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Dangerous Music Compressor

2-channel Compressor with Auto Attack/Release, Smart Dynamics Dual-slope Detection, and Active Sidechain Send/Return Circuitry
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Mastering-grade Compression for Your Studio

The Dangerous Music COMPRESSOR is a mastering-grade unit that gives you a fistful of control over your signal. Like all Chris Muth designs, the COMPRESSOR is packed with cutting-edge engineering, premium components, and genuinely useful features like Auto Attack/Release, Smart Dynamics dual-slope detection, and the True Stereo Dual Detector that delivers superior imaging. The COMPRESSOR sports active sidechain send/return circuitry, which gives you exacting control with no loading or impedance issues. The COMPRESSOR is audiophile-clean and pristine — even with 20dB of gain reduction. The Dangerous Music COMPRESSOR — it's essential kit.

Active sidechain: your secret weapon for achieving pro results

It's no secret that sidechaining is your key to achieving amazing results with a compressor. The passive sidechain of most compressors, however, leaves something to be desired. In true Dangerous fashion, the COMPRESSOR gives you a better solution: active sidechain send/return circuitry that gives you tons of control, with no loading or impedance issues. You also get a Sidechain Monitor that lets you monitor the signal, as well as Sibilance Boost — which shaves shrillness with no post-compression hangover — and a 60Hz Bass Cut that tightens your track without damaging your low end.

Cool features that take the guesswork out of dynamics control

The Dangerous COMPRESSOR is packed with smart features that let you get great results, quickly. One of these is Auto Attack/Release, which intelligently sets — you guessed it — the attack and release of the compressor. And the algorithms employed here do this far better than you could yourself by relying on guesswork enlightened by years of professional experience. Another cool feature is Smart Dynamics dual-slope detection, which automatically limits peaks while stealthily compressing the average. And then there's the True Stereo Dual Detector that preserves your stereo image far better than traditional linking ever could. The proof of all this is in the high-quality, pro results — and how quickly you can achieve them. Looks like Dangerous Music has another winner on their hands with their COMPRESSOR.

Dangerous Music: mastering-grade hardware for the modern hybrid studio

Dangerous Music's product designer, Chris Muth, spent years designing custom equipment for many of the world's top mastering engineers and facilities. These professionals demand both a mastering-grade audio path and an intuitive feature set, and this became the baseline for all Dangerous Music designs. The mission: to provide innovative hardware that solves the problems of the DAW-based hybrid studio. At Sweetwater, we immediately recognized the value of Dangerous products to professionals whose livelihoods depend on their gear. If you have clients who demand fast, great-sounding results, the Dangerous Music COMPRESSOR belongs in your rack.

What the pros are saying about the COMPRESSOR:

  • "The sound of the signal path through the Dangerous COMPRESSOR, and the quality of the sound even when you just deploy the gain, is really quite lovely. The Smart Dynamics feature helps address the level issue in a really great way that lets me use less of, or even turn off, my digital limiter!" — Jonathan Wyner (mastering engineer)
  • "It's super quick and easy to determine where it will sound best at the push of a button. It's so versatile that I can get it to feel like an SSL bus compressor, or it can be grabby, or I can get it to stay out of the way and just control the level. — Michael James (producer/mix engineer)
  • "I put the Dangerous COMPRESSOR on after everything and the mix starts to sound together. The Dangerous COMPRESSOR highlights a lot of the melodic elements of the mix in a way that just lets them sparkle. It's so clean, but it has a certain vibe that is just so gorgeous. The Dangerous COMPRESSOR opens up the top end, makes it more exciting, and gives a euphoric sound, which is both subtle and complex." — Reuven Amiel (mix engineer)
  • "The headroom and transparency of the Dangerous COMPRESSOR put it into a different category than the other stereo compressors I regularly use. I can say without hesitation that the Dangerous COMPRESSOR is the most hi-fi compressor I've ever had in my mix chain." — Eli Crews (producer/engineer)
  • "I've never in my life used a compressor where I felt confident using it on every master ... until now! Plus it just looks great. Makes me smile every time I sit down at my desk." — Paris Minzer (Frogtown Sound)
  • "Transparency, accuracy, stereo image integrity, ease of use, and performance are all a part of what this new stereo compressor brings to the market." — Joe Mullen (Professional Sound Magazine)

Dangerous Music COMPRESSOR Features:

