony fingerboard and real mother-of-pearl block inlays
And They Called Gibson "Conservative". . . Nobody is lukewarm when it comes to the Gibson Firebirds. The company had already made a bold statement in 1958 with the introduction of the odd-shaped, totally "modernistic" Flying V, Explorer and the elusive Moderne (which may or may not have ever been produced beyond a few prototypes, depending upon who you ask). Then, in 1963 came the Firebird, which was created by Ray Dietrich, who was actually an automotive designer (and some say the inventor of the "tail fin"). With its upside down look, it was clearly not mainstream. This was Gibson saying, essentially, there's nothing conservative about our company. Most Firebirds had gold plated hardware (including gold mini-humbuckers) and that unusual Lyre Vibrola tailpiece rather than the more traditional Bigsby. The Move to Minis! The majority of Gibson guitars came with humbucking pickups, as seen on most Les Pauls. Since the Firebird was so far off the beaten path already, the decision was made to use the company's mini-humbuckers, which were later used on the Les Paul Deluxe. These pickups produce a sound with a bit more bite and sizzle than your average 'bucker, and it worked to great advantage on the Firebird, particularly with the gold plated pickup covers, which matched all the other hardware on the guitar. Beyond that, the controls were pure Gibson, with two volume and two tone controls along with a three-way pickup selector. Between the Body and the Headstock That's right, that's where you put the neck. Critics joked that it should have been put on the other end of the body, keeping in line with the reverse body style. Because of the way it attaches to the mahogany body and because there is no upper bout, the neck looks disproportionately long, but the scale is still Gibson's normal 24 3/4-inches. Of course, the long headstock with the inline tuners (which are tuned from the rear, rather like a banjo) were quite unusual for the company. As befits an upscale instrument, the Firebird VII has an ebony fingerboard with real mother-of-pearl block inlays. Here it is fitted over a more traditional solid mahogany neck. Firebird VII features:
  • Color: Red Metallic
  • Body: Mahogany
  • Neck: Mahogany
  • Fingerboard: Rosewood with mother-of-pearl block inlays
  • No. of frets: 22
  • Pickups: Three gold plated mini-humbuckers
  • Controls: Two each volume and tone with three way pickup selector switch
  • Machine heads: Gold plated Firebird
  • Hardware: Gold plated with Lyre Vibrola tailpiece
  • Case: Black reptile pattern hardshell
Gibson: Don't Mess with a Good Thing Gibson guitars have been around for well over a century. When guitarists are looking for an outstanding combination of superb tone and playability along with great looks and gorgeous finishes, the choice for most of those 100 plus years has been Gibson. From their amazing collection of fine acoustics to the electric guitars that literally rewrote music history, Gibson guitars have been on almost every chart-topping album from artists like The Beatles, The Rolling Stones, Cream and Led Zeppelin. These "first call" instruments also cross an enormous array of diverse styles, from folk and country to blues and hard rock. With that resume, it's not surprising that so many of Gibson's best-selling instruments have changed little over the decades. Because there's just no sense in messing with a good thing!
Specification Detail
Manufacturer Part Number DSF7R1LG1
What Does "Special Order" Mean?
A special-order product is one that we don't normally keep in stock. We order it from the manufacturer as soon as you order from us. We have great relationships with all the manufacturers we carry, so we can get your special order to you as fast as or faster than anyone else. Remember that special orders are non-returnable and non-cancelable, so make sure the item is right for you. A Sweetwater Sales Engineer can help you decide - call (800) 222-4700 for assistance!

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Reviews

Sweetwater Advice

Greg Baum
For people that are tired of the same old cliches in classic electric guitars, here is one that will blow the top off your head. The Firebird has been used most notably by Brian Jones of the original Stones, Johnny Winters and Stephen Stills. A Firebird VII in this color is a rare bird indeed. Great sustain and great for slide.
See Also: Solidbodies , Gibson , Gibson Solidbody Guitars

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