dbx 1066Item ID: 1066Dual-channel Compressor/Limiter/Gate 
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From Our Research Team:A Leader in Professional, Flexible Processing!Many of your audio experts at Sweetwater think the 1066 is one of the finest units ever to come out of dbx - and considering the status dbx holds in audio processing, that's really saying something. A dual-channel compressor/limiter/gate driven by the dbx V2 VCA. Each channel features program-dependant attack and release or user-definable attack and release, giving you the ultimate in processing flexibility. You can fatten your drums, smooth out your mic and instrument levels, gate sounds with long decay, prevent analog tape saturation and much more! It features classic dbx OverEasy & reg; and hard-knee compression. A rack-mount unit, the 1066 weighs less than six pounds and takes up one rack space. It allows for stereo or independant two-channel operation.If you like what you see in the 1066, you should also check out the 1046 Compressor. Selectable auto (classic dbx) or manual (variable Attack and Release) compression Contour switch removes unwanted low frequency information from detector circuit Selectable OverEasyฎ or Hard Knee compression modes PeakStopPlus limiting for setting maximum allowable level with distortion SC Ext and SC Mon for setting up and monitoring external devices for gating function True differentially balanced gold-plated XLR and 1/4" inputs and outputs True RMS level detection Precision metering of input level, output level, and gain reduction True stereo or dual mono operation Switchable +4dBu or -10dBV operation per channel
1066 Image GalleryCan We Help?Sweetwater's friendly and knowledgeable Sales Engineers are regarded as the most experienced and educated professionals in the music industry, with extensive music backgrounds and intense training on the latest products and technologies. As your personal contact here at Sweetwater, they are available to provide personalized advice any time you need it.Call toll-free (800) 222-4700 or E-mail us Recommended Accessories
Jordan, Marquette, MI Reviewsbased on 2 reviewsBest Affordable Rack Compressor
by TheFlamingBarrel from Chicago, IL
If you don't want to spend $800+ dollars on a compressor, this unit is by far the best out there. I use to run sound at a couple bars/clubs and the place owned a couple dbx166s and some behringer and... read more [+] BBE comps. I bought the 1066 for my personal rig and whenever I brought my rack to gigs the difference was blatenly obvious. The distortion at higher GR is seldom noticeable. It sounded better for vocals, keys, and guitar than it did for bass and kick, although it worked well for snares and toms. I use this compressor a ton for live tracking in the studio on guitar mostly, but also on vocals, keys and some drums. It has a very modern sound to it, so if you're an vintage/analog buff, probably not the best choice for you. The sidechain works well for hard ducking and takes well to sidechained EQ. I have used the 1066 for vocals just for the sidechain EQ with spectacular results. DBX stuff is built to last, so I've been rockin this thing for over 4 years now and it still looks/sounds brand new. I've also used the 1046 which has the same internal components, but 4 channels, which is sweet if you're doing live engineering, but keep in mind that it doesn't meter the same, and I guess it was/is a common problem for those 1046 meters to fail. Doesn't impact the sound, but makes you rely on your ears, which in a loud crowded bar can be not ideal to say the least. So I'd recommend 2 1066s over a 1046 any day. If you're filthy rich get an API or a real tube compressor, but if you're on a budget the 1066 is probably the best option. Last thing, I used this in my guitar rack live and it sounded better than EVERY compression pedal out there, Keeley, MXR, you name it. close [-]
December 13, 2012 Music Background: Producer, Performer, Former Engineer Great Features, but some a technical glitch...
by Mark Zintel from Clearwater, Florida
I use these for mic processing. I have had 2 of these -- a 1999 and a 2010. When the first one was going on 10yrs old (I shouldn't complain), in mono mode, the Channel One final output became errati... read more [+]c. All of a sudden the level would jump about 3 dB. Switching the unit to Stereo/Coupled mode fixed the symptom. I kept it for a backup and bought the new 1066. After only 1 year, the first 2 or 3 Input Meter LED's on Ch 1started staying on all the time and Channel 1 started that erratic level symptom! But now, Stereo/Couple doesn't fix the problem. When Channel 2 goes, I'll switch brands. Too bad- it's a well laid out unit and otherwise great for mic's. close [-]
March 27, 2012 Music Background: Commercial broadcast audio producer, voice talent Also popular
dbx 1066
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