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AKG C12 VR Large-diaphragm Tube Condenser Microphone

Large-diaphragm Tube Condenser Mic with 9 Selectable Polar Patterns, External Power Supply, Shockmount, Foam Pop Filter, and Aluminum Flight Case
$7,199.00

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AKG C12 VR Large-diaphragm Tube Condenser Microphone
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This article was Written By

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A New Take on an AKG Legend

The AKG C12 VR is a 9-pattern large-diaphragm tube condenser microphone based on the legendary AKG C12. Mere mention of a vintage C12 here at Sweetwater will spark a serious discussion. The original C12, which was manufactured from 1953-1960, is considered by many recording engineers to be one of the holy grails of tube condenser mics. Handcrafted in Vienna, today's C12 VR uses the original 6072A vacuum tube and dual-diaphragm design but incorporates an updated, edge-terminated CK12 capsule and state-of-the-art componentry for lower noise and distortion and reliable operation.

Nine polar patterns for critical recording applications

The C12 VR's nine polar patterns — cardioid, omnidirectional, and figure-8; plus 6 intermediate stages — give you immense flexibility when it comes to exploring the sonic possibilities offered by different recording techniques. And owning a pair of them vastly increases the versatility of this microphone, opening up highly effective stereo recording techniques such as Spaced Pair (A/B), X-Y (including Blumlein), ORTF array, and Mid-Side (MS).

Full-featured for impressive versatility

The C12 VR features high SPL handling and is equipped with a 10/20dB pad — which means you can use it on the loudest sources without fear of overload, while a 100/130Hz highpass filter lets you roll off structure-borne rumble that could derail a perfect performance. The C12 VR includes an external power supply with polar pattern selector, a spider-type shockmount, and an aluminum flight case.

AKG C 12 VR Tube Microphone Features:

  • An enhanced version of the highly sought-after AKG C12
  • Edge-terminated CK12 capsule and original 6072A vacuum tube
  • Selected state-of-the-art component for low noise and reliable operation
  • Dual-diaphragm, 1" diameter gold sputtered mylar foil
  • 9 remotely selectable polar patterns for maximum flexibility
  • Multiple patterns with silent switching, remotely controlled from power supply
  • Polar patterns: omnidirectional, cardioid, and figure-8, with 6 intermediate patterns (silent switching)
  • Frequency response: 30Hz–20kHz (±2.5dB from published curves)
  • Impedance: 200 ohms (±25%); recommended load impedance: 1000 ohms or greater
  • Output connector (from control unit): XLR (pin 2 positive)
  • Output connector (from microphone): Tuchel 12-pin
  • Sensitivity at 1kHz: 10 mV/Pa for all patterns; -40dB (dB re 1 V/Pa)
  • Equivalent noise level (A-weighted): 22dB (DIN 45412)
  • Sound pressure level for 3% THD: 128dB (equivalent to 50 Pa)
  • 2-position pre-attenuation pad: 10dB, 20dB
  • 2-position highpass filter: 100Hz, 130Hz
  • Aluminum flight case, N 12 VR remote power supply, H 15/T elastic suspension, MK 12V R 30-foot connecting cable, and W 42 foam windscreen included

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Tech Specs

  • Microphone Type: Tube Condenser
  • Polar Pattern: Cardioid, Omni, Figure-8
  • Diaphragm Size: 0.98" (25mm)
  • Frequency Response: 30Hz-20kHz
  • Max SPL: 148dB
  • Output Impedance: 200 ohms
  • Signal to Noise Ratio: 72dB
  • Self Noise: 32dB
  • Low Cut Filter: 100Hz (-6dB/octave), 130Hz (-12dB/octave)
  • Pads: -10dB, -20dB
  • Tube: 6072A
  • Color: Green
  • Power Source: External power supply
  • Connector: XLR
  • Weight: 1.5 lbs.
  • Included Accessories: Cable, Shock Mount, Windscreen, Aluminum Carry Case
  • Manufacturer Part Number: 2221X00040

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Customer Reviews

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Rated 5/5

A Proven Winner

I had the good fortune to use the AKG C12 VR for an extended session that included supreme vocal talent such as Donna Summers, B. J. Thomas, Crystal Gayle, Amy Grant, Maureen McGovern, Bobby Caldwell and more. The mic is superior in every way and the project ultimately won a Grammy. I had been (and still am) a fan of the U87, but if I were looking for the ultimate, this would be my choice.
Music background: Gold/Platinum/Grammy winning producer.
Rated 5/5

