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The Roger Nichols Gear Collection

Benchmark DAC1

Item ID: DAC1

2-channel 24-bit/96kHz D/A Converter w/192kHz Playback Capability

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From Our Research Team:

Incredibly Clear Digital Audio Playback!

The Benchmark DAC1 digital-to-analog converter is nothing short of amazing. It will make your mastered 16-bit CDs sound more like the original 24-bit master recordings, full of rich detail, wide stable stereo imaging and a clear high end. The DAC1 is an invaluable production tool!

Benchmark DAC1 Digital-to-Analog Converter at a Glance:
  • Incredible distortion-free, jitter-free output
  • Stereo 24-bit/96kHz conversion with 192kHz capability
  • Exclusive jitter-free UltraLock technology for real-world quality
  • Automatic pre-emphasized audio processing and ultra-low distortion headphone amp

Incredible distortion-free, jitter-free output
Listening to audio from the Benchmark DAC1 is an amazing experience. The distortion free output is so pristine it truly feels as though someone has finally lifted the curtain! Now you can hear detail that was previously masked by jitter induced artifacts and distortion. If it was an exceptional recording, you’ll hear it, if it wasn’t, you’ll hear that as well.

Stereo 24-bit/96kHz conversion with 192kHz capability
The Benchmark DAC1 is a two-channel, 24-bit, 96kHz digital-to-analog audio converter that is one of the more significant recent advances in digital audio conversion technology. The DAC1 provides some of the finest analog conversion through resolutions up to 24-bit/96kHz, and will play back 192kHz with a 48kHz analog bandwidth. The performance of the DAC1 is unrivaled. THD+N is an astonishing low -106 dB (0.0005%) measured at 0 dBFS, at any playback frequency, at any sample rate, with any degree of input jitter, and it just gets better from there.

Exclusive jitter-free UltraLock technology for real-world results
Many DACs derive their system clock directly from the AES receiver, making them very susceptible to jitter. These DACs can rarely achieve their rated performance in real world applications. By contrast, the DAC1 takes full advantage of Benchmark's jitter-free UltraLock technology. On the test bench, or at the end of 1000 feet of cable, the DAC1’s performance is the same!  This means you don't have to be a transmission line expert to be a great audio engineer.

Automatic pre-emphasized audio processing and ultra-low distortion headphone amp
The DAC1 also features auto-processing of pre-emphasized digital audio and Benchmark's high output, ultra-clean HPA-2 headphone amplifier technology. This technology features distortion levels of 0.0003% under load. The audio output levels may be controlled from the front panel by the same gain control that feeds the headphone amplifier or it may be preset to a precise level with multi-turn trims. The preset gain range is +10 dBu to +29 dBu at 0 dBFS. The DAC1 has built-in international 115/230 volt power.

The DAC1 is essential equipment for mastering studios, high quality recording studios, high-end home audio systems, or anywhere uncolored digital playback is a must!


Benchmark DAC1 Features:
  • 2-channel, 24bit, 96-kHz D-to-A conversion
  • 192-kHz playback with 48 kHz analog bandwidth
  • THD+N = -106 dB (0.0005%) measured at -0 dBFS, any sample rate, any test frequency, with any degree of input jitter!
  • 116 dB signal-to-noise ratio @48 kHz, A weighted
  • AES/EBU (XLR & Coax) and S/PDIF (XLR, Coax, & Toslink) inputs
  • Digital input source-selection switch
  • Balanced, low-Z XLR outputs
  • +29 dBu output level capability
  • Unbalanced RCA outputs
  • Variable or preset output level controls, switch selectable
  • Direct connection to powered monitors
  • Built-in Benchmark HPA-2, a high-output, ultra-clean headphone amplifier with dual outputs jacks
  • Total jitter immunity via UltraLock technology!
  • Phase Accurate D/A conversion across any number of channels
  • 1 power, 2 error indicating LEDs
  • Internal low-radiation toroidal power supply
  • International 115-230 input voltage range
  • Automatic De-emphasis for 44.1, 48, 88.2, and 96 kHz when Pre-emphasis bit is set
  • Milled aluminum front panel
  • 1/2 wide, 1RU chassis
  • Equipped with non-removable rack ears; call for models without rack ears

For pristine digital audio playback you need the Benchmark DAC1!

DAC1 Image Gallery

Specification Detail
Channels 2
A to D No
D to A Yes
Sample Rate 192kHz
Bit Depth 24-bit
Analog Inputs No analog inputs
Analog Outputs 2 x XLR, 2 x RCA, 2 x Headphone
Digital Inputs 1 x AES/EBU, 1 x S/PDIF Toslink, 1 x AES/SPDIF coax
Digital Outputs No digital outputs
Clock Inputs No clock inputs
Clock Outputs No clock outputs
Other I/O No other I/O
Expansion Slots No expansion slots
Rack Spaces 1/2U
Height 1.75"
Depth 8.5"
Width 9.5"
Weight 3.5 lbs.
Manufacturer Part Number 500-14000-000

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Reviews

based on 5 reviews

Love it.

by Jon from NY
October 14, 2009
Music Background: 15 years experience playing and producing music. RIP ADAT :(
I truly do not miss my money. Not one bit. Exactly how I like my music to sound. Perfect. Made in the USA. Thanks Dan!

