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API 3124+Item ID: API3124p4-channel Mic and Instrument Preamp with 65dB Gain Range and Front-panel Hi-Z Inputs
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From Our Research Team:API Console Preamp Performance in a Rackmountable Unit!The API 3124+ 4-channel microphone and instrument preamp packs API console sound and performance into a very easy-to-use, premium-quality rackmountable unit. Whether you're capturing vocals or plugging in an instrument, you'll definitely appreciate the 3124+. It uses the same preamp circuit found in API consoles, plus the same output transformer you'll find in API's equalizers — a recipe for great API sound and character! This preamp provides a very robust gain range, making it useful for a variety of input sources. Equally at home onstage, in the broadcast rig, and in the recording studio, the 3124+ is a real performer.API 3124+ 4-channel Mic/Instrument Preamp at a Glance:
Ideal for a variety of audio applications API's commitment to quality means the 3124+ provides a stellar front end to a wide variety of audio applications. The 3124+ is designed with the professional engineer in mind, giving you four channels of premium preamp performance, while keeping the size and price at a reasonable level. Equally at home in the control room, the recording studio, and news or recording truck, at the house console, on the stage, direct-to-DAT, or at the ready in your personal studio. Premium API components inside This preamp gives you the great sound and performance characteristics that make API gear so popular among studios, engineers, and musicians. How? The model 3124+ utilizes the same microphone preamp circuit that is used in all API consoles. It uses the RE-115 K mic input transformer and the same output transformer that is used in all API equalizers. All four mic inputs of the 3124+ are powered by an internal 48 volt phantom power supply, front panel switchable for each channel. Also provided is a front panel 20 dB pad switch that effects both the Mic and Line in. Perfect for mics and instruments alike You get plenty of headroom from this pre, whether you're plugging in a mic or an instrument. The model 3124+ can provide up to 65 dB of gain to an output clip level of +30 dBm. The Hi-Z front panel input goes directly to the op-amp, allowing a low level input such as a guitar or bass to be amplified without a matching transformer or direct box. This Hi-Z input can take input levels as high as +22, making it perfect for keyboards and other high level devices. The rear output is an XLR connector. API 3124+ 4-channel Mic/Instrument Preamp Features:
The API 3124+ 4-channel preamp gives you legendary API sound and performance!
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Reviewsbased on 3 reviewsRe-Review
by Jon from NY
I'm using these in a session right now, and being sweetwater fans, the band says I have to review this item haha.. If you pair these preamps with Sennheiser MD-421s, Shure SM57s, (name your favorite ... read more [+]dynamic mic), you will be blown away, I promise. So happy I have two of these... yes, I bought another one :) ... they are a little harsh with some condenser mics, but other than that, you can use these to amplify any microphone up to line level (and a very nice sounding line out it is) with any instrument for excellent results. The DI will make any bass SMOKE. My $250 Peavey bass (for beating on) sounds like thunder through this. I frequently use both the DI's and the mic amps on this... the mic amps LOVE dynamic mics! Can't stress that enough. close [-]
August 14, 2011 Music Background: All sorts of gigs... A great front end...
by Jon from Orange County, NY
Stop here. Pair this with any high end converter that can handle its +24db output. Bright but not harsh. Punchy mids but not popping. Smooth bass without the boom. Works really well with just abo... read more [+]ut any mic and has loads of gain. A great standard workhorse. I have this alongside a Brent Averill reracked pair of vintage 1272s. Two different animals, but both ferocious =). The 3124+ sounds professional because it is professional. Very simple circuitry, with almost no noise. It's very clean, yet puts a nice focused and balanced touch on everything. Great for instruments and LOVES dynamic mics...say goodbye to mic incompatibility. It just works with ANYTHING... if you prefer solid state to tubes. If you find yourself using a lot of plugins to "tone-shape", skip 'em and get this. You will never need to EQ for faulty tone again, as it loves to show you the differences in mic placement and always displays the full spectrum of tones how the mic picks them up, it doesn't mask or emphasize really. Again, very clear with a classic signature sound that you will instantly recognize, as long as your monitoring is in the right place =P Had it for a while ... I'm considering writing in my will that I should be buried with it. Just kidding of course, but I am considering getting another one. close [-]
October 20, 2010 Music Background: Too much experience for where I am at financially =) Phenomenal--For the Rock Producer and Beyond.
by K. Osborne from Oklahoma
This preamp is AMAZING. For the price, there is nothing better you can do for your rock music. It's punchy, it's warm, it's thick, it's a CLASSIC.June 13, 2009 Music Background: Recording Engineer / Producer / Mixer PROS: This is an awesome unit. Very qu... read more [+]iet operation, great for rock, especially on drums. If anyone ever asks me what preamp to use for drums, I say API or Neve. Nothing else does the job like them. They also sound amazing on electric guitars, clean or distorted. Huge amounts of gain, easy to use, no problems at all. The One (yes, only one) CON: the input stage of this thing is very hot, so you may want to buy a few inline mic pads to go with it (unless your mics have pads on them) of maybe 10 or 15dB. This is because your signal can overdrive slightly if you're not careful--sometimes it sounds great...a bit of analog saturation works well...sometimes. Usually this happens when a clean sound is desired, like for acoustic, perhaps vocals. It's not like it will damage anything, but because all you have is a single GAIN knob, you've got to be a lot more conscious of the volume you put into the pre and the volume you get out. Buy a few ProCo 10dB mic pads to have lying around just in case. close [-] Also popular
API 3124+
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