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Audio-Technica ATM450

Item ID: ATM450

Small-diaphragm Cardioid Condenser Mic for Instrument Miking

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From Our Research Team:

A Great Condenser for a Variety of Sources!

One of the new stars of the Artist Series remake, the ATM450 cardioid condenser offers an innovative side-address stick design for endless placement options and minimal obstructions. The microphone is equipped with an integral 80 Hz hi-pass filter that provides easy switching from a flat frequency response to a low-end roll-off. The ATM450 also features a switchable 10 dB pad that lowers the microphone's sensitivity, providing higher SPL capability for flexible use with a wide range of performers and system configurations. The microphone’s extended flat frequency response makes it ideal for high SPLs as well as for live and amplified acoustic instruments. Includes a professional isolation clamp to provide secure mounting, versatile positioning and effective dampening of unwanted mechanical noise.

Audio-Technica ATM450 Cardioid Condenser Instrument Microphone Features:
  • Cardioid
  • Fixed-charge back plate permanently polarized condenser
  • Unique side-address stick design maximizes placement options with minimal obstructions
  • Uncompromising sound quality for overheads, percussion, acoustic guitar, strings and other acoustic instruments
  • 40-20,000 Hz Frequency Response
  • Integral 80 Hz HPF switch and 10 dB pad
  • Durable performance for professional applications
  • Cardioid polar pattern reduces pickup of sounds from the sides and rear, improving isolation of desired sound source
  • Rugged, all-metal design and construction for years of trouble-free use
  • Includes isolation clamp for shock protection, secure mounting and easy positioning

ATM450 Image Gallery

Specification Detail
Microphone Type Condenser
Polar Pattern(s) Cardioid
Frequency Response 40Hz-18kHz
Max SPL 152 dB SPL, 1 kHz at 1% T.H.D.
Output Impedance 200 ohms
Signal to Noise Ratio 69 dB, 1 kHz at 1 Pa
Low Cut Filter 80 Hz, 12 dB/octave
Pads 10 dB
Length 5"
Width .83"
Depth .83"
Weight .22 lbs.
Manufacturer Part Number ATM450

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Reviews

based on 5 reviews

Great All Around Mic

by Efren from Florida
February 8, 2010
Music Background: Live Sound Engineer
Originally I just liked the fact that it was a side address mic, the specs were good too. But this mic does bring out really good detail for the price. I've been using these on toms so far and they ... read more [+]sound great. I'm going to try one on a snare. Also, the pad and high pass filters are a plus. close [-]

Amazing Mic

by Damion Frye from Montclair, NJ
May 15, 2009
Music Background: Recording Engineer
I bought one of these to mic a horn player and was blown away by its depth and overall sound. I since have bought two more and use them as overheads on a drum kit, acoustic guitar and all kinds of dr... read more [+]ums. Get at least one of these! close [-]

Something i left out

by Eddie Mapp from New Orleans, La
November 11, 2008
Music Background: live sound engineer: Evanescence, Stone Temple Pilots, Zakk Wylde's Black Label Society
I forgot to mention that this mic is also amazing on snare drum. You can easily place it out of stick hitting range and get a great snare sound. Depending on the snare drum and player I've recently on... read more [+]ly been using this with no snare bottom mic. close [-]

Amazing small diaphragm mic

by Eddie Mapp from new Orleans, La
September 2, 2008
Music Background: live sound engineer: Evanescence, Stone Temple Pilots, Zakk Wylde's Black Label Society
HI-hat, snare, acoustic guitar, cello, toms, overheads. If you need detail and a small profile mice this the way to go. I've never gotten a compliment on my hi-hat sound before using this mic............ read more [+] which is a compliment right? close [-]

ORTF results

by David Rainville from Charleston, SC
August 22, 2010
Music Background: amateur performer and recording engineer
I use a pair for recording in ORTF for orchestra, concert band, and choral ensembles. Being cardioid it lacks the bottom end of an omni, as you would expect, but the complexities of loud passages with... read more [+] full percussion come through with great depth and openness. The form factor lends itself to AB or ORTF stereo. The published response curve does not show up sonically, as these seem spared of the typical harshness in the upper mids and low highs of a small condenser. The size helps with storage and for a low profile during concerts if those things matter. They handle loud transients very well, reminding me of more expensive mics. If I were a drummer, this would be my main road mic for snare and overheads. They are an optimal trade between quality and cost.
close [-]

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See Also: Condensers , Audio-Technica , Audio-Technica Condenser Microphones , Audio-Technica Condenser Microphones

Audio-Technica ATM450

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