Don't Bother Looking at any other 2 Channel DACs

by Paul from Virginia
December 2, 2007
Music Background: Serious listener, about to start sound engineering again.
I use this for playback with an Audio Research LS-22, VT-150, and Acoustat Spectra 22 speakers. This little box gives back perfectly the analog of the digital signal fed to it. Stunning recordings a... read more [+]re perfectly stunning, and poor recordings are perfectly poor. There are no lies here, no cover ups, and no exagerations.

Don't be fooled by the tiny size. This little box is a serious piece of equipment. It is easily worth several times its selling price!

I'm going to purchase the USB version to monitor recordings on location. close [-]

Great Product...Least Expensive Way of Making Your CD Player Sound GOOOOOOOD!!

by Thomas Layman from Iowa City, IA
July 4, 2007
Music Background: Music listener and collector for 62 years.
Let's do the easy part first: Complaints about the Benchmark DAC1. I cannot think of a single complaint! Maybe it just doesn't cost enough???? Nah!!
Now the harder part: The Benchmark DAC1 is... read more [+] without question an easy piece of equipment to run. Plug it in and it's on. It can stay on 24/7/365 and I can tell you there is a break-in period of about 7-10 days of continuous "on" before it sounds it's best. Plug it directly to your amp via balanced leads, or as in my case, by RCA plugs to the pre-amp. Run a Toslink optical (as I did) from player to DAC1 and sit back and be amazed. You can also use a BNC connection, or Co-ax from player to DAC1. I am using a VTL 5.5 pre-amp and VTL MB-450 monoblocks in the triode mode (usually) and Dunlavy V speakers. Currently I'm playing and recording CDs through a Tascam CD RW 750. This probably is not the best re jitter, but it was a major improvement from my dear Sony ES 707D (built like a tank, but now about 27 years old!). I heard a sudden and great increase in the bass, mid-bass, and upper-bass information, and it was tight! No sloppy "tubey" bass either. Additionally, the silence between pieces is greater, voices are sharper and clearer, and there is detail in recordings that I've not been hearing before. Covered in jitter-laden sludge!! The sudden improvement in sound quality is simply amazing...and for only about $1,000 US buckaroos. This DAC1 makes most of my CDs sound greatly improved, some sound very much the same, and a few are clearly poorly recorded and suffer from digital jitter being put onto the disc, and of course the DAC1 cannot remove that. I love Portishead, but now the recording "Dummy" sounds tinny and brash and suffers from digititis. Simon & Garfunkel's "Bridge Over Troubled Water" has never sounded so good. I have been listening to LPs about 95% of my listening time, and boy!!! has that changed!!

This leads to my final issue. Toslinks are NOT all created equal. I bought a Hosa 3 ft. Toslink and a Monster 3 meter Toslink. Through the Hosa the bass etc was there, but sibilants are slightly too hissy and spitty. There is a slight "grain" to the sound and it just isn't quite clean. Voices have a slight edge to them, and finally increases in volume seemed to come in increments, rather than linearly. The Monster cured all of the above and to me sounded more "analog" if you will. I have not tried BNC or Coaxial connectors, and have not tried XLR directly to the amp...not yet, but if that could provide another layer of improvement...who can resist?

Summary: If you have a CD player that is not of the quality of the Meridian 808 then you need this piece of equipment. For $975 plus $60 for Toslink you really should consider the Benchmark DAC1. close [-]

Solid Construction and Professional Quality Performance

by Nicholas White from Temecula, CA USA
September 12, 2008
Music Background: Recording Engineer, Live Sound Engineer, Musician
The Benchmark DAC1 2-Channel 24-bit 192kHz D/A Converter bears the mark of quality from the ground up. Housed in a rugged metal ½ rack design the DAC1 feels solid and well built. Within the frame of... read more [+] the DAC1 are a wealth of features and I/O including coaxial, XLR, and optical digital inputs, balanced XLR and unbalanced RCA outputs, two TRS headphone outputs, large front panel gain control, three way toggle switch, and left and right calibration potentiometers.

After much debate and several demos from other leading converter manufactures I chose the DAC1 as my go to D/A converter for monitoring out of my DAW. I run a modded Digidesign 002 rack which never impressed me conversion wise, even with the upgraded conversion mods. The Benchmark DAC1 opened up the stereo imaging and clarity which allowed me to make better decisions that translated better across multiple playback systems. I say this after living with the DAC1 in my studio for over 6 months. I’m not here to qualify a brand new purchase with praise which usually wears off after the initial honeymoon period with a new toy; however, I must state that my ability to make key judgments during a mix has improved which in turn has given me greater confidence as an engineer. That in my opinion is a quality that is worth every penny. The DAC1 doesn’t hit you in the gut right out of the box. My first impressions were of a slightly more focused sound and greater clarity like I was no longer hearing a colored image. It wasn’t drastic but I suddenly noticed that I was no longer correcting mixes as many times as I had been in the past. Running around to different playback systems from the car to the home stereo became less frequent.

Translation from studio to the outside world is what we are all after and the Benchmark DAC1 delivers. It’s hard not to make the decision to upgrade to professional DAW monitoring for the cost of the DAC1. It offers professional performance for an affordable cost that doesn’t break the bank. Couple this along with the various I/O available, solid construction, and great design make the DAC1 standout among its competitors. close [-]

Sweetwater Advice

Brad Every
The Benchmark DAC1 is praised by audiophiles worldwide for its detail and great sound. Add one to your studio and you'll hear more detail in your mixes than you ever have before!
Read more reviews

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See Also: AD Converters , Benchmark , Benchmark Misc Digital Converters , Benchmark AD/DA Converters

Benchmark DAC1

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