  • Amazingly powerful and easy to use
  • Auto Attack/Release eliminates the guesswork
  • Audiophile-clean: performs like an automated fader
  • Active sidechain send/return circuitry gives you tons of control, with no loading or impedance issues
  • Sidechain Monitor lets you monitor your sidechain signal, plus Sibilance Boost and Bass Cut
  • Sibilance Boost shaves sibilance and shrillness with no post-compression hangover
  • Bass Cut (60Hz) tightens the track without sacrificing the low end
  • Immaculate VCA: virtually no distortion, even with 20dB of gain reduction
  • True Stereo Dual Detector preserves your stereo image better than traditional linking
  • Auto Attack/Release: replace "guess" with "yes" for rapid-fire results
  • Smart Dynamics Dual-slope Detection automatically limits peaks while stealthily compressing the average

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Tech Specs

  • Type: VCA
  • Number of Channels: 2
  • Controls: Threshold, Ratio, Attack, Release
  • Threshold: -30dB to +20dB
  • Ratio: 1:1 to 20:1
  • Frequency Response: 15Hz-80kHz
  • Inputs: 2 x XLR
  • Outputs: 2 x XLR
  • Sidechain I/O: 2 x XLR (Send), 2 x XLR (Return)
  • Rack Spaces: 2U
  • Height: 3.5"
  • Width: 19"
  • Manufacturer Part Number: Compressor

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Customer Reviews

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Rated 5/5

What Compressor?

Transparent as it gets. Dual mono capabilities make it great to tame a dynamic singer either on the way in, or mix time. Great on stereo sources of course too. Used subtlety, it's also fun to toy around with it on the mix bus!
Music background: Artist, Producer, Engineer
Rated 5/5

Wonderful for all purposes!

Another winner. I've owned this for a couple of years but just now wrote a review which as you may tell from my name being all over the website under reviews, I clearly do not keep my trap shut. Nonetheless, I suggest you check this stereo compressor out seriously. It is wonderful. See I'm the dumbest guy I know and based on my rhetorical content one could easily gleam that very substantial claim from the way I address this here review. I have not the slightest clue as to how to use compression/limiters, etc. Dynamic Processing is a headache to me. EQ'ing - lets face it I think its just intuitive and extremely simple to do. (unless you have dual channel EQ's and you have to match 4 frequencies which means about what 30 knobs? LOL) So this compressor is incidentally so easy to use it does the work for you. If you get hung up on compressors like a gold standard API 5500 (great but you MUST KNOW WHAT YOU ARE DOING) then turn to something such as a dangerous music stereo compressor. Besides, Dangerous Music has proven itself to be literally like the premiere brand of audio gear to go for.
Music background: Lots o' stuff
Rated 5/5

Amazing compressor

Thanks to Kent(from sweetwater) and Nathan Hamiel ,i went with the dangerous comp n its amazing .
Its transparent but works well on most kind of material, u can go really hard on it n u wont hear it!
Music background: Producer
Rated 5/5

Great Investment

This compressor is the smartest decision I've made regarding outboard gear. It is great on mono duties, helping tame a vocal, while making it sit in the mix. On stereo bus it shines the most, gluing tracks together while maintaining a wonderful stereo image. I've used it for mastering as well, which gives you wonderful gain without coloration. There is some sort of "mojo" occurring here, but it's transparent mojo, if that can make sense. It is tops regarding aesthetics as well. This is the first piece of equipment clients walk to and ask "what is that?"

Extremely satisfied with this thing.
Music background: Recording Engineer
Rated 5/5

This is a "must have" compressor for mix or mastering

The Smart Dyn Dual-Slope Detection feature on this compressor maximizes workflow time while providing . Ease of use, great sound results, and an "Engage" button that allows for quick comparison between compressed and uncompressed musicality makes this compressor a must have for the home and professional studio.
Note: Running a Dangerous Music BAX-EQ through the "D-Comp" will give your individual or stereo master track the professional stand-out sheen you want. I use a lot of different dynamic processors in my workflow and by far the "D-Comp" is a headliner in the process! Regards - Matt B
Music background: Musician, Sound Reinforcement & Recording Engineer

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What Do Our In-house Gear Experts Think?

Joe Holsclaw

The Dangerous COMPRESSOR is my secret weapon for absolutely clean and transparent compression in the analog world. I can achieve even the most extreme amounts of gain reduction without hearing any trace of distortion, and the stereo image of my mixes stays intact. This is a must-have for any serious studio who wants their mixes loud without adding color or character.
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