The Best

I recently purchased a C12VR... I conducted a mic shoot out as soon as it arrived. I plugged my C12VR, Neumann U87, Neumann TLM-103 Anniversary Ed., and my Rode Classic II into identical Apogee solid state preamps for sound comparisons. I equalized the volume setting, and let the fun begin. In the end, the AKG C12VR and the Neumann U87(I had modified) were my finalist. It was like comparing apples to oranges (my vote was for the C12vr), so I brought in four musician friends to get their opinions. The AKG C12VR won the competition (all four picked the C12vr). The U87 sounds very "What you see is what you get". But, the C12VR makes everything sound warmer and magical. Also, the C12VR seems to cut down on sibilance, which is great. However, like all mics, EQing is a must. This is one of the best microphones in the world. I dare you to find a warmer microphone.
Music background: Guitarist, Engineer, Producer, Vocalist
Rated 5/5

perfect mic

AKG C12 VR is a good sounding mic. perfect warmth,presence,a nice tube sound. Dont understand the bad reviews of this mic on the net..I suppose it is just a matter of taste, but it certainly is NOT a C12..and I can understand when people say it Doesnt Sound Like A C12...Because it dont. Akg could perhaps called it a C(something else).. This mic is too dark to be compared to an original C12. But again, C12 VR (Vintage reissue) is something special. It cuts through the mix, and the vocals sits perfectly.
I have tried it with a Neve pre..and a ****** Behringer pre...this mic sounds unbelieveable whatever you puts it through. NR.1!!! Remarkable sound! one of my favorites! AKG RULES!
Music background: composer
Rated 5/5

AKG C 12 VR

After a many years of searching for the „perfect mic“ I've finally got my hands on a brand new AKG C12VR and I was blown away with results!! I use it in my studio with Avalon VT 737sp and RME Fireface 400....and the mic sounded perfect on everything I recorded with it, (lead vocals, back volcals, acoustic guitars, sax, etc...)...and it really translated the full range very evenly and have nice even tone and velvety warmth and presence....simply, it delivers a remarkable sound and performance!! So, in my experience and IMHO the nine remotely selectable pickup patterns make the AKG C12VR a necessity not only for vocals, but for instrumental solo recording, as well. Providing a sound beyond words, the AKG C12VR is the ultimate in microphones, trully „high-end class“ mic,...and a worthy investment for the professional artist.
I just love it!!:)))
Music background: Pro Musician
Rated 4.5/5

An excellent arrow in my quiver

it's time to properly respect this nicely-made product and understand where it fits in your locker. The VR is, in fact, a very usable mic with a unique sound signature. The slight dip at 2K can make most male voices seem confined, distant...which is actually nice for blues and lyrics that convey darker emotions. For example, the mic was used to good effect to heighten Alanis Morissette's closed-in sound...emphasizing the paranoia and unhappiness in Jagged Little Pill...while also taming the shrill passages just a tad. In this fashion, the mic is quite a different tool than the very open-sounding C12. It is difficult to EQ this mic to sound more peaky in the midrange, which reminds us that EQ is different than resonance...the real reason to properly select a microphone. On females, the VR has no peers. The sound overall is somewhat similar to the C414B-ULS, but the head basket produces a full-time "air" on top and the tube fattens the lower midrange a tiny amount. The result it a highly refined, musical sound that can make some vocals and instruments stand out in a mix. The comparison to the C12 is unfortunate. The acoustics of the head basket bears no resemblance to the almost transparent screening of the original mic. This one is more screen heavy...and it achieves the high-end air by beating upper high frequencies together inside the basket, thanks to a fairly dense, second, micro screen...which also is used to acoustically cancel out the harshest sibilance. This is one of the best built mics I've ever seen...and it's a pleasure to use on any source that does not require extra midrange resonance. I have about 20 LDS's in my collection, and none of them sound like the C12VR. So it is the only mic that accomplishes what it does. And it does it very well.
Music background: Producer, Engineer, Bass player

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What Do Our In-house Gear Experts Think?

Carson McClain

Good luck trying to find an original. You probably have heard your engineer friends who own the original say these words, "from my cold dead hands." This is a mic replicated from a 1950s design but improved upon. If you work with real singers, or need a mic with a pure sound, the C12 VR is it.

Paul Lea

I love to use these mics on lead vocals that require a tight focused and close mic'ed sound. The C12 VR is so close to the original that Tom Petty used one when recording the Heartbreakers' Echo album